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An Immigrant and a Book I will never forget the very first volume I took out after getting my card at the local branch of the public library, when I was seven. Its title was as unforgettable as the effect it had on me, although I have no recollection of the author's name. Ab the Cave Man transformed my notion of what a book was capable of being. Until then, my contact with reading had been the stultifying Dick and Jane stuff of the classroom -- I had no idea that reading could be fun, that a boy could be transported to another place and another time, and become so engrossed by descriptions and characters that he lost all consciousness of his surroundings, his worldly concerns and the very hour of the day. I was a kid to whom no one at home had ever read. The adults in my family were immigrants whose means would be exaggerated were I to refer to them as modest. Spoken English was difficult enough to deal with, by mastering the printed word had proven beyond the capacity of the limited attention they could pay to it, in the mist of their struggles toward mere survival in this confusing country. But the lesson of their failed example was clear -- the English language was the real passport to America and to worlds I had never imagined. To suddenly realize with the first few pages of Ab the Cave Man that books were actually the stuff of which dreams were made, was the revelation after which neither English nor the notion of narrative would ever again be the same. Something previously undiscovered in my spirit was revealed by that little volume -- it influenced me every time I pick up my pencil to write.
One of the most important elements in Richard Wright’s The Man Who Lived Underground is Wright’s careful use of sensory descriptions, imagery, and light to depict Fred Daniels’ experiences both above and below ground. Wright’s uses these depictions of Fred Daniels underground world to create incomplete pictures of the experiences he has and of the people he encounters. These half-images fuel the idea that The Man Who Lived Underground is a dark and twisted allusion to Plato’s Allegory of the Cave.
O'Flaherty, Wendy Doniger. Other People's Myths: The Cave of Echoes. New York: Macmillan Publishing Company, 1988.
The Allegory of the Cave has many parallels with The Truman Show. Initially, Truman is trapped in his own “cave”; a film set or fictional island known as Seahaven. Truman’s journey or ascension into the real world and into knowledge is similar to that of Plato’s cave dweller. In this paper, I will discuss these similarities along with the very intent of both of these works whose purpose is for us to question our own reality.
Richard E. Miller, the author of The Dark Night of the Soul, is an English professor/executive director of the Plan-genre Writing Center at Rutgers University. He studies the English curriculum in the U.S and questions if it is successful or a dying art. This is evident in The Dark night of the Soul,
Within this modern society, children and adolescents alike constantly complain about the mental taxation of the education system. For many students, the curriculum teachers impose upon them seems uninteresting and unnecessary in terms of adulthood preparation. Today’s youth does not realize that an educator’s job is not to cram as much information in their class’s memory as possible, but rather to open a student’s mind up to a world of intellectual growth. Allegory of the Cave, written by Plato, describes a situation in which a prisoner escapes from the limited knowledge of a cave only to discover how incorrect his perception of reality is. In this narrative, Plato equates ignorance to slavery by using emotionally provocative imagery to demonstrate
or 0.01cm3), but care had to taken to make sure it was not held by the
Momaday forces upon the reader the idea of language as a remedy for sickness; not only of the mind, but of the heart, also. If a speaker can reach a listener and show the listener what she means, then that is the most honorable achievement. Momaday wants the reader to know the importance of word weaving, of weaving the words to form a beautiful picture that can heal souls if spoken correctly. Momaday believes that the Native Americans who never bothered to learn to read and write, those who depend on their words, are those whose words are most powerful. The love for words, spoken with passion, makes them take on a three-dimensional quality. The words become the images and show a listener instead of telling, making the moment an experience instead of just a moment. The listener can feel what the speaker is trying to say; there is no need for interpretation, everything is already understood. Momaday convinces the reader that the spoken language goes beyond what words are being said; the words become their meaning, transcend into complete understanding and clarity. The experience should be remembered as one of self-revelation and understanding, not a moment filled with monotonous words. Momaday does not think it should be about memorizing the words for intellect, but about seeing the image they create. He wants the reader to know how important the woven web of words is so that the reader is able to understand how Native American tradition has lasted so long without words being written; that it is not the remembrance of words, but the remembranc...
Both Jonathan Livingston Seagull (a novel by Richard Bach) and “The Myth of the Cave” (a short story written by the commonly-studied philosopher, Plato) are commonly referred to as allegories. An allegory is a work of art that possesses a hidden moral or political message beneath its actual appearance. In many ways, one could easily interpret both of these superb writings to hold the same meaning. One presentation that holds true to this is that Richard Bach’s character, Jonathan, compares to the prisoner that escapes in Plato’s work, “The Myth of the Cave.” Metaphorically, both of these characters are held as prisoners in their life, but then later are freed and ultimately return to their origin to enlighten others
Softening Hard Water With Sodium Carbonate Prediction ---------- In a preliminary experiment, we discovered that adding 1g. Na2CO3 to hard water softened it slightly. We tested both tap water and distilled water with the sodium stearate and discovered that tap water was far harder than distilled water, we then tested tap water that 1g of Na2CO3 had been applied to. This solution was softer than the original tap water.
I will be measuring the length of the string in 10s, so that I can
Albert Camus, the author of the Myth of the cave wrote this Myth during the tumultuous Shambles of WWII. All around him he witnessed the pain and suffering people had to indure from the outcome of war. He had a bleak but courageous outlook for what one could only imagine to be a very trying time for people. Camus believed that the essence of man was irrational and life is nonessential, but one should face life with a sort of courageous humanism. Camus rather enjoyed the more rebellious side of human nature.
Rate of Reaction - Sodium Thiosulphate and Hydrochloric Acid. Aim Investigation, to find out how the rate of reaction between sodium thiosulphate and hydrochloric acid is affected by changing the concentration. Introduction I must produce a piece of coursework investigating the rate of reaction, and the effect different changes have on them. The rate of reaction is the rate of loss of a reactant, or the rate of development of a product during a chemical reaction. It is measured by dividing 1 by the time taken for the reaction to take place.
Abcarian, Richard, Marvin Klotz, and Samuel Cohen. Literature: the Human Experience. Boston, MA: Bedford/St. Martins, 2010. Print.
Learning a new language isn’t always easy. It has it’s up and down moments but once I learned that new language I felt accomplished and a lot of new opportunities open for me. My point is that learning English for me wasn’t easy, but once I learned English, I was able to help out my parents more and a bunch of new doors opened for me. You can say by knowing English I had a little more power now at home because they depended a lot on me now but it also felt great just to help them out with their English.
As one reads Plato’s timeless classic, “The Allegory of the Cave,” from his best known work, The Republic, one begins an experience of self reflection. As one follows the path of the freed prisoner, one begins to see their own image embodied in the prisoner, triggered by all sorts life experiences and mindsets. As I read and analyzed the philosophical message of the “Allegory of the Cave” Plato spoke to my developing teenage mind. He showed me how my current transition to adulthood is more of a “light” of passage, than a rite of passage.