Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of religion in American literature
Flannery o'connor literary criticism
The role of religion in American literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of religion in American literature
In the Flannery O’Connor’s great book, “Wise blood”, Hazel motes, the main character of the literature, is a hero struggling against his prophetic vocation, yet turning out to be a Christian martyr at the end of his long and futile ordeals. The development of the literature centers around the protagonist’s struggle to run away from Jesus, who poses Jesus as “something awful,” and his final return to him. Hazel’s movement throughout the literature, therefore, may be seen as a journey: a modern man’s progress from rebellion against God, to penance, and to return to him through the painful recognition of his sinful and fallen nature. The shrill thesis of the literature is stressed by its circular journey pattern of escape from and return to God.
As a child, Hazel Motes is indoctrinated in religious fundamentalism by his grandfather, “a circuit preacher, a waspish old man… with Jesus hidden in his head like a stinger” (9). Time after time young Haze hears the searing sermon of his Bible-thumping grandfather who, in front of a crowd, would point to his grandson, “that mean sinful unthinking boy,” and pronounced him “redeemed”: “That boy had been redeemed and Jesus was not going to leave him ever…. Jesus would have him in the end!” (10). Understanding Jesus as the “soul-hungry” devourer, as “something awful,” the boy very early comes to the conclusion that “the way to avoid Jesus was to avoid sin” and, at the age of twelve, decides to follow the preacher’s calling like his grandfather. Furthermore, Haze’s mother, with “a cross-shaped face” reinforces the fundament- alist piety in her son by equating the boy’s germination sexuality with sin. Her chilling question “what you seen?,” to the shame-faced boy who just had a peek at a naked w...
... middle of paper ...
... find out.
Hazel Motes undergoes the most painful until he return to the truth. The circular journey pattern points up the theme of the literature that the impossibility to escape the prophetic call and the tremendous price that a man has to pay for his willful transgression of the divine order. The path toward God who demands nothing less everything is the most excruciation one: at the end of the journey, Haze has to lose his physical sight to attain a spiritual vision and his life to make a breakthrough from the sordid earthly existence. In the preface to Wise Blood, O’Connor wrote that Haze’s integrity lies in his “not being able” to get rid of the “ragged figure” of Jesus. Wise Blood is, after all, a chronicle of a Christian who paradoxically achieves the heroic stature by failing triumphantly to run away from God, who “would chase him over the waters of sin.”
Why I Left the Church” by Richard Garcia is a poem that explores the ongoing and conflicting relationship between a child’s fantasy and the Church. Although the majority of the text is told in present tense, readers are put through the lenses of a young boy who contemplates the legitimacy of the restricting and constricting nature of worship. It is a narrative that mixes a realist approach of storytelling with a fantasy twist that goes from literal metaphors to figurative metaphors in the description of why the narrator left the church. The poet presents the issue of childhood innocence and preset mindsets created by the Church using strong metaphors and imagery that appeal to all the senses.
...that Christ Jesus had redeemed him” (112), and also, as he tells his landlady, Mrs. Flood, “if there’s no bottom in your eyes, they hold more” (222). Mrs. Flood’s residence is where Hazel spends his final days. In an act of possible repentance, Hazel invests in his passionate belief in suffering as he binds himself, puts stones and glass in his shoes, and sleeps with barbed wire around his chest. Wanting to make some quick money, Mrs. Flood plans on asking Hazel to marry her, but ends up developing strong feelings towards him. After informing Hazel of her plans for them to get married, Hazel wanders off for three days until the cops find him on the side of the road barely conscious. Hazel dies while being driven back to Mrs. Flood’s place, where his body is taken back to. It is then that Mrs. Flood decides that Hazel can stay as long as he wants, and for free.
In comparing McMurphy to Jesus, Kesey questions the true nature of Christ’s service while also conveying how negatively minorities are considered. By portraying McMurphy as a Christ figure who dies, Nurse Ratched and the black boys are being considered “sin”. According to the Bible, Jesus’s death brought the remittance of all sins and so when comparing the two, McMurphy’s sacrifice is meant to be the absorption of all of Nurse Ratched’s evil onto him. The author creates a social commentary this way to show that assertive women in higher positions are generally regarded by white men as being inhuman tyrants, or evil. While it could be mistaken that Kesey truly feels that way against women, the resolution of th...
Shock, anger, numbness, denial, acceptance, and fighting for one’s life, are the general phases of grief through one’s experience with cancer (cancersurvivors.org). Although discovering about one’s cancer can be excruciating, an additional agonizing reaction to a sick person is how the others are affected and their one-on-one reaction to the person. Feeling overly pitiful to one’s illness can impair the situation for the one who is ill by emotionally making the tragedy feel additionally worse. Although the extra sympathy, empathy, and compassion Hazel Grace Lancaster is treated with in The Fault In Ours Stars are intended to comfort, these exaggerated emotions have the opposite effect, further isolating and reminding her of her limited existence, but concurrently, the reality of condolences is pivotal to Hazel’s life.
William Faulkner was a god-fearing man, and wrote to similar people. However, in his Magnum Opus, “The Sound and The Fury”, Faulner goes out of his way to take another look at the Christian faith, highlight the negatice aspects of Christ, and them contrasting them with the glory and holiness of the resurrection. In “The Sound and The Fury”, each one of the narrative characters represents a single aspect of a flawed Christ, while a simple the family caretaker, represents the glory and goodness of the resurrection and Christ’s light.
