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Essay on the phantom of the opera essay for dummies
Essay on the phantom of the opera essay for dummies
Phantom of the opera history essay
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Phantom Of The Opera
The Phantom of the Opera" the movie, in this essay is about more than just a phantom in an opera causing problems. It's about the world inside an opera house and its real master the Phantom. Also, it is about a love triangle and the struggles of love between the Phantom, Christine and Raoul. The lighting, color and music point to the Phantom as he controls the stage and the characters on it. Through these basic elements and the characters Andrew Schumacher the director shows the theme. The theme is about love being a struggle to find truth.
First of all, the characters create tension between themselves thus creating the struggle. The Phantom and Raoul both love Christine, but for different reasons. The Phantom loves her for her voice; Raoul loves her for her whole being. Christine has the difficult task of trying to figure out who she loves when everything around her leaves her spinning. The Phantom is The Angle of Music her father promised, but Raoul is her sw...
The movie, “Romeo Must Die”, is an action packed drama that adapts William Shakespeare’s “Romeo and Juliet” into a more modern perspective with a twist that deviates from the original plot. Han Sing, played by the actor Jet Li, resembles Romeo, where as Trish O’Day, played by the actress Aaliyah, resembles Juliet. Fate causes them to meet when Trish jumps into the taxi Han hi-jacks. As Han is in search of the person that killed his brother, he learns that Trish may have a connection and begins to pursue her.
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
This opera tells the story of a man’s infatuation with a woman that throws her heart away to any man that picks her fancy. Jose in general is a confused man torn between his mother, Micaela, and Carmen. Being a “momma’s boy” does not help his situation in the least. Jose starts caring for Micaela because his mother wished it so. Carmen comes into his life and he is dumbstruck with lust and that eventually turns into infatuation. By the end of the opera Jose becomes wild with crazy obsession for Carmen. However, Carmen is also looking for a love that will be hers forever. This is why she is continually juxtaposing love and lust. Carmen makes a statement early in Act I that “I will die for the one I love”. By the end of Act IV she loves Escamillo and ends up dying for him.
English poet Alexander Pope said; “Our passions are like convulsion fits, which, though they make us stronger for the time, leave us the weaker ever after.” In the play Othello the Moor of Venice, Othello is faced with many different situations where he must decide if he will choose responsible behavior or to follow his passion. Throughout the play, the decline of Othello is very apparent; he began as a man who put work in front of all personal problems and made sure to put others in front of his own well-being. While following his passion gave him a feeling of temporary power, in the end, that is what led to his downfall. Love for Desdemona and soon after, envy and anger for Desdemona took control of Othello’s life in Cyprus. These feelings lead to Iago being able to take advantage of Othello which eventually lead to Othello’s demise.
Based on the plot, develop a suggestion for what could be our artistic vision, help our director’s artistic vision out. Keep in mind the question, “what makes the story of Othello [the Moor] relevant to us?” Write 50-100 words.
Through studying Shakespeare’s and Cinthio’s Othello, I explored the concept of ‘The Moor’. ‘The Moor’ is a disrespectful and racist term , often used by white Europeans referring to arabs and blacks, and people of other races with relatively dark skin, such as Othello. During Shakespeare’s time, blacks are considered to be outsiders and are inferior to white people. In Cinthio’s work, it stated that moors are hot-headed as evident in this quote ‘you moors are of so hot a nature that every little trifle moves you to anger and revenge’ which is evident that moors are hot-headed. In scene 1 of the play, Iago told Desdemona father that his daughter was robbed by a thief, Iago uses metaphor to describes Othello as a “black ram”. Desdemona’s father was shocked that his daughter will fall in love with a black man. He believed that Othello must have use some magic to make his daughter fall in love with him; as there is social class difference at that time and it is unimaginable that a white woman will love a black men.
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
“All the world’s a stage, and all the men and women merely players.” William Shakespeare may have written these words in As You Like It in 1600, but Erving Goffman truly defined the phrase with his dramaturgical theory. Dramaturgical analysis is the study of social interaction in terms of theatrical performance. Unlike actors though, who use a script telling them how to behave in every scene, real life human interactions change depending upon the social situation they are in. We may have an idea of how we want to be perceived, and may have the foundation to make that happen. But we cannot be sure of every interaction we will have throughout the day, having to ebb and flow with the conversations and situations as they happen.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
The cinematic techniques used by Parker successfully compliment the wide range of emotions experienced by the characters within Shakespeare’s complex plot. A variety of themes within the script of Othello, including racism and appearance verses reality, are more effectively portrayed allowing the audience to have a heightened understanding and enjoyment of the movie.
...director did not limit the film to its historical context but extended the same to romance and fantasy. From a different angle of view, the director made use of the theme to communicate with the viewers and the fictional characters can be considered as his tools. Besides, ample importance is given to historical and fictional characters. In short, the amalgamation of history, fantasy and romance constituted much to the film’s importance as a historical/fictional masterpiece.
The Phantom of the Opera centers on the Paris Opera House which has over time become the Phantom’s domain. Upon the news that the opera house has been bought and is under new ownership, the Phantom demands that the new owners honor the “agreement” he has established with the previous owners and that the fifth opera box is kept empty for his use and that his salary of 20,000 francs per month is honored. The Phantom also demands that Christine, whom he has secretly been giving singing lessons to, replace Carlotta Giudicelli, the opera company’s prima donna. He also warns that if his demands are not met, that the opera house and the opera company will need to pay the consequences. Though the origins of the Phantom are unknown to the general population of the opera house, Madame Giry knows more about the Phantom than she lets on. It is later discovered that Madame Giry helped the Phantom escape a life of abuse from a freak show and that she hid him at the opera house where she was studying ballet. It was during Christine’s and the Phantom’s singing lessons that he began to fall in love with her and came to be obsessed and protective of her. The return of Christine’s first love, Raoul, threatens to tear Christine an...
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.