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Conclusion for like water for chocolate
Conclusion for like water for chocolate
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There are two papers that convey my ability to analyze works of literature from the canon and literature of diversity for Standard 1. In my first pertinent paper, I apply Paul Santilli’s theory to Hanns Heinz Ewers story The Spider in order to analyze the author’s writing choices. After reading Santilli’s theory I noticed applicable methods that Ewer used throughout his story in order to emphasize his intent. Another paper that covered an author from the canon through literature of diversity is Frank Norris. In this paper I address the issues Norris clearly states through his characters in McTeague. I discuss how greed affects each character differently depending on their economic status.
For Standard 2, I selected one essay that reflects literary traditions, movements and historical contexts. In my paper, I compare the similarities and differences between Juan Rulfo’s Pedro Paramo and Laura Esquivel’s Like Water for Chocolate. In terms of literary traditions, tradition is the vital component of the the protagonists lives, and how their traditions during the time period are impactful on their future. I explain how gender is a key factor as well since the stories are seen through a female perspective and male perspective of different time
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The author of The Graveyard Book, Neil Gaiman uses many descriptive sentences that allow the reader to be pulled in. I discuss the theme the book covers because they are common situations young adults will be going through, the coming of age stage. It teaches readers a lesson, but not simply by stating it, but by hiding it within the chronicle of the story. Secondly, I drew upon an analysis of Veronica Roth’s Divergent series in order to show how literature can inspire personal growth and change. Roth uses a enthralling character that the reader journeys with until they find their true identity while learning important life
Like Water for Chocolate is a passionate story about the love between Tita De La Garza and Pedro Musquiz. It starts out with an explanation of how Tita was born into her life through the kitchen and she has always helped Nacha, the family cook, make the meals. In the first chapter Pedro comes to the farm to ask Tita for her hand in marriage. Her mother quickly declines and arranges the engagement of Pedro and Tita's sister Rosaura. Within a few weeks Pedro moves in with the De La Garza family making it harder for him to stay away from Tita. Tita, on the other hand is trying her hardest to forget about Pedro. She believes that since Pedro married Rosaura he no longer loves her. This all changes when, at Pedro and Rosaura's wedding, Pedro tells
As once said by Socrates, a famous Greek philosopher, “The unexamined life is not worth living.” He believes people should read between the lines, and in the case of books, delve into what the author is trying to say by using symbols and imagery. To someone who does not examine the book, The Catcher in the Rye, it may seem to be about a “messed up” teenager who wanders around town and doesn’t care about life. But when a range of ______ are explored, one will find that this book has common themes of innocence, changing, growing up and also death. It is discovered in various _____ the novel, such as in The Museum of Natural History, his red hunting hat, and the ducks in the Central Park Lagoon.
The bestselling children’s book The Graveyard Book was published in 2008 and is still being enjoyed by book lovers of all ages. The book is about a toddler who escapes the presence of a killer and finds refuge in a nearby graveyard. He is raised by many different characters and personalities, both living and dead in the graveyard. Unfortunately, another topic is creating a buzz about this novel other than its awards. The Graveyard Book is being called out because of its many similarities of the much older and equally popular novel The Jungle Book. The author of The Graveyard Book, Neil Gaiman, doesn’t deserve all of the credit for his bestselling novel because he wasn’t totally original. The Graveyard Book has many different scenes that are just like Rudyard Kipling’s The Jungle Book. Gaiman does acknowledge that he wanted to follow the same fundamentals as The Jungle Book in his Newberry Medal acceptance speech when he said, “I
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
After hearing a brief description of the story you might think that there aren’t many good things about they story. However, this is false, there are many good things in this book that makes it a good read. First being that it is a very intriguing book. This is good for teenage readers because often times they don’t willingly want to read, and this story will force the teenage or any reader to continue the book and continue reading the series. Secondly, this is a “good” book because it has a good balance of violence. This is a good thing because it provides readers with an exciting read. We hear and even see violence in our everyday life and I believe that it is something teenagers should be exposed to. This book gives children an insig...
The critics who perceived this book's central theme to be teen-age angst miss the deep underlying theme of grief and bereavement. Ambrosio asks the question, "Is silence for a writer tantamount to suicide? Why does the wr...
