Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Perception and reality essays
Reality and illusion
Reality and illusion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Perception and appearance is everything, right? Or is it just a false production that was created with the intent to portray one’s self as something they are not? Similar to an illusion, the way things appear is not necessarily the same as reality. Especially after only a single encounter, the first impression of a circumstance or person can easily be deceiving to the observer. In a society that seems to be putting individuals’ appearances ahead of their spirits and interiors, it becomes very easy for individuals to wear a false mask and to walk around conducting a masquerade for others to see. This lack of belief in a true sense of self and the intention to deceive others demonstrates that a hollow belief system, whether religious or otherwise, can allow for someone to take advantage of another individual. …show more content…
Furthermore, the mysterious man, hiding behind the persona of a bible salesman named Manley Pointer, uses the assumed morals of the Christian religion to allow for …show more content…
As a book that represents the very belief system of Christians everywhere, the bizarre man transforms a book that “ought to be in the parlor” into a book of faithless in order to represent his empty and irreligious belief system. Simply put, the man presumed to be Manley Pointer had beliefs as hollow as his bible and he used that lack of belief to exploit peoples’ assumptions of his character. That is to say that, when it comes to this “salesman,” there is more than meets the
When an individual has to do a compare and contrast for a short story in the realm of literature, I believe that you have to take into account the deeper meaning in a short story. You have to read between the lines, one has to know what the symbols and what metaphors are. “A symbol is something that has a literal identity, but also stands for something else—something abstract—like an idea, a belief, or an emotion. A metaphor is a figure of speech in which an implied comparison is made between one object and another that is different from it.” (Clugston, 2014) The reader needs to know that the author is using figurative language in the short story. Once the individual can understand this, the literature work will be significantly easier to do a compare and contrast essay.
Flannery O’Connor’s “Good Country People” explores the consequences of hypocrisy and gullibility. O’Connor shows how this terrible combination of hypocrisy and gullibility can affect average families. She intergrades strict Roman Catholic upbringing into all of her character flaws. Every character in the story believes that they are on a higher moral ground, but none of them leads an ethical life. When in actuality, they are all hypocrites that claim they have the honor and higher moral values than they actually do. Throughout the story, the men illustrate the only receptive hypocrisy that is displayed, and the gullibility that is illustrated is by the women.
Cofer, Jordan. "The "All-Demanding Eyes": Following The Old Testament And New Testament Allusions In Flannery O'connor's "Parker's Back." Flannery O'connor Review 6.(2008): 30-39. Literary Reference Center. Web. 19 Feb. 2012.
The story is center around a small cast. In it Mrs. Hopewell and her daughter Joy, who had her name changed to Hulga, live on a farm with their tenants Mrs. Freeman’s and her two daughters- Glynese and Carramae. Interestingly, Mrs. Hopewell calls the Freeman Girls, Glycerin and Caramel while refusing to call her own daughter anything but Joy. “Good County People”, is told through the interactions of this dysfunctional gaggle of ladies, and their chance encounter with the Bible selling con-artist Manley Pointer. It is a story of a few not so, “Good Country People.”
Is the world one see around them really how it is or are they being deceived?
By definition joy means a great feeling of pleasure and happiness. In Mary Flannery O'Connor's short story Good Country People, Joy Freeman was not at all joyful. Actually, she was the exact opposite. Joy's leg was shot off in a hunting accident when she was ten. Because of that incident, Joy was a stout girl in her thirties who had never danced a step or had any normal good times. (O'Connor 249). She had a wooden leg that only brought her teasing from others and problems in doing daily activities. Joy was very rude as well. In the story it speaks of her comments being so rude and ugly and her face so glum that her mother's boss, Mrs. Hopewell, would tell her if she could not come pleasantly than for her to not come at all. (O'Connor 249).
