Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The importance of setting in a story
Essay on personal narratives
Why personal narratives are important
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The importance of setting in a story
“I’ll come up there,” she said, “but not because of what you think.” Good, her goal became more clear to her. We had a falling out in the closet. I wanted to put her and him in their place. The nonsense was inacceptable. Marie needed strict guidance, and what said just now proved to me that she was ready for the next phase.
“Alright,” you think you can handle my tests? “come in.” With the proper and necessary motivation, I could properly test her.
“You’ll be sleeping behind the stove, child.” I bit my tongue as soon as that last word slipped from my mouth. Sleeping behind the stove was her first test, but adding “child” adds endearment. This is my sin. Walking, living, and now frowning.
“Looks like it could get warm there,” she whined.
Marie
…show more content…
Raising in rakes in the covenant can be addicting. I felt a grin of remembrance as recalled asking the very same question when I first made my way to this town. The hill captivated me before I grew closer to God to help me cope with my actions. I had been a girl for nine years, and a woman for six years. I was tall for my age. Tall, naïve, and poor. That was all I had going for me. That and my beauty. The town folk used to talk about how I could get any man I wanted, but before I got to take my pick he made my heart swoon. The Dark One had talents like no other in seducing me. Marie probably possessed those same talents. A siren in a habit would bring questions towards the holiness of the covenant. My grin faded …show more content…
She dropped our good cup while being distracted by Satan. That girl could find him anytime at any place. I took the necessary steps for reprobations.
“You’re like I was. He wants you very much.” It was not her fault. I made her an easy target for the Devil. She was cursed from the beginning. The Dark One wanted me too, maybe he even loved me. He helped me hide our sin and distracted the busy body town as I escaped. Fate brought us back together, but we could no longer be together. This was why he clung so close to Marie. Yet she does not realize how much the Devil hovers over her constantly.
“You’re cold. There is as wicked ice forming in your blood.” I helped create it. “You don’t have a shred of devotion for God. Only wild, cold, dark lust. I know it. I know how you feel. I see the beast.” I began a long ramble to get my point across to her as she silently listened. I spoke from experience because I too once lusted… for the Dark One.
“I will boil him from your mind if you make a peep.” This was my gift to myself. I had welcomed my sin into my safe haven. If the water could help cleanse the Devil from her then it could help wash away my sins as well. Marie could be rebirthed as separate from me. “Whoever sheds human
"I think I was half prepared, in my dark, demented state, to see God, bearded and gray as geometry, scowling down at me, shaking his bloodless finger. (53)
The pain she causes herself is Mariette being the vessel of God’s grace. Mariette’s intention to suffer displays a severe ambition and pride that she has a calling for a higher purpose. This purpose is also explored through Mariette’s experience with the stigmata. Mariette suddenly appears with the wounds of Jesus Christ, and Hansen creates a disturbance of power between female and male relationships to Christ. Mariette has been chosen above the male figures of the Church, and she shares in the appearance and bleeding of Christ wounds. Hansen connects female reproduction to Christ suffering. This ideology fits with Mariette because she has the capacity to perform the transfiguration of Christ, bringing the Grace of God to the World. This feminization of Christ allows Mariette to have a deeper connection with Him and reinforces the idea she has been chosen. Mariette’s intimacy in Christ’s pain is her desire to be more than just a sister, and even more than a Saint. Mariette associates His wounds with her own wounds, thus taking His ability to redeem as her having this capability too. Hansen uses Mariette’s relationship with Christ to draw on the theological formulation of Christ’s wounds as female reproduction. This idea challenges the notion of power within the priory and Roman
She talks about how she lost some many babies in her stomach that her husband started to wonder if she was killing them on purpose. Finally, she finds what she thinks is her final chance to have a child, “I thought she was a gift from Heaven when I saw her on the dusty curb, wrapped in a small pink blanket, a few inches away from a sewer as open as a hungry child’s yawn.” (79) After losing baby after baby Marie’s hope is finally restored by finding a child in the street. Although this baby is found to be dead later, the idea of having a kid brings joy to her tragic situation. She is uplifted and overjoyed after feeling remorse from her miscarriages. Once Marie realises the baby is dead she decides to bury it. The pool man catches her, accuses her of witchcraft and alerts the police. While waiting to be arrested Marie is not indulging the thought of being locked away, instead she is imagining something better, “We made a pretty picture standing there. Rose, me, him. Between the pool and the gardenias, waiting for the law.” (96) Marie will most likely be in confinement for the rest of her life for a false accusation but rather than dwelling on it, she pictures this happy family in front of her. Although this situation suggests she’s hitting rock bottom, hope and beauty is still
‘’Salvation’’ emphasized my own need for acceptance while at the same time making me fear the rejection of being different. Where ‘’Salvation’’ showed me my weakness, ‘’Mothers’’ showed me growth. My father leaving played a bigger part in my life than I had remembered, and ‘’Mothers’’ simply showed me the door towards that again. Besides being torn with my relationship with my father Quindlen made me grateful for the best friend that I have found in my mother. Hughes brought up all the ‘’skeletons in my closet’’ that I never told my mother. [Instead of feeling ashamed about haven hidden secrets and relationships from her, I felt ashamed for every time I lied to save myself from her wrath.] Both authors took me to moments in my life that had lasting impressions on me. ‘’Mothers’’ made me relive the birth of my baby sister, and ‘’Salvation’’ made me reenact countless disagreements that I’ve experienced with my parents. Although I would like to secrete these memories, it was healthy for me to remember the lessons I learned from them.
