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Comparing and contrasting fairy tales
Comparing and contrasting fairy tales
Fairy tales and folk tales
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Perrault and Robinson Versions of Puss in Boots
Puss in Boots, like many folk and fairy tales is found in varying versions of the same story. Two of the many versions of this tale which are still told today are the classic version by Charles Perrault and one retold by Harry Robinson, an Okanagan Native Storyteller. Robinson's version was recorded and then transcribed and may be found in 'Write It On Your Heart - The Epic World of an Okanagan Storyteller.' This paper will examine and compare the content of both these tales with regards to plot and attempt to explain why the differences and similarities occur with regards to characters and places.
Though both versions share a common goal of assuring a good life for the son who inherits the cat, the reasons vary considerably from version to version. In Perrault's tale, the son is destitute and the cat sets out to ensure his master's survival and comfort. Robinson's version, on the other hand, portraits a cat that seeks to right a wrong and return to his master that which was stolen from his family. A significant difference between the two tales is the number of events that take place.
The openings to these two tales are very different from one another. In Perrault's tale, the father is already dead and the children are about to split their meagre inheritance: a mill, an ass and one cat. Robinson launches instead into an extended preamble identifying the story to be told along with some pertinent facts concerning its source. He identifies its source as being non- Native. "This is white people stories." (Robinson, 282) Unlike Perrault's poor miller, Robinson's father figure is identified as a well-to-do rancher with lots of cattle, several horses and many acres of cultivated fields. In fact, the farming operation is so large that there are many farmhands to tend to the various tasks (Robinson, 283). The father is very much alive and continues to be an integral part of the story for one third of the tale.
Perrault's sequence of events is compact and straightforward. Once the sons have divided the assets, the two oldest siblings are removed from the tale. The cat requests some boots and a bag and sets off to provide for his master. Upon snagging each day's catch, he presents it to the king as a gift from his master whom he dubs the Marquis of Carabas.
The basic premise of the two plots is the same. Both stories deal with the capture of a young person who is to be groomed to live in a private, controlled environment to make them happy, but where they are never able to leave.
When I look at Caleb Trask, I see a man from the book East of Eden to admire. Although he was a man with many faults and shortcomings, and a man with an unnatural sense of cruelty, he was also a man who had a deep longing to be perfect and pleasing to his family, a man who craved his father's attention, and a man with a better heart than any other character in the book. When I look at Mack I see a man with more soul and more kindness than any other person on Cannery Row. He isn't ashamed of his poverty or life as a bum, and he embraces who he is, for all of the good and bad. He goes to exhaustive lengths to give his friend, Doc, a party. He is compelled to do this because he sees what Doc does for the people of the community, and he wishes to give him something in return. That kind of spirit and gentleness cannot be bought with any amount of money. When I look at Ma, in the novel, The Grapes of Wrath; never have I read of such a strong person, male or female, who so single-handedly kept her family together. While reading the book I became disheartened at what this woman had to endure and persevere through: death, family desertion, starvation, and sickness. I was also encouraged by her. Ma was a role model of integrity, or rather, she was a reminder of the ease in which I live from day to day-she was the epitome of courage and diligence. John Steinbeck uses three seemingly different characters to convey the same message, one of hope and perseverance.
Edmund S. Morgan's The Puritan Family displays a multifaceted view of the various aspects of Puritan life. In this book, we, the audience, see into the Puritans' lives and are thereby forced to reflect upon our own. The Puritan beliefs and practices were complicated and rather "snobbish," as seen in The Puritan Family.
In the movie of “Puss in Boots”, there are some group formation among the character in the movie. From the movie, Puss and Humpty Alexander Dumpty has showed the characteristics of a group. Both of them are good friends since they are in the orphanage house. When Puss firstly discovers the magic beans, he feels very curious about it. After getting know the plan from Humpty, both of them have agree to achieve their dreams together, whereby they wish to find the magic beans together and spend their whole life easily. We can see Puss
A comparison of Old World and New World storytelling styles is outlined by Lindahl as a gateway to understanding how Jack found homes in certain communities of North America. The typical märchen is woven around a conflict between home and the open road. The tales start in an ordinary place where Jack and his mother worry about the source of their next meal. Only after Jack takes to the open road to provide for his family does the story change to involve magic. Usually, the further Jack ventures from home, the more magic he encounters. In European portrayals, Jack’s return to home results in an ordinary life without magic, now enhanced by his found wealth. Linda Degh recognized that the great European storytellers were not homebodies,
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Anansi in “How Stories Came to Earth” must capture each animal before he is able to get the stories from the sky-god. He does this in a chronological-like order. He captures each animal in steps. In his first step his wife “[tells] him a plan” (Kaleki 40), then he tricks the animal, next he captures it, then lastly he brings the animal to the sky-god. He repeats this order of events every time until he captures all the animals and is able to get his stories. In “Master Cat,” the cat uses steps as well in order to get what he wants. The cat is trying to convince the king that his master is actually a rich gentleman. Not only does the cat impress the king, but also the princess who becomes interested in the cat’s master. The cat does this by starting small. He first brings the king gifts. He then threatens people by saying that they will “...be cut into little pieces until [they] look like chopped meat” (Perrault 49), so that they will tell the king that his master owns a lot of land. Finally, he lastly impresses the king with the ogre’s giant castle by saying it is his master’s. This concludes the king’s decision that the cat’s master is actually someone important. In these two trickster tales, a similar pattern in the way that they accomplish their goals can be seen because
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