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Essay about a theatre production
Essay about a theatre production
Essay about a theatre production
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Since their inception in the 1890s, people have loved watching movies. While almost every person has seen a movie, many people have never seen a live theatre performance. This more traditional form of entertainment has roots in many cultures and time periods. People who brush off theatre as old fashioned miss out on a wonderful source of entertainment and enjoyment. Theatre has many advantages over movies, such as a more personal connection with actors, more vulnerable performance, and definite accessibility.
Firstly, theatre allows the actors to connect with the audience on a whole new level. With movies, only certain people appear on screen, even with others in a scene. Alternatively, theatre provides many other people and objects to look at during long dialogues. Because of how the sounds and actors surround an audience, allowing them to feel included in the scene, the passion emitted by the actor creates a powerful connection with the audience. Without this, studio recordings and lip-syncing cannot achieve the same level of emotion as live performance. Scenes go from sad to heartbreaking, emotional to passionate, sweet to beautiful.
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Every performance possesses a slightly different experience. Even in professional theatre, every performance has miniscule differences if one looks closely enough. If something goes wrong, the actors have to improvise and get the performance back to the script. No green screen or editing can change how a stage, prop, or actor looks. Anything the director and cast wants the audience to see has to appear on stage. Alternatively, the crew relies on the imagination of the audience to compensate when something looks different. Viewers must use their minds instead of having everything handed to them. Unlike movies, where retakes and edits can compensate for anything, theatre actors must think on their feet and continue the show, no matter what
Every face had excellent expressions, presenting their characters perfectly. Also, each actor added their own twist on the characters, anywhere from a slight accent to body language, adding more depth to the entire musical. Furthermore, every actor changed their voice in a way that depicted their character’s emotions and attitude at that particular moment. Also, the color of the lights changes according to each scene and the mood for that particular scene.
Total Drama Island is a spoof off of CBSs hit show survivor. It has a more dramatic aspect of everything in the show such as the host, competions, contestenants and elimination night. The cartoon uses stereotypical teenagers to make fun of all of the drama that happens on every season of the show. Tom McGills and Jennifer Pertsch created a show called Total Drama Island, a parody of the hit series Survivor, in order to add more humor and make fun of their clichés.
Identity is like a mosaic, composed of countless pivotal pieces; however, these pieces become lost over time, as societal expectations reshape one’s identity. Maintaining these elements is crucial, as they ease the connection with one’s unique values in a world where conformity overrules autonomy. Both protagonists in Carleigh Baker's "War of Attrition" and Sherman Alexie’s “This is What it Means to Say Phoenix, Arizona” challenge society’s expectations to assert their autonomy; therefore, exploring the theme of identity. Baker’s story explores the theme of identity through the journey of a young woman, Corrina, preparing to leave her caring husband. Throughout her preparations, she faces internal doubt and guilt caused by her coworker Lana, who
Theatre, like other mediums of art, has many forms. Although they all have things in common, they also have many differences. These forms can be recent on ancient. For example, two very different forms of theatre are ancient Greek theatre and musicals. A big difference between the two is where the form originated.
The same could be said about performances. The audience needs to believe the characters are real;
The relationship between film and stage has long been a complicated one. Supporters of both mediums each have their own reasons for preferring one over the other. Regardless of which is objectively superior, it is undeniable that a film adaption and a stage adaption of the same source material have numerous differences due to the utilization of different resources. Stage performances have existed for far longer than film has, but film has become exponentially more popular in recent times, largely due to its accessibility. Using Metropolis and Hedwig and the Angry Inch as my primary examples, I will explain how certain aspects of plot are better portrayed using one medium verses another.
“The theatre space is a product of the interplay between stage space, gestural space and dramatic space and, according to Anne Uberseld, it is constructed, on the basis of an architecture, a (pictorial) view of the world, or a space sculpted essentially by the actors' bodies.” – Lloyd Llewellyn-Jones, “Understanding Theatre Space”, 2002. Theatre, as we know it, is a microcosm of the real world that we encounter in our day to day lives. Aristotle had believed that theatre could be used as a medium to have a profound impact on the audience; he called this impact “catharsis” meaning a purgation of excess of emotions from a person’s inner being. According to Aristotle, this purgation was made possible by involving the spectator emotionally in
For example, in comparison to the spectacular dance numbers, fantastic singing, and gorgeous scenery the acting seemed to be a bit subpar. By no means am I trying to exemplify that I believed the acting was bad or that the cast was unskilled, although it seemed to be the least contributing factor towards my enjoyment of the production. However, like I stated previously if a production is flashy enough, I will enjoy it immensely in spite of almost anything. Therefore, depending on the type of people the audience consists of the disparity between the acting and design could be inimical or
“Theatre makes us think about power and the way our society works and it does this with a clear purpose, to make a change.”
For as long as humankind exists, theatre will always take on an important function within its cultures. Through theatre, a culture expresses itself, reflects its society, and displays its individuality. It invites people to experience other cultures.
Costumes are another visual element of theatre. When an actor is in costumes he or she take on the persona of the character merging into a single image on stage. The clothes, accessories, hair, mask, jewelry, and makeup are all part of the costume to focus the attention on the character; the costume should be aesthetic and symbolic of the director concept and the playwright’s intent of the essences of that character. For each theatre discipline, there are requirements that must completed in order to achieve the objective of the play, to bring the story to life and the images of the script into reality for the audience to virtually step into the scene.
Our traditional theatre has been the carrier of the basic values and beliefs of Indian life. It can be said that this theatre has been instrumental in bridging the gap between the various castes, classes and communities of a given region and provided a medium to unify them.
Theatre is a more language driven medium, while movies and television are driven by what you see. Theatre relies solely on excellent script, and acting. Theatre has a live element, a more heightened sense of realism. Some argue that we are losing the very essence of theatre, its live-ness, because of recorded media seeping into plays and performances (Trueman). With technology things can more easily go wrong. Lyn Gardner says that if the show relies too heavily on technology, it can cause performances to be canceled completely due to technical glitches that instead of adding to performances, the technology has become the show. The spectacle has began to make actors obsolete, leaving the audience to feel alienated and passive to the performance rather than part of it as they should feel
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.