In contrast, syntax provides a new perspective to the narrator s behavior as sentence structure draws attention to her erratic behavior. By her last entry, the narrator s sentences have become short and simple. Paragraphs 227 through 238 contain few adjectives resulting in limited descriptions yet her short sentences emphasize her actions providing plenty of imagery. The syntax quickly pulls the reader through the end as the narrator reaches an end to her madness.
Let us begin this character discussion with Marie St. Clare. To begin with she was the most annoying “creature” in this book. When the thought of a Christian comes to mind, Marie St. Clare is not what people think of. She was self absorbed, unsympathetic, self-centered, whiny and just downright annoying! She is the complete opposite of Uncle Tom, in terms of her faith (in all terms actually) and when compared to Uncle Tom, only makes him seem even holier. She is what most people envision when they think of slaveholders and evil missuses. Marie was once a southern belle, with great beauty and fell in with St. Clare when he came to town for a seaso...
In Saint Marie (1934) Marie is only fourteen years old and is trying to find her identity and sense of importance. Even though she is half native american and half white, she doesn’t feel like she is fully accepted into either community. In order to find her calling, she believes she can prove herself good enough to be accepted into the Sacred Heart Convent and even become a saint. Even though she wants to become part of the Catholic religion she isn’t very religious herself: “I had the mail-order Catholic soul you get in a girl raised out in the bush, whose only thought is getting into town.” Her goal is not necessarily to become religious, rather it is used as a pathway to achieving acceptance in the white community. Marie tells this story a few years later looking back on it. Back then she thought highly of the convent, but when she is older she describes the convent in the book as “Humble, ragtag, out in the middle of no place. Where God had only half a hand in the creation.” She realizes that its a kind of place for nuns that lose their mind or don’t get along anywhere else. As the story progresses, it proves to be true. Yet at first, she has so much faith and trust in Leopolda simply because she was different from the other nuns. She thinks the reason is while the other nuns didn’t keep track of ...
The young narrator is not rescued by another male figure, but by her mother instead. Carter signifies that woman can be strong and independent: “Now, without a moment’s hesitation, she raised my father’s gun, took aim and put a single, irreproachable bullet through my husband’s head” (Carter 45). The narrator’s mother shows how she is independent and did not rely on a man to save her daughter; thus, embracing how Carter breaks the gender norm. The mother’s qualities are found in the narrator, as the narrator learns to become a woman like her mother: “Although Carter does not explicitly mention curiosity as a trait the mother has and might have modeled, the mother’s active, devil-may-care life indicates she may possess this trait” (Manley 76). The narrator is very curious, and her curiosity helps her towards becoming a woman. The narrator is curious about the locked door, but also about the femininity she posses about marriage and sex. The narrator searches for an identity in the transition of becoming a married woman. The narrator experiences being a true woman by losing her virginity to the Marquis, as she partakes in sex for the first time. The narrator learns how to appease her husband as she learns how to utilize the act of sex to her advantage. As seen later in the short story, when the keys to the chambers are given to her by the Marquis, she is able to explore the forbidden room where she
...e whole town against me, branding me with their fiery fingers, persecuted by people who claim to be decent, and right in front of them I will put on a crown of thorns, like a mistress of a married man!” The free flow of words from Nora’s and Adela’s hearts triggers the audience to think about the power of transformation.
