With the rise of the counter-culture and experimental film in the 1950s and 1960s there were plenty of bizarre movies, but in the1970s, we start to see a plethora of films that descend into absolute insanity. It's impossible to talk about weird movies of this era without bringing up "The King of Bad Taste" himself, John Waters. He eventually settled down and became more mainstream, but his films from the 70s were absolutely nuts. The most well-known is easily the transgressive classic Pink Flamingos from 1972, which starred the drag queen known as Divine and was made for only $10,000. Pink Flamingos featured over the top acting that was far from naturalistic and was full of extremely offensive content, such as a man with a sausage tied to his penis, Divine giving unsimulated oral sex to an …show more content…
The most obvious example is the self-indulgent science fiction film Zardoz, from acclaimed director John Boorman, who had already garnered an Oscar nomination for directing Deliverance. Zardoz lets you know right from the start how weird it's going to be. After an intro featuring a disembodied human face on a black background, the first scene has a giant floating stone head announcing the "gun is good" and the "penis is evil". Then a bunch of guns spill out of its mouth. Boorman thought this scene would make it easier for audiences to understand, but he later admitted that this didn't quite work. Zardoz starred Sean Connery, who was a huge name at the time having just come off portraying James Bond multiple times. He spends the film in a ridiculous outfit that consists of thigh-high boots and red shorts that resemble a diaper. This film had a decently sized budget at over $1.5 million and barely made that back at the box office. It unsurprisingly didn't get a good critical reception and has gotten somewhat of a cult following over the
Through the talkies in the 30’s little changed (except sound). The 1950’s and 60’s focused on sci-fi, B movies and Hammer horror, often known as the ‘Atomic Phase.’ Creature from the Black Lagoon (1954), Alien at the Arctic Circle and The Thing (1951) are good examples. Horror then switched to witchcraft and zombie films such as Night Of The Living Dead (1968) and Day Of The Dead (1985). Conventions changed, we now had more suspense, people being trapped and spiritual terror. Towards the end of the era we also saw an increase in the amount of violence and gore but this was nothing compared to what came next.
Elsaesser, Robert. "The Pathos of Failure: American Films in the 1970s" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 279-292. Print.
Movies come in different genres which are horror, romantic, comedy and even surreal genres. However, only a few directors were only working for films that were based on surrealism. Surreal films are the kind of films in which you found it strange and you will also think that this kind of films exists. Below is the list of the most surreal films.
The main draw of Shooter, other than the likable performances by its lead actors, are definitely the lovely choreographed action scenes. The movie opens with a particularly delightful sniper sequence and never lets go, its conspiracy thriller premise quickly giving way to furious gunplay. Wahlberg flaunts his action movie star persona at full display and makes the most of Swagger's alone-against-the-world
called the “Mother of the modern horror movie” as it was a new kind of
The Scary Movie trilogy is a spoof of scary and not so scary films. The first of the three movies to date was released in 2000. The movie was based on the scary movies that were released at that time. These movies included: Scream, I Know What You Did Last Summer, The Sixth Sense, and The Blair Witch Project. As the movies progressed they seemed to add parodies of not so scary movies such as Charlie's Angels and Mission Impossible II. Even though these movies did not seem to fit into the title, they were still creatively incorporated into the second movie. Then, there is the highly anticipated third movie with spoofs of all the movies that have made it big recently. So, of course this seemed to be the best of the three featuring The Ring, 8 Mile, Signs, The Matrix, and even an "appearance" by the king of pop, Michael Jackson.
... The Web. 18 Nov. 2011. Dirks, Tim. A. The "Film History of the 1970s.
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has led several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island.
Jamie Foxx is front and center which means he is Django, the main character. Leonardo DiCaprio looks like he is the actual bad guy by the way he is positioned and his facial expression. One of the pictorial elements that can be seen are the guns. The guns may hint out that there will be some violence and action in the movie. The red splatters represent blood, which could also hint out the fact that the movie is Rated R. The cowboy hats and outfits could point out the fact that this movie takes place back in the day or during western
Some Like It Hot is an American screwball comedy film directed by Billy Wilder and featuring Marilyn Monroe as Sugar, Tony Curtis as Joe, and Jack Lemon as Jerry. Joe and Jerry are struggling musicians who accidentally witness a mob hit and become targets. To hide from the mob, they flee the state as members of a traveling women’s band, where further complications set in. They quickly become besotted with the lead singer, Sugar, who in unable to recognize that her band mates are really men masquerading as women.
In this film, I believe the filmmakers presented the topic well and made sure it was not baised. It showed the individuals personal lives to where we as the viewers were not judging
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
This style of of art was very popular in European countries, but it was most popular in Germany. With the rise of this style in art and theater it only makes since that it would have an effect on film, which lead to the German expressionism film movement. The German expressionist film movement began in the 1920s with films like Robert Wiene’s The Cabinet of Dr. Caligari and F. W. Muranu’s Nosferatu. German expressionist is “defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect” (Darsa). During this film movement filmmakers were known for using harsh shadows, extreme makeup, and vary abstract mise-en-scenes to tell these strange, and sometimes unsettling, stories. A lot of German expressionist films were centralized around darker themes like insanity and moral ugliness. It’s no wonder that some of the first horror films were produced during the German expressionist movement, and even had a “tremendous influence” on “Hollywood films of the thirties and forties”
were all good. Sean Connery Played a nice cool, slick James Bond, well so did
Since the release of George Melies’s The Haunted Castle in 1896, over 90,000 horror films have been made. However, none have been more frightening and influential than that of Stanley Kubrick’s The Shining and Steven Spielberg’s Jaws. Each a product of horror’s 1970’s and 80’s golden era, the films have a reputation of engulfing viewers in fear, without the use of masked killers, vampires, or other clichés. Instead, Kubrick and Spielberg take a different approach and scare audiences on a psychological level. The Shining and Jaws evoke fear through the use of three different film aspects: the use of a “danger” color, daunting soundtracks, and suspenseful cinematography.