The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make them appear as distortions to an audience which is used to seeing them as natural; and he may be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock to the hard of hearing you shout, and for the blind you draw large and
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
O’Conner believed that one must be shocked into salvation to be saved. Thus, Hulga’s trauma is the start of her journey to redemption. Ironically, Manley Pointer was used as an “agent of God” to change Hulga’s life even though he was lying when he said he has devoted himself to Christian service. The moment of truth for Joy occurs when she realizes she has been swindled and Pointer was only after her prosthetic. However, the fleeting feeling of belonging to someone and being completely surrendered has placed a new yearning in her heart. According to O’Conner’s beliefs, the path to salvation is not easy and it is marked by suffering and disaster, but the joy and hope that results is worth any pain along the way. Whether “redemption” is the right word or not, every person will have a moment in their life when they are stripped of control and must rely entirely on a constituent beyond their
As a child, Hazel Motes is indoctrinated in religious fundamentalism by his grandfather, “a circuit preacher, a waspish old man… with Jesus hidden in his head like a stinger” (9). Time after time young Haze hears the searing sermon of his Bible-thumping grandfather who, in front of a crowd, would point to his grandson, “that mean sinful unthinking boy,” and pronounced him “redeemed”: “That boy had been redeemed and Jesus was not going to leave him ever…. Jesus would have him in the end!” (10). Understanding Jesus as the “soul-hungry” devourer, as “something awful,” the boy very early comes to the conclusion that “the way to avoid Jesus was to avoid sin” and, at the age of twelve, decides to follow the preacher’s calling like his grandfather. Furthermore, Haze’s mother, with “a cross-shaped face” reinforces the fundament- alist piety in her son by equating the boy’s germination sexuality with sin. Her chilling question “what you seen?,” to the shame-faced boy who just had a peek at a naked w...
Appearances are but a mask, one which is crafted and molded to our benefit. This is true in everyday eventualities from applying for a job to even hypothetical scenarios such as the apocalypse where survival is a matter of not letting others know your weaknesses. For instance the writers of the series Quarantine: The Saints have adroitly layered out a story filled with half-truths and deceit, but also filled with an honest disposition of the characters trying to survive at all costs. This is especially true the sequel to Quarantine: The Loners. Where ordinary high school student’s lives destroyed in the previous book and now, we see their reactions. They have adapted, overcome and survived. Although if it’s for the better that they die or survive has yet to be resolved.
Another example is shown when Mrs. Hopewell says "My daughter is an atheist and won't let me keep the Bible in my parlor" (1636). Both examples shows the huge presence of religion throughout the short story and how it develops with each character. Another theme I saw in the story is identity. It is uncovered in the story when Joy changes her name to Hulga because she doesn’t identify herself with the true meaning of her birth name Joy. Joy means feeling happiness and enjoyment but Hulga does not feel that way about herself. She resents her mother, Mrs. Hopewell, because of her simplistic view of the world and because she doesn’t fully accept her daughter for who she really is. An example is seen when Hulga states “If you want me, here I am- LIKE I AM” (1633) to her mother. Manly Pointer’s identify is also uncovered in the story. In the beginning of the short story, he portrays himself as a traveling Bible salesmen but he is far from it and uses this view of himself to his advantage. Hulga and Mrs. Hopewell think Manley’s a prefect Christian, harmless, and the cliché term of “good country people”, but they do not know his true intent, which is to steal and to be cruel and
Irving, Washington. “The Devil and Tom Walker”. Elements of Literature: Fifth Course. Austin: Holt, Rinehart and Winston, 2008. 175-185. Print.
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.
Oswald’s limited familiarity with reality and inherited pursuit of ‘joy of life’ blocks his otherwise evolved common senseofconduct. He believes that ‘joy of life’ allows one to see a certain morality in the choice. His concept of ‘joy of life’in sunlight, free living and quest of sensuality veers incredibly close to Mr Alving’s philandering and sexual exploits.Hisnostalgic obedience to fantastic past ventilated by Fru’s ideals culminates into an alarming affront to catholic paradigms. Oswald’s vocal annihilation of Christian morality promotes a godless freethinkingsystem, which scandalises Pastor’s puritanical subjectivity. When confronted with Avant-gradeartistic socioscape, Mander’svigorously disapproveshis artistic intentions.Fru’s effort to shield Oswald by implanting illusions suffocates him and the sudden delusional confrontation with truth pushes him to reject self through