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Recommended: Important of theatre
Our traditional theatre has been the carrier of the basic values and beliefs of Indian life. It can be said that this theatre has been instrumental in bridging the gap between the various castes, classes and communities of a given region and provided a medium to unify them. Without any external encouragement and owing to the lack of patronage, the traditional theatre tended to become stagnant and very soon a new kind of theatre introduced by the British colonizers in the 19th century began to take hold. This new theatre has no connection with our rich heritage of traditional theatre but catered to the likings of the new ruling class by which it was patronized. This led the traditional theatre to be limited to rural India while the …show more content…
Its patrons and practitioners were the Indians who were trained in Western education and who heartily accepted subordination. The new theatre got immense patronage and encouragement in cities like Calcutta, Bombay and to some extent in Madras and had no connection with the countryside traditional theatre. In Bengali and Marathi, this theatre became most active. The written text and the playwright got central importance in this new theatrical activity. The theatrical activity in Bengal was far advanced in all respects. Only in Calcutta, an urban residential theatre on the model of the western world, especially of London, came into existence and has …show more content…
The plays written for this theatre were generally imitating the Shakespearean model and their stories were mostly drawn from the Muslim or Indian romantic tales and later, also from mythological and historical episodes. In the Parsi theatre there was a preponderance of music and dance which it absorbed from the folk theatre or natyas. The Parsi stage was divided in deep and shallow scenes—the deep scenes involved the characters of the main plot while the shallow scenes were link scenes which depicted characters of lower-class, which were staged in the foreground of the stage with painted curtain often depicting a street scene while the stage could be prepared for the more important deep
Eighteenth century British theatre was perhaps the starting point that would evolve into modern theatre. Women started to be allowed on stage and acting techniques were beginning to change. Leading performers were like celebrities with a number of fans. Theatre was an intricate part of the social ladder. In the overall scheme of things the actors and actresses played an important part in making the theatre what it was. Without the performers there wouldn’t really be theatre, so in order to understand the eighteenth century British theatre the performers of that era need to be understood.
Two new theatres were built - "theatre Royal" and the Duke's theatre. Both the theatres were completely modern with latest inventions to provide for the scenery and machinery for the plots.
The duration and cost of the production have been compared to other media which provide entertainment, such as television and film. A theatre performance is more expensive to attend than cinema. The play only lasted for 85 minutes, a film can go on for two hours or even more. This can have a big influence on why people would choose one medium over the other. Accessibility has also to be taken into account when investigating the relevance of theatre in the 21st century. Television is a medium which can be accessed from home, and usually doesn’t cost a lot of money, whereas theatre costs money and is harder to access. Although the production was Australian, the actors talked with an American accent. Bearing in mind that the play was written in America, which could make it harder for an Australian audience to familiarise with the dilemmas going on, on stage, while the themes discussed seem to be more relevant there than in Australia. Overall this play doesn’t contribute to the relevance of Australian theatre in the 21st century, due to the many other sources people can access for entertainment, and because the play seems to be more relevant for an American audience rather than an
Russell Brown, J. 1995. The Oxford Illustrated History of the Theatre. 3rd ed. Oxford: Oxford University Press.
Theatre-In-Education The theatre education industry/movement has seen some rapid changes since its initial developments and establishment in the 1960’s. However its origins mainly lie in the early years of the last century. It was the initial establishment of companies such as Bertha Waddell’s in Scotland and Esme Church’s in the north of England that thoroughly established the main roots of TIE.
Both medieval theatre and that of the renaissance, in particular commedia dell’arte, had symbolic characters. In commedia, each actor would play a character who took on a stereotype of society; the Capitan was a egotistical forgein military leader who was actually a coward, the Zani embodied the many migrants who worked the land or sold at the market. In medieval morality plays, the lead character would meet personified versions of morals, allowing him to choose the church chosen path of God. These symbolic characters allowed those within the audience to understand the bigger picture, and see themselves within the play. These two different forms of theatre where also shown outside, with the morality and cycle plays (though beginning in churchs for the pilgrims) shown on large moving floats, allowing each set and scene to play out as it passed the onlooking crowd. Commedia would also show outside, usually in marketplaces or outside pubs. This was to gain the highest amount of viewers possible. Both times of theatre had traveling troupes of actors, and it was through medieval plays that those who travelled for commedia were able to
Rao, S. (2007). The globalization of bollywood: An ethnography of non-elite audiences in india. The communication Review, 10(1), 57-76. doi: 10.1080/10714420601168491
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
For as long as humankind exists, theatre will always take on an important function within its cultures. Through theatre, a culture expresses itself, reflects its society, and displays its individuality. It invites people to experience other cultures.
The history of Indian music extends back many centuries. Traditionally in that period, there were various kingdoms, in which the power was held equally by the king and the temples. This was the division of music. The temples presented religious music to all that wanted it while the kings patronized the separate artists. Music also formed a major part of the theatre. It was very famous as nearly all of India's people had access to it. There were full scale musicals in the ancient Indian theatres. This tradition has been carried into till the recent days, where Bollywood (the Indian Hollywood) films are very music-friendly. Music is an integral part of the movies that are being made. But many movies are now being targeted at the Western society, movies with less music. This is killing India's musical background.
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern
The theater was one of the primary forms of entertainment in Elizabethan England, as anyone, rich or poor could attend the plays.The rich would sit in boxes or galleries, while the poorer people would have to stand for the entirety of the play (Haigh). The poor would stand in front of the stage which would normally be raised about 4 to 6 feet and the theater could hold on average 3,000 people (Trumbull). The rich however usually watched plays in indoor private theaters, but sometimes would watch the plays in the outdoor public ones. Performances ...
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.