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Relationship between lynching and execution
Social relevance of lynching
Social relevance of lynching
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Description: The photograph Public Lynching has been edited, people have been removed and the saturation increased. The complex colors and composition draw the viewer's attention to the crowd of white people gathered below a tree at night. At first glance the main figure of the photograph is the gathering of white people, smiling and pointing at the tree, but at further investigation the viewer becomes aware of the black space below the tree, obviously lacking a hanging body. The photograph has no defined focal point, but people and plants placed around making the viewer's eye roam not targeting one piece of the photo since the bodies were edited out. The composition of the photo in enhanced by the colors. The photograph was edited and the
I felt an instant connection with it, as O’ Sullivan must have felt standing there upon the sea of bodies. The composition of this photo tells a story all on its own. From the way he captured the body laying twisted in the front, capturing the expressions on his face, to the way the soldiers on the horses blend into the background. The photo speaks death, not because we can see death but because of the composition, the way film captured “fog” or “dust clouds” to the color of the capture itself. There was a story to be told and O’ Sullivan told it with seeing what others couldn’t see, by shooting lower to the ground and giving the forefront the effect of being bigger than the background and capturing the lone soldier amongst the rest of the bodies that looked to be reaching towards O’
Wexler, Laura. 2003. Fire in a Canebrake: The Last Mass Lynching in America. Scribner; 2004. Print
Throughout the film, the filmmaker follows the three victims around in their everyday lives by using somber music and backgrounds of depressing colors. The documentary starts off with colorful images of the scenery
Franklin Zimring (2003) examines the relationship between the history of lynching and current capital punishment in the United States argueing that the link between them is a vigilante tradition. He adequately shows an association between historical lynchings and modern executions, though this paper will show additional evidence that would help strengthen this argument, but other areas of Zimring’s argument are not as well supported. His attitudinal and behavioral measures of modern vigilantism are insufficient and could easily be interpreted as measuring other concepts. Also missing from Zimring’s analysis is an explanation for the transition of executions from representing government control in the past to executions as representing community control in the present. Finally, I argue that Zimring leaves out any meaningful discussion of the role of race in both past lynchings and modern executions. To support my argument, using recent research, I will show how race has played an important role in both past lynchings and modern executions and how the changing form of racial relations may explain the transition from lynchings to legal executions.
Moores Ford Lynching On July 25, 1946, two young black couples- Roger and Dorothy Malcom, George and Mae Murray Dorsey-were killed by a lynch mob at the Moore's Ford Bridge over the Appalachee River connecting Walton and Oconee Counties (Brooks, 1). The four victims were tied up and shot hundreds of times in broad daylight by a mob of unmasked men; murder weapons included rifles, shotguns, pistols, and a machine gun. "Shooting a black person was like shooting a deer," George Dorsey's nephew, George Washington Dorsey said (Suggs C1). It has been over fifty years and this case is still unsolved by police investigators.
Throughout the tale of time, thoughts of revenge have corrupted even the most innocent of minds. In Andre Dubus’ “Killings”, Matt Fowler is conflicted by two opposing forces: his own desire and his wife’s demand for the death of their son’s murderer. Through her manipulative words and her emotional meltdowns, Matt Fowler ultimately succumbs to his wife’s request and commits the gruesome act, which causes the audience to reevaluate the appropriateness and cost of vigilante justice.
Murder at the Margin is a murder mystery involving various economic concepts. The story takes place in Cinnamon Bay Plantation on the Virgin Island of St. John. It is about Professor Henry Spearman, an economist from Harvard. Spearman organizes an investigation of his own using economic laws to solve the case.
Richards focus is that of the ignored; a people that otherwise have been forgotten. It’s his compassion to his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions are left to be made by the viewer.
The Murderers Are Among Us, directed by Wolfe Gang Staudte, is the first postwar film. The film takes place in Berlin right after the war. Susan Wallner, a young women who has returned from a concentration camp, goes to her old apartment to find Hans Mertens living there. Hans took up there after returning home from war and finding out his house was destroyed. Hans would not leave, even after Susan returned home. Later on in the film we find out Hans was a former surgeon but can no longer deal with human suffering because of his traumatic experience in war. We find out about this traumatic experience when Ferdinand Bruckner comes into the film. Bruckner, Hans’ former captain, was responsible for killing hundreds
When first looking at the essay there is a very noticeable aspect to first page of it; that would be the picture of Emmett Till’s deformed body lying bloated and lynched within his casket. The picture strikes an unforgettable image in the reader’s head that is meant to instill the question of how exactly someone could do this to another human being none-the-less a 14 year old teenager. The visual invokes some strong feelings that most people cannot ignore or suppress; those feelings include disgust, anger, fear, and sadness. These feelings are evident in the picture due to the graphic nature of the image and the memories it invokes in readers of past situations they had endured. Being a part of the first page of the essay is what makes this rhetorical device so effective, this puts an image into the reader’s mind of what the African American descent had to endure during the time period and continued to endure for years to come. The image itself had an enormous impact on the civil rights mo...
In addition, another method of execution are lynchings. Lynchings, compared to other ways of execution, are actually one of the best ways to be executed. There are different ways of lynching someone such as suspension, a short drop, a standard drop, and a long drop. How suspension works is quite simple, instead of dropping someone, the executioner would suspend the prisoner, or lifted from the ground. This type of lynching is said to be very painful for the person executed since their airways are being blocked, the victim struggles for air and slowly suffocates to death. A short drop is often times performed by placing the prisoner on the back of a cart, horse, or a vehicle, with a noose around their neck. The object is then moved away, leaving
In the newspaper letter “A Protest Against the Burning and Lynching of Negroes” by Booker T Washington, ethos, pathos, and logos are used to show the injustices of African Americans to the reader.
The focus of this photo is a deep depth of field, and could be captured with a fast or slow shutter speed. The lighting of the photo really play well with the colors, where there are lighter colors, there is more light entering the room, and closer to the camera where there is less light, are darker colors. My eyes go straight to the diagram of an eye hanging up on the chalkboard due to it’s light color and contrast against the chalkboard, as well as, the placement in the photograph. I think that the photographer chose this vantage point to really capture the overwhelming commotion in the picture. If the props in the photo were placed evenly around the room in an organized fashion, then the picture would be too uniform and structured, but having the camera from an angle and the set up of the room unbalanced, then the photo can be viewed as very disordered. I believe this photo was made in an extremely old, rundown building, that was damaged from natural causes (e.g. wind, rain, etc.). I think the photographer didn't fix anything, but simply added to the setting. For example, the shelves are crooked, instead of straightening them he or she, just placed the skulls in between the shelves. There’s dust
The image helps us understand the times during the Progressive Era. It is clear, first of all that this was a time a wonderful time to be a white person. The picture is centered on a white man who is wearing a white suit and his hair is white as is his moustache. It is clear that in America that white people had all the advantages and liberties
... subject matter. A wider angle or color photo would have diminished the strength of the argument by shifting the focus. The style of the photograph is important to the argument. The use of black and white photography is more dramatic and lends a more somber tone. It also allows for more contrast between the black horse and the background. The angle that the photograph was taken at is also important because it causes the sunlight to highlight the horse and the backward boot. The lighting also causes the crowd to fade into the background which further highlights the horse and handler.