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Characteristics of the western genre film
Characteristics of the western genre film
Violence on film
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Django: Unchained
Film poster advertisements are meant to attract an audience, but no one actually pays attention to every single detail that is on a poster. Every detail that is put on a poster could give an idea on what type of movie it is and who is the main character, but some movie posters fail to do so and could also convey the wrong idea. Django: Unchained was released in 2013 and directed by Quentin Tarantino. The top billed Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson. Django was a slave who has recently been freed to help a bounty hunter find three dangerous men, who are known as the Brittle brothers. In exchange for his help, the bounty hunter will help Django save his wife, Broomhilda, from a dangerous plantation. The two following posters should reflect that the movie is a part of the action genre, show that there is some violence, and give ideas on what the characters are like, for instance who is the good and bad guy.
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Jamie Foxx is front and center which means he is Django, the main character. Leonardo DiCaprio looks like he is the actual bad guy by the way he is positioned and his facial expression. One of the pictorial elements that can be seen are the guns. The guns may hint out that there will be some violence and action in the movie. The red splatters represent blood, which could also hint out the fact that the movie is Rated R. The cowboy hats and outfits could point out the fact that this movie takes place back in the day or during western
Another sign of symbolism in this film was the pictures. It seemed as though the pictures inspired these people. They wanted to be just like the people in the pictures. The pictures symbolized the colonizer. The only colonizer in this film was the
A noticeable symbol in the piece is how the roles are reversed the Aboriginal man being the minority and the European culture being much more prominent in Australia in the 1980s. This shows how time has affected the culture and the journey of the Aboriginal culture has resulted in a loss of tradition and loss of ancestral history. Another noticeable symbol is that the Aboriginal man is in a white suit, this could mean a number of things the assimilation process, the change in culture to fit into modern society or just a wardrobe choice. If the suit does have a purpose it is showing how he has taken on white culture but the picture of an Indigenous man pasted over his own face could represent that even though he has lost his culture he still at heart is tied to his ancestral past. Another is the men and woman in the background on the hill in The Conciliation are now grey statues.
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
The symbolic interaction theory came from George Herbert Mead during the 1920s; Mead explains this theory to be when someone or society bases their thoughts or meanings of things simply off what they have been told, their experiences, or what they have been taught. So in other words people attach their own belief or meaning onto a symbol and act according to their belief or meaning they have attached to the said symbol. For example, my favorite food could be a hot dog until someone walks up and tells me that it has pieces of pig eyes in it, then it ruins the food for me. This happens because I will have that symbol of pig eyes attached to hot dogs until it is changed again. The symbolic interaction theory applies to this movie in the sense of race, ethnicity, and morals. The morals come into place when Django is hired by Dr. Schultz to accompany him during the winter and he is trying to train Django to kill, but Django is hesistant to pull the trigger because he believes killing people is wrong. This belief is quickly changed when Dr. Schultz explains to Django what the men that he is trying to kill did. Throughout the movie Django has many racial slurs thrown at him for things like riding a horse, or entering a town 's saloon. He is on the receiving end of these slurs because the white people have attached the meaning of “slave” to the african americans and see them no other
The Lego movie is the story of a simpleton turned knight-in-shining-armor and co on their journey to the top as they brave life on the run from a benevolent dictator in order to foil his devious plot to freeze the world in his image for all eternity. To make matters worse, pretty much each and every citizen is completely oblivious to the full extent of the chaos that is ensuing. At first glance, life seems all but perfect, but in reality, this could not be further from the truth. Even if this is as obvious as the sky is blue, Lord Fussiness has managed to keep resistance at bay through means of manipulating the minds of his citizens into believing a false sense of safety and freedom under his every watch.
Following the unlikely duo of a white German bounty hunter, Dr. King, and his black slave counterpart, Django Freeman, as they journey to reclaim the token damsel in distress, film director Quentin Tarantino sparked mass controversy surrounding the representation of African Americans and slavery in the south of America during the 19th century. The issue of race and slavery are directly confronted within the film, told through the narrative of Django. Django Unchained is ultimately a story of white redemption; offering an interpretation into the justifications of slavery while race is represented in ways which both challenge and enforce stereotypes. Within the first 20 minutes of the film, we as audience members are introduced to 19th century American racial ideology. It is only when Django rides into the town of Daughtrey in Texas on horseback that we realise how African Americans were seen in the 19th century.