Even after returning her home from the hospital, Maria still stayed to care for Jean, helping her sit up and getting her comfortable in bed. Jean then tells Maria, “Do you want to hear something funny? You’re the best friend I’ve got.” Jean begins to change the climate from a disconfirming to a confirming and positive one by beginning to acknowledge Maria. With the changing climate, Jean’s perception of Maria changed from the negative stereotype she previously had, being able to distinguish and throw away her inferences and judgments she had of her because of her
Marie’s body can't support to have one so she found a girl on the street named Rose. She brings Rose home and it seems like Marie is doing something nice. “The girls who slept with my husband while I was still grieving over my miscarriages” “I picked her up and pressed her cheeks against mine” (Danticat 93). After Marie brings her home, it later seems to the reader that she does something truly disturbing. She actually brings a home a dead baby rather than “saving Rose” from the street. Marie then tries to bury the baby, but gets caught by the Dominican grounds keeper. “I left her in a shack behind the house, where the Dominican kept his tools. Three times a day, I visited her with my hand over my nose” “ I watched her skin grow moist, cracked, and sunken in some places, then ashy and dry in others.” “I felt a grip on my shoulder as I lowered her into the small hole in the ground” (Danticat 98). “I call the gendarmes” “They are coming” (Danticat 99). It seemed like Marie wanted to help but she just ends up doing something very disturbing. That is what makes Marie very intriguing and the story has a sense of
Antoinette became so paranoid from her mindset of being harassed that she became “so afraid, [she didn’t] know why, but so afraid. All the time”(105). As an attempt to cope, she tried staying away from people and or situations that made her uncomfortable (Monroe). Antoinette found refuge in nature whenever she felt threatened by people. She would wander into the lands near her home with the mindset that “if the razor grass cut [her] legs and arms [she] would think ‘It’s better than people”(25). She was forced to find comfort in nature because “there was no one to tell [and] no one to listen”(83) about the trauma she experienced. The lack of someone to confide in made her turn towards herself. In addition to avoiding situations, Antoinette denied a situation even took place to protect herself from the possible pain of a situation. She believed if she “[said] nothing [then] it may not be true”(54). Antoinette tries her best to cope with the trauma she faced as a child. She cannot succeed because the unconscious methods she uses to protect herself bottles up all of her emotions to the point where she will
The couple contacts their church's priest, Father Perez, who tries to take the doll with him to church. Annabelle's ghost attacks him, and the doll disappears. Perez warns John that it was Annabelle's spirit that caused his injuries. During another attack, Annabelle appears to levitate, but Mia sees the demon holding Annabelle, manipulating its actions. Mia attempts to kill Annabelle and asks him if there is another way, and it says that she can offer him her soul.
She seems torn between being a good wife/colon, and the desire to return to her family and hometown and leave Rycker altogether. “Love is dangerous” applies to Marie in the way that she was party to a loveless marriage with a man who neither respected her nor valued her boundaries. This lack of affection caused her to become attached to the first man that showed her any kindness: Querry. Her unrequited love for him caused her to claim that her budding child was a product of Querry in an attempt to rid her body of Rycker’s presence. She thought that by saying the baby was Querry 's’, she wouldn’t have to face another Rycker in the form of her child. This proves to be a very significant accusation when it prompts the dramatic slaying of Querry by
And the fires of love for God drive the engines of thought and deed” (89); a burning love for God is needed in this perspective. It is crucial for us to put out the fire of love in our mind, considering that the world is waiting for someone who will enjoy what it prepares. Nowadays, modernization is rampant in every place, which creates an easy life for an individual’s journey, however, unknowingly this system pulverizes the purity of one’s thought because the love of this world disperses and wickedness are rising anywhere. Christians are even prone to embrace this kind of walk, and if we are not journeying uprightly our minds will be contaminated by many evil desires which are a ramification of a dead soul, Jesus said in Matthew 10:28, “Don’t be afraid of those who want to kill your body; they cannot touch your soul. Fear only God who can destroy both soul and body in