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Summary of the phantom of the opera movie essay
Summary of the phantom of the opera movie essay
Summary of the phantom of the opera movie essay
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Plot
The Phantom of the Opera, is one of the most popular gothic, play, story, and movie. This story takes the reader through a wondrous gothic journey, in the Paris Opera House. To understand the story, the characters must be introduced. The phantom is commonly mentioned in the story. He is Erik. All though Erik is the phantom, he has secret qualities to him. There is a young Swedish Singer who is a crucial part of this story. She sings soprano style music, and in this story she is known as Christine. Christine is not just a boring opera singer however, the phantom, or Erik, is secretly in love with Christine, which creates an interesting subplot in the story. Also there is Raoul, who was a childhood friend of Christine, she also had a romantic
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In this performance Christine does extremely well and many people are impressed. At this time many things are going on. The first is the childhood friend of Christine hears the singers of hers, and then memories of his love for her came back to him. The second event at that time was, one of the young dancers were shouting the ghost is real, and this spread rumors about that very subject. It is also rumored that the managers know about this phantom because he sends letters to them, and this is how Erik was able to establish his identity. The Phantom is also known to perform acts of high malevolence. A short while after the performance of Christine, there is another performance of Faust, and in that performance, Carlotta, is cast as the lead. This upsets the Phantom, as he is in love with Christine, and he wants her to cast as the lead in the play. In this play, the phantom does something very bad, during the performance, he makes a giant grand chandelier fall on top of head, and, as anyone can guess, it kills her, it squashes her like a little …show more content…
Raoul plans to pull through the next day, but having a big heart, Christine feels bad and has an amount of pity for Erik. Christine says she will only leave after she has sang one last time for Erik. Erik hears all of this and he is filled with jealousy. The next night Erik kidnaps Christine again, and tries to force Christine to marry him, and if she declines, he will use bombs to destroy the whole house of Opera. Christine keeps saying no to the offer of marriage, until she finds out that the phantom has Raoul is a torture chamber. Christine puts the other people above her and she agrees to marry Erik. Erik tries to kill Raoul but Christine pleads with him not to do so. Erik rescues Raoul from the chamber, and after that he takes off his mask, and kisses Christine into marriage. Erik shows Christine he has never been shown affection before in his
... He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.” The characters in Twelfth Night each play an important and specific role, especially when it comes to interfering or setting fate for romantic interests.
Nelson’s film adaptation of Othello is one of the many adaptations that Hollywood has created to modernize old works to fit into current times. “O” is about an African American high school basketball star that attends an all white prep school Palmetto grove. Odin James is the MVP of his basketball team; he shares this title with his best friend Michael. Odin dates Desi the Dean’s daughter and they are madly in love. Hugo is the coaches’ son, and is jealous of O and Michael’s success on the basketball court. Hugo then plots to play O against Desi and Michael. This works and in the end O ends up killing Desi, along with himself. In the end Hugo gets caught.
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
Leroux uses several objects as symbols as to who and what the Phantom, or Erik, is. The most prominent of them being the Phantom’s mask. As the Persian stated after hearing Erik claim that he had found love, “ his horrible, unparalleled and repulsive ugliness put him without the pale of humanity; and it often seemed to me that, for this reason, he no longer believed that he had any duty toward the human race (Leroux 203).” Erik knows that he was considered a monster due to his deformities, and relied on the mask as an escape from his reality. Erik uses the mask to hide his true self from Christine in the beginning, who eventually learned to love him for his faults. His masked self-was for the general public, because of the torture and discriminations he faced, whereas he only took off his mask to face those he cared for. This use of duality can be seen throughout modern society, where people have more than one “face”, one being how we confront everyday situations and other people, and the other being what’s behind closed
...hat she is an ideal woman. Similar to Christine, Raoul fits the gender norms, as he is powerful and jealous. The audience is told that Raoul is an exemplary man because even with his forceful personality, Christine still chooses him. The Phantom, on the other hand, is depicted as queer with characteristics of a gender normative man, but the way he is treated still conforms to the norm because he is isolated and feared as a result of his differences. The Phantom of the Opera, overall, helps to support gender normative traits and suppress unconventional character traits.
Gaston Leroux, the author of The Phantom of the Opera, once wrote, “Poor, unhappy Erik! Shall we pity him?... He asked only to be 'someone,' like everybody else. But he was too ugly!… He had a heart that could have held the entire empire of the world; and, in the end, he had to content himself with a cellar.”
The pattern of moving from sanity to psychosis also parallels the decay of both the plays. Opehlia is introduced to the audience as a worthy lady who is normal for the Elizabethan era. Desdemona is also introduced in this light, along side her noble husband Othello. As the play moves from harmony to chaos, the sanity of both Opehlia and Othello diminishes. As both plays move closer toward complete discord, the minds of Othello and Ophelia grow madder and madder. The final outcome, is of course, the deaths of the innocent ladies, and for the plays the final outcome is utter destruction and misery of Denmark and Venice. The role of the "innocent lady" provides a symbol of sanity in addition to being a symbol for happiness and harmony. As the role fades away in both plays, the sanity and harmony parallels the pattern and also fades.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
The opposite to Christine, like Phantom versus Raoul, she puts her career first and Christine put love first. Carlotta will wear the same thing as Christine as the same actress will play the pair. Tone changes between Christine and Carlotta, are of extreme importance, as well as actions, in order for the audience to follow character changes. Overall, Carlotta plays the jerk whose soft side went out the window when she picked her singing career over personal
The Phantom of the Opera centers on the Paris Opera House which has over time become the Phantom’s domain. Upon the news that the opera house has been bought and is under new ownership, the Phantom demands that the new owners honor the “agreement” he has established with the previous owners and that the fifth opera box is kept empty for his use and that his salary of 20,000 francs per month is honored. The Phantom also demands that Christine, whom he has secretly been giving singing lessons to, replace Carlotta Giudicelli, the opera company’s prima donna. He also warns that if his demands are not met, that the opera house and the opera company will need to pay the consequences. Though the origins of the Phantom are unknown to the general population of the opera house, Madame Giry knows more about the Phantom than she lets on. It is later discovered that Madame Giry helped the Phantom escape a life of abuse from a freak show and that she hid him at the opera house where she was studying ballet. It was during Christine’s and the Phantom’s singing lessons that he began to fall in love with her and came to be obsessed and protective of her. The return of Christine’s first love, Raoul, threatens to tear Christine an...
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
My experience watching a live theatre performance on stage was a fascinating one, most especially since it was my first time. I attended a staged performance of “The History Boys” in a small theatre called “The Little Theatre of Alexandria” at 8:00 pm on Wednesday June 8, 2016 in Alexandria, Virginia. The overall production of the play was a resounding experience for me particularly the performance of the actors and the design of the scene made the play seem real.