Petruchio's 'Conversation In Hard Headed Woman'

147 Words1 Page
bulb-icon

Recommended: Reasearch on shakespeare

In the middle of this scene Kate and Petruchio find themselves making conversation. This is not the typical conversation between two people who are possibly getting married, but conversation none the less. Kate tears into Petruchio, but Petruchio fires back at Kate (usually taking Kate's insults and twisting them into sexual innuendos). Petruchio is aware that Kate is a shrew, but he still insists that they be married by saying "will you, nill you, I will marry you." This scene relates to "Hard Headed Woman" because Petruchio seems to be looking for a hard headed woman such as Kate. The first lines of the song are "I'm looking for a hard headed woman, One who will take me for myself." Petruchio finds his hard headed woman who can tear into

Show More
Related

  • Pony Boy Monologue

    916 Words  | 2 Pages

    “Ponyboy run for it!”,I yell to him David chasing after him,and pony doged there first atemt then he was caught both arms twisted behind his back and legs gripped by the arms of two socs while they hadnt caught me yet,I was still running.The socs broght pony boy to bob and he pointed tweords the fountain with no hesitation and with that pony boy was head first drowning in a fountain of freezing cold water.As I was runnning from the socs I saw ponyboy as blue as a blue berry trying to hold his breath in.”I can t see this,I need to do somthing” I cryed.It was then that I rememberd I had thatswisarmy knife in my back pocket but I felt Heroism Revenge and Rushed for time but I also felt Question,confused and disbelefe.Eiether way I had to even thought I would be a murderer.With that I Stabed Bob in the heart and he slowly fell to the ground and then colapst onto the cold pavment.

    Read More

  • The Shrew: Sharp Tongued T Ui-Lien

    1182 Words  | 3 Pages

    The short story, The Shrew: Sharp Tongued Ts’ui-lien is a comical piece about conformity and societal expectations. Within the story we are introduced to a young woman with the disposition to talk relentlessly, and with a need to have all of her ideas heard. However, the societal expectations are stifling and are focused on obedience of tradition and decency. Through comedy, Ts’ui-lien upsets the balance and need to remove herself from society completely as the only viable solution for others to deal with her strong personality, the only solution that allow her to remain unchanged and unconfirmed to the demands of the society. Through this, the story’s position on the place of societal norms in this culture become clear, fall in line or remove

    Read More

  • The Admirable Character In Cyrano De Bergerac By Edmond Rostand

    570 Words  | 2 Pages

    In this tragic love story about two men who struggle to win over one woman’s heart, working together seemed like the only option for both of them to get what they wanted. Cyrano is the most admirable character in this play because of all of his acts of kindness and helpfulness and also with his bravery and loyalty to his friends. Sometimes, fate can be unfair, and the greatest person can end up having the worst things, while the worst person can end up receiving the best things. In Cyrano de Bergerac by Edmond Rostand, Cyrano is a great man, who is noble and brave, but ends up being very poor and dies sadly. Cyrano has proved the readers that he is a admirable person with his loyalty, and has the characteristics and qualities of a gentlemen but his shockingly large nose changes his appearance, and he considers himself ugly throughout the whole book.

    Read More

  • Mercutio Queen Mab Monologue

    565 Words  | 2 Pages

    This mask belongs to the minor character Mercutio; consequently, its main colors are orange, brown, and green because he is flamboyant, reliable, and young. To begin with, the color orange represents Mercutio’s most recognizable and dominant trait: flamboyance. It is exhibited most in his Queen Mab monologue, “Oh, then I see Queen Mab hath been with you./She is the fairies’ midwife, and she comes/In shape no bigger than an agate stone/On the forefinger of an alderman/Drawn with a team of little atomies...And in this state she gallops night by night/Through lovers’ brains, and then they dream of love...This is the hag, when maids lie on their backs,/That presses them and learns then first to bear,/Making them women of good carriage,”(Act I, Scene 4, lines 53-57, 70-71, 92-94).

    Read More

  • How Does Shakespeare Use Syntax In The Taming Of The Shrew

    680 Words  | 2 Pages

    In William Shakespeare's comedy, The Taming of the Shrew, Shakespeare reveals Hortensio as having a degrading tone towards Bianca showing that he does not commend her. Shakespeare uses diction and syntax to depict the difference between true love, and the absurd love that men believe to be real in this play. The first way Shakespeare displays this tone is through the diction Hortensio uses as he is talking with Gremio about competing for love from Bianca. After Kate’s tantrum, Baptista explains to the suitors how they cannot marry Bianca until Kate is married. Hortensio exclaims to Gremio that, “he who runs fastest gets the / ring” (1.1.142-143). Here, Hortensio refers to Bianca as a ring. Him being the one that wishes to marry her, gives her the identity

    Read More

  • Kate Controls Her Own Actions in William Shakespeare's Taming of the Shrew

    1387 Words  | 3 Pages

    ...Petruchio mistreat his servants. After coming home from the wedding, Petruchio says, "Here, sir! here, sir! here, sir! here, sir!/You logger-headed and unpolish'd grooms!/What, no attendance? no regard? no duty?/Where is the foolish knave I sent before?" (4.1.115-118). He continues to mistreat his servants right in front of Kate; he even hits a few of them. Kate sees this and realizes how poorly she has treated others in the past and realizes that she doesn't want to be a shrew any longer.

    Read More

  • Porphyria’s Lover and The Laboratory

    1499 Words  | 3 Pages

    him, she was not strong enough before but now it is she that needs him.

