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Racism in literature
Racism in america literature
Narrative about the woods
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Peter Taylor's The Old Forest Critics have continuously characterized Peter Taylor’s work, as a social critique of the South and how it shows “the effects of cultural inheritance on its people” (Bryant 66). In his story, “The Old Forest,” Taylor examines the regional history and social structures that shaped his own past and how breaking the architecture that has existed for generations is not easily accomplished. Although it takes place in 1937, with progressive girls and college students filling the city of Memphis with intellectualism and open sexuality, the social constructions of the past, most specifically the descendents of plantation owners and rich socialites, are not easily forgotten. Lines have been drawn between those residing in the progressive city and Nat Ramsey’s community of debutantes and patriarchal dominance. Nat’s fiancé, Caroline Braxley is unwillingly thrown into the conflict as Nat finds himself in a questionable situation with a city girl, Lee Ann. As Caroline struggles to secure her marriage to Nat, she is faced with obstacles of gender, social class, and her own emotions. Taylor exposes the essential truth behind Caroline of how she uses her knowledge of her expected roles to survive in a changing societal context. Caroline embodies a middle path through the conflicting generations and social movements that allows her to follow her desires and gain the future she wants without excluding herself from the values she has learned to accept. Caroline Braxley does not have a significant role in the beginning of Nat’s narrative. Instead, she is background noise in his quest for individual knowledge and self-awareness in the changing Memphis community. Nat only refers to her as “the society girl I... ... middle of paper ... ...in English 9 (Fall 1987): 65-72. Heldrich, Philip. “Collision and Revision in Peter Taylor’s ‘The Old Forest’.” Southern Quarterly: A Journal of the Arts in the South 38.2 (Winter 2000): 48-53. Robinson, David M. “Engaging the Past: Peter Taylor’s ‘The Old Forest’.” Southern Literary Journal 22.2 (Spring 1990): 63-77. Robison, James Curry. Peter Taylor: A Study of the Short Fiction. Boston: Twayne Publishers, 1988. 78, 89-95. Shear, Walter. “Peter Taylor’s Fiction: The Encounter with the Other.” Southern Literary Journal 21.2 (Spring 1989): 41-46. - -. “Women and History in Peter Taylor’s Short Stories.” Southern Quarterly: A Journal of the Arts in the South 33.1 (Fall 1994): 41-46. Taylor, Peter. “The Old Forest.” Growing Up in the South: An Anthology of Modern Southern Literature. Ed. Jones, Suzanne W. New York: Penguin Group Inc., 2003. 247-314.
3. Chapter 1, page 5, #3: “Moving through the soaked, coarse grass I began to examine each one closely, and finally identified the tree I was looking for by means of certain small scars rising along its trunk, and by a limb extending over the river, and another thinner limb growing near it.
Robinson, Daniel. "Getting It Right: The Short Fiction of Tim O'Brien." Studies in Contemporary Fiction. 40.3 (1999): 257. Expanded Academic ASAP.
" American Literature 58.2 (May 1986): 181-202. Wright, Richard. A.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Charters, A. (2011). The Story and Its Writer: An Introduction to Short Fiction (8th ed.). Boston: Bedfor/St. Martin's.
Studies In Short Fiction 18.1 (1981): 65. Literary Reference Center. Web. The Web. The Web.
Updike, John. "A&P." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991.1026-1030.
Perkins, George B., and Barbara Perkins. "The Beast in the Jungle." The American Tradition in Literature (concise). 12th ed. Boston: McGraw-Hill Higher Education, 2009. 1148-1177. Print.
Knowing and understanding social, political, and cultural history is extremely important when reading many novels, especially Incidents in the Life of a Slave Girl by Linda Brent and any short story written by Nathaniel Hawthorne. Both of these authors had many extinuating circumstances surrounding their writings that should be noted before reading their works. Without knowing what was happening both in the outside world and in the respected author's life, one cannot truly grasp what the author is trying to say or what the author truly means by what he or she is saying. In this paper, I will show how important it is for the reader to understand the social, political, and cultural happenings in the writer's lives and in the world surrounding them during the times that their works were written.
Rielly, Edward J. “Out of the Landscape of His Past.” Journal of American Cultuer 16.3 (1993): 47.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Tobias Wolff’s “Hunters in the Snow” and William Faulkner’s “A Rose for Emily” have related elements, but also divergent styles. The two stories expose that their characters were desperately looking and needed a change in their lives; either a change to help get over the limitation of the character’s freedom or a change in domination. The way Wolf and Faulkner wrote their stories caught many different types of audience by how similar and different their stories share, even though the stories were written in different time periods.
Pike, Gerald. “Excerpts from Criticism of the Works of Short Fiction Writers.” Short Story Criticism. Ed. Thomas Votteler. Vol. 6. Detroit: Gale Research International Limited, 1990. 90. Print.
Appalachian values are traditional customs picked up by many generations, influencing attitudes and behaviors throughout the Appalachian area. These values have shaped the Appalachian region for many years, impacting the interactions among individuals. In Sharyn McCrumb’s She Walks These Hills and Loyal Jones’ “Appalachian Values,” particular inherited native values are discussed or portrayed within both works of Appalachian literature. Jones speaks of self-reliance, hospitality, and personalism, and how they can all be found in the Appalachian areas. These traits are personified in Martha Ayers’ desire to prove herself a fit deputy, Nora Bonesteel’s forever open door, and Harm Soley’s desire to please everyone.
Many sands had the tree known; many green neighbors had come and gone, yet the tree remained. The mighty roots had endured such whips and scorns as had been cast upon it, but the old tree had survived, a pillar of twisted iron and horn against the now sickly sky. In the waning light of evening, the tree waited.