The Lego Movie is an animated film written and directed by Phil Lord and Christopher Miller. This movie is about an ordinary Lego mini-figure named Emmet, who is mistaken for an extraordinary master builder and expected to save the world. Everything changes when Emmet finds the Piece of Resistance which makes him the chosen one called “The Special.” Lord Business who is also the President plans to use the Kragle to freeze the universe perfectly in place so that the individual actions and machinations of society no longer go against his plan. Emmet teams up with his teammates to take down Lord Business plan and to save the world. At the end of the movie, Emmet convinces Lord Business that he does not have to be the bad guy and he could also
to show the genre of the film and how it is meant to be perceived. All
Throughout history America remembered slavery in a crucial unsettling way. Slaves worked long strenuous hours, get whipped to death, starved, and become broken spirits. All these factors describe the life of a slave. "To be a slave meant to be black and to be black meant to be a slave". Slavery at its very core was inhumane and traumatizing for every African American facing it, However today in our history textbooks slavery will be a chapter that many students come across. But what about in the media? well in today 's media movies about slavery are being reenacted and altered on the big screen. Two big box office hits come to many minds of Americans today, those films are Django Unchained and 12 years a slave. Both of these films provide
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
Ben Affleck, director, does an excellent job with the movie Argo. Being able to find the fear and suspension in every scene is difficult to do, yet Affleck does so seamlessly. Based off a true historical event that happened in 1979, Affleck choses to pick the Iranian Hostage Crisis. He starts out the movie with some background information, so that viewers are able to have some understanding of what has happened and why this is happening. He then merges into a heartbreaking scene, where a mob of Iranians have bombarded their way into the American Embassy. Screaming and shouting at the top of their lungs, the actions happening outside are horrific. Showing the fear in every American’s eyes in the building pulls at every heart
In the film, there were various scenes that accurately depicts what slavery was like back in the 1800’s. In one of the scenes, a women slave is seen being whipped because she broke an egg. Just like how this lady was being whipped as punishment, the most common punishment for slaves back in the 1800’s was whipping. In another scene, Jamie Foxx’s wife is seen being branded as punishment which was another popular method of punishment for slaves back in the early 1800’s. In the film, there was also a scene where Jamie Foxx entered a bar and was ask to leave. Although Jamie Foxx didn’t leave, this scene accurately displays the discrimination slaves endured during the 1800’s even if they were set free. Lastly, in another scene, Jamie Foxx’s’ wife is seen trapped in a hot box for attempting to run away. Just like how Jamie Foxx’s’ wife try to run away many slaves back in the early 1800’s did the same and many failed. Although the movie, Django Unchained, fairly depicts the horrendous life of a slave during the early 1800’s, it still shouldn’t be considered a move to be watch to gain historical knowledge because it contains numerous historical
Quentin Tarantino’s auteur is one that speaks of gore, racism, and certain shot techniques. Above all, the aspect that Tarantino is best known for in his long history of filmmaking is the fact that he only uses traditional, or analog, filmmaking techniques. In fact, Tarantino believes that digital cameras used to shoot film will lead to the eventual demise of filmmaking. His views and ideas of digital vs. traditional filmmaking and how his films could be impacted if they were shot in a digital format are explored.
Then right above the movie’s title is a dismal looking street lined with burning cars and a tank. At the bottom of the page the movie’s title, The Expendables 2, is written in bold red letters and the audience is alerted that the film will premier in theatres on August 17. The other dominant text appears at the top of the poster in white lettering, listing the names of the actors who appear in the movie. The phrase, “Back for War,” is to the left of the main character, letting viewers know this movie is a continuation to the battle introduced by the first movie. Most movie posters include a symbol of some kind. Although there is no specific symbol depicted on the poster, the graphic is full of symbolism. This movie poster is eye-catching, complex, and direct, making it very effective at grabbing the viewer’s attention and drawing them in. Overall, this movie poster includes tons of action, giving the viewer many graphics to focus on; however, if you look close enough, you can see that it has a deeper
The first character introduced by Leone to the audience is Colonel Douglas Mortimer (Lee Van Cleef), “a retired soldier and bounty hunter motivated not only by profit but also the thirst for revenge” (Bondanella, 257) of his sister’s rape and death. He is a professional, who stalks his target from a distance with an assortment of rifles rolled up in his saddlebags; but to contrast with this cold delusion, Mortimer dresses in his black preacher’s costume and is a habitual reader of the Bible. He represents the older, wiser generation, which is destined to be extinct. Next, Leone introduces Mortimer’s competition and opposite, Manco (Clint Eastwood), a young stranger with his cigars and poncho, who blends with his surroundings. He is a bounty hunter who kills purely for profit and approaches his victims directly. Finally, the audience is introduced to a doped-up Mexican killer, Indio (Gian Maria Volonté), whose degenerate pleasure in violence is linked to the moment, years before, when the death of Mortimer’s sister traumatized him sexually, and is constantly reminded of the incident by the chiming of the musical watch he carries, which matches Mortimer’s. (Bondanella, 257)