    Read More

  • Dark Horse Figurative Language

    470 Words  | 1 Pages

    During the song he says "She’s a beast" and he is comparing her to a beast or a monster. Also in the song she will say "Shawty so bad". That will be a metaphor because she will be comparing how crummy Shawty is. The third quote is "She can be my Sleeping Beauty". This is saying if she

    Read More

  • Manipulation in William Shakespeare's The Taming of the Shrew

    1554 Words  | 4 Pages

    By charming her with kind words, Petruchio is able to manipulate Katherine into marriage and woo her, but in an unaccustomed way, as Kate is not used to men being so nice and direct with her. Petruchio is able to achieve this end by manipulating Katherine’s words. He twists what Kate says and makes it seem as if she is coming on to him sexually, while in reality he is the one implying the sexual innuendo. This manipulation can be seen when they have an argument about whether or not the wasp carries his sting on his tail or tongue, and Petruchio says “What, with my tongue in your tail? Nay, come again, good Kate. I am a gentleman—” (II, 1; 230-231). By contorting the words he ...

    Read More

  • Use of Puns and Metaphors in Shakespeare's Taming of the Shrew

    1946 Words  | 4 Pages

    When Petruchio tells Grumio to knock on Hortensio's door, Grumio takes it as if Petruchio wants him to hit Petruchio, and therein lies the pun on the word knock. When Grumio continues to fool around with the pun, Petruchio replies, (I:ii,16-18) "Faith, sirrah, an you’ll not knock, I’ll ring it. I’ll try how you can sol, fa, and sing it." Telling Grumio that he will hit him if he won't knock on the door, there is a musical metaphor because Grumio will not actually sing the musical scale of sol, fa. By this Petruchio means he will see how loud Grumio will yell when he hits Grumio.

    Read More

  • The Significance Of Kate's Final Speech In The Taming Of The Shrew

    572 Words  | 2 Pages

    Much responsibility lies with readers, actors, and directors. Remember, “There is nothing either good or bad, but thinking makes it so.” Katharina and Petruchio are both victims of their social situations, their passions, and their egos, and by Kate’s final speech, it is clear that she doesn't really believe what she's saying – she's just telling Petruchio what he wants to hear. The final speech, then, can be seen as an extension of Kate's newfound ability to "role-play," or act. Katherine’s motivations for giving this speech (fear, exasperation, amusement) and whether or not Kate derives any power in her new relationship with Petruchio

    Read More

  • The Feminist Perspective of Taming of the Shrew

    1018 Words  | 3 Pages

    Called "cursed Kate" throughout the play, Katherine is openly jealous of the attention he sister is receiving, whereas she, because she speaks her mind, is being bypassed and even avoided in the wooing process. Katherine reveals this attitude in act 2 scene1, lines 31-35, "nay, now i see she is your treasure, she must have a husband; i must dance barefoot on my wedding day, and for your love to her, lead the apes to hell. Talk not to me i will sit and weep!...." This anger is not concealed, it serves to provide motivation as to why a rational person would rebuke petrucchio so rudely upon first encountering him. Katherine surely realizes that petruchio is interested in her for ulterior motives other than love. Be it purse that the dowry will bring or the actions of an...

    Read More

  • Romeo And Juliet Music Analysis

    1706 Words  | 4 Pages

    This immediate contradiction highlights the difference between the peaceful Romeo and the insanity that is surrounding the gunfight between Tybalt and Benvolio. Even as the trailer transitions to the wedding, Romeo and Juliet meeting for the first time, and the Capulet party, the song repeats these words, showing the duality of Romeo and Juliet’s love. The lyrics punctuate the idea that their love is both beautiful and— because it goes against their family rivalry—psychotic. As the characters engage in violent, aggressive action, the song still speaks more about the story of Romeo and Juliet saying, “I think I fell in love again/Maybe I just took too much cough medicine”. This verse is significant to Shakespeare’s play, as well as Lurhmann’s film. The line “I think I fell in love again” speaks to the point that Romeo quickly fell out of love with Rosaline and in love with Juliet, as seen in both the play and the film. The fickle and short lived love of Rosaline alludes to the lack of permanence in the lives and in the love of the teenagers. The second line pertains more to the film as Mercutio refers to Queen Mab as a drug having power over the minds of men, including their perceptions of love. In the scene before Romeo meets Juliet, seen in Lurhmann’s film and in the

    Read More

  • A Cry Of Emotionation In Joseph Conrad's 'The Secret Sharer'

    1564 Words  | 4 Pages

    "I wanted to have, a bit of a talk with you about that—being engaged and all that sort of thing. I'm glad I got you alone before the Curse arrived." {PG Wodehouse, the Little Warrior}

    Read More

  • Susan Bordo On Love's Labour

    533 Words  | 2 Pages

    One of the most common questions to date is whether humans have free will, meaning do we feel as if we have the choice to do what we want with our lives. This thought has brought me to question whether humans are able to choose their own path or if we are subject to cultural norms that influence our actions. Having read three essays with similar views on this subject I have been able to shape a thought process about this issue. Cultural critic, Laura Kipnis concentrated her studies on sexual politics and gender issues, which can be seen in “Love’s Labor”. In her polemic she explained how perceptions of love have been shaped by beliefs that are propelled by the culture of our society. Feminist philosopher, Susan Bordo, focused her studies on

    Read More

More about Petruchio's 'Conversation In Hard Headed Woman'

Open Document