The novel, The Kingdom of Matthias: a story of Sex and Salvation in the 19th century America, written by Paul E. Johnson and Sean Wilentz is a fascinating story of how a man named Robert Matthews, or Matthias, believed he was the Spirit of Truth that would lead the world out of sin and lies; hence, building a Kingdom governed by a God as he considered himself. The authors of this book, Paul E. Johnson, and Sean Wilentz, remind us of a time where cults were a reality and people with beliefs often went to extreme and astonishing acts to express what they believed to be right, a time known as the Second Great Awakening. In the 19th century, North America was being swept away in a religious revival. Changes in America like the increase of market
Nathaniel Hawthorne, in his short story “Young Goodman Brown,” details the frailty of human morality when he has the story’s protagonist (Goodman Brown) journey through the forest on All Hollows Eve to witness/participate in a witches’ Sabbath just to see what evil/sin is all about. During Young Goodman Brown’s journey, his faith is shaken as he witnesses those he respects the most also journeying to and participating in the witch’s Sabbath. In “Young Goodman Brown,” Nathaniel Hawthorne demonstrates that an idealistic faith in our fellow man’s righteousness could lead to disappointment, distrust, and fear.
But Flannery does not spell out his epiphany for the oblivious she painstakingly reveals it through his actions. She lets the reader follow between the lines and then chew on it. Motes’ conversion is not done up in flowery words but found in excruciatingly painful actions. Flannery sympathizes with Motes’ pointless effort to escape from the “ragged figure who moves from tree to tree in the back of his mind.” (Author’s Note in Wise Blood) She likes his stubbornness. The Unmoved Mover preoccupies Motes’ unstable mind and tortured soul and ultimately Motes lets his guard down. And that is why Flannery writes about a character like Motes. She admires his fervor, his spunk, his Jonah like behavior, and ultimately his ability to face reality. Hazel Motes is no lukewarm worm. But in the end, as Francis Thompson predicted in The Hound of Heaven, God was never to be denied. Hazel Motes was ultimately reconciled to his role as the lost sheep, the prodigal son, the wayward soul, and would have appreciated the words in the poem, “Ah, fondest, blindest, weakest, I am He Whom thou seekest.”(The Hound of Heaven, lines 180 – 181) Motes had been blind, arrogant and pickled in hypocrisy and because of that underwent a painful renovation. He learned in his humiliation, grace transforms all, reveals
In The Fault in our Stars, the protagonist, Hazel, takes up the mantle of an outsider. She suffers from cancer, and because of her disease she isolates herself from the world around her. Hazel says “That was the worst part about having cancer, sometimes: The physical evidence of disease separates you from other people”. The main source of Hazel’s isolation is her illness.Hazel’s outsider status, it is mostly of her own choosing that she is apart from the world. In her own words, she is a grenade, and she is certain that one day she will explode. Her way of dealing with this knowledge is by distancing herself from anyone who may have the potential to care about her so that she can reduce the resulting casualties if she dies.
She is very judgemental and does not always treat people nicely whether it be directly or indirectly. Her cousins, Susan and JoAnne, are attending the convent and when they come to visit for the weekend she does not treat them nicely. She does not want to entertain them so she first suggests the boarder’s boyfriend. This is an insult to the boarder and her cousins. Next she gets some not so attractive neighborhood boys to do the job. They come to dinner, but she goes to the kitchen to eat because she does not want to eat with them, because she thinks they were below her. That night the girls attend the fair, with the boys, but the unnamed girl does not go because she feels she is too good. When she returns with the cousins to the convent she does not want to go into the sanctuary or have the nuns touch her. When she is finally inside kneeling to pray she is thinking ugly thoughts. This is a moment of grace for her. She is in church thinking ugly thoughts, how inappropriate. She thinks to herself “Hep me not to be so mean, Hep me not to give so much sass and Hep me not to talk like I do” (O’Connor 101)because she was in the presence of God in his house. She changes her thinking as she is in there, realizing how unchristian like it is, and she is supposed to be a temple of the holy spirit. She accepts the grace at this time, but on the way home her mind starts thinking some of the
As she chants “Jesus, Jesus”, she knows that her fate is in the hands of the Misfit. In her final moments, she understands that she, herself, is not perfect and will never be. When she exclaims to the Misfit that he is “one of her children”, she shows that she has gained the ability to truly see others with understanding and sympathy. Her moment of realization was unfortunately short lived, only to be dead in a matter of
The allusive manner of its telling has long taxed the abilities of philologists to determine the precise sense of the lines, while its position within the narrative has challenged the ingenuity of a growing number of critics who have sought to establish (or to question) its relevance. . . .(112)
How can she speak to youth about living a life of purity, and creating a God centered life when she does not adhere to her own tenets of faith? Hence, accordingly what follows is the story of Sophia’s conflicted life which artfully brings to the forefront the result of her infidelity to her spiritual self and God. With her mind cluttered with the emotions of love, guilt, and shame she found things increasingly difficult to manage until she finally faces the reality of her
The novel Wise Blood was written by the great twentieth century author William Faulkner. The book contains two stories woven together; the story of Hazel Motes and the story of Enoch Emory. Hazel, also known as Haze, left his home for four years to serve in the army only to return to his home in Tennessee to find that the place he had grown up was completely deserted. Although he was largely affected by his preacher grandfather in his youth, he takes this opportunity to be free to live the life he was always afraid of.Hazel Motes changing personality resulted in other characters believing he was a preacher before he even was one, because he felt exceedingly strongly about his anti-beliefs.
The book the fault in our star was set in contemporary times somewhere in the north America. The book follows the life of hazel grace, 16-year-old girl with terminal cancer. To appease her mother, hazel frequently attend a cancer support group where she meets augustus waters, a 17-year-old handsome cancer survival . augustus and hazel’s relationship grows quickly through a shared and understanding of living with cancer and things turn around when augustus died. The book basically expanciate on love triumphs over struggle and hardship among teenagers with health problem.