Books are more than simple stories, they have a message to send, whether it be in a direct or indirect way. Books can also tell us about the author’s life, beliefs, inner ambitions and fears; Moreover, they often project the writer’s vision about their environment, reflecting their society in which they lived. Writers like F. Scott Fitzgerald and Ernesto Guevara were capable, not only of portraying the society in which they are immerse, but also to convey them in an exquisite social critique. Such literary pieces of art do not criticize in a direct way, nor to specific people or events. They, however, present the vision of the author’s concern with social issues of injustice, misguided values and loss of direction.
A recent young adult novel has stirred up a lot of controversy in the world of writing literature. The issue is that current young adult literature is too dark for teen readers, or is merely more realistic than previous works for teens. In early June 2011, the Wall Street Journal ran an editorial written by book critic Meghan Cox Gurdon says how dark is contemporary fiction for teens? Darker than when you were a child, my dear: So dark that kidnapping and pederasty and incest and brutal beatings are now just part of the run of things in novels directed, broadly speaking, at children from ages of 12 to 18. As I write rhetorically about this argument meaning the understanding of or approach to human interaction or based on their purpose and motivation.
Julia Alvarez was an example of how a Latina writer identified herself in a new culture outside of her comfort zone. She, as a Dominican Diaspora, had to reinvent herself as she migrated into a new scenario. Her assimilation into the United States culture allowed her to understand and relate to the reader’s needs and points of interests. After all the effort, Alvarez kept in mind that she could not comfort to all the reality that she lived in, so she re-reinvented herself all over again to process her thoughts and beliefs into her life. She put her perspective on her writing so that the new wave of readers, even if they did not understand, could relate in some way and appreciate the differences. The sole purpose of her writings was for everyone to change their perspective from “walk to the other side of the street in order to avoid sharing the same sidewalk” to “I do not know them, but I do not avoid them because I do not know them”. She instilled in her reader’s mind how ordinary events were viewed differently through other cultures’ eyes. Her story Snow was a great example of how she portrayed her technique.
Many authors create suspense to hook readers into the plot and hold an audience’s interest. Writers use this device when producing novels, plays, short stories, and screenplays. One can even create suspense when retelling an account of a personal story, like in a formal personal essay. This technique is especially applicable in a personal essay which details events in childhood or adolescence. The essayist can reflect on such events with his or her adult perspective. Yet, he or she can also neglect details in favour of creating the same tension in readers which the essayist experienced in his or her own life. Inducing suspense, much like inducing any emotion in a reader, is a difficult task which Joan Didion achieves by combining many writing techniques. Didion’s essay Goodbye to All That describes her eight-year residency in New York City. She outlines her time in New York from her arrival in the city to her psychological decline which causes her to leave. Didion relies on various techniques to create suspense in her essay. Through her use of a chronological timeline and a scarce level of detail, Didion creates suspense and interest for readers in her
Chin-Yi, Chung. The role of sex in the depiction of gender and class conflict in Miss Julie by August Strindbergand The House of Bernada Alba by Federico Garcia Lorca. Diss. National University of Singapore, 2013. Web. .
In conclusion, Frederico Lorca, does an outstanding job intertwining the theme of human will fighting against human destiny, revealing to us Spanish ideology. "The Blood Wedding" and "Yerma" not only portrayed Spain's political and sociological views of male superiority and women inferiority, but they also portrayed the admirable values such as maintaining a family's honor. As a whole, Lorca brings together his political and sociological views to those customary to Spain, while gripping our hearts and minds, and impacting us temporarily and possibly eternally!
Readers become focused with the intensity and strength of the writer. Margaret Atwood pulls the reader in by bring her art and words to visual life. She makes you think about what she is saying and it then becomes a picture. Pictures lurk your mind as you read the award winning books such as, “The Blind Assassin,” a Booker Prize winner in the year 2000. Her books are bought and read all around the world. Her work has been published in more than thirty-five different languages including; Japanese, Turkish, Finish, Korean, Iceland, and Estonian. (Atwood, “Negotiating With The Dead”) She is an amazing person and shows her strength threw her work. Atwood is an award winner of stories and poems’ like, “Morning After in the Burning House,” and “Murder in The Dark” (Atwood, “Negotiating with the Dead”) She was born to write, and a writer she became.
...Halevi-Wise, Yael (1997). Story-telling in Laura Esquivel's Como Agua Para Chocolate. The Other Mirror: Women’s Narrative in Mexico, 1980-1995. Ed. Kristine Ibsen. Westport, CT: Greenwood Press, 1997. 123-131.
As time has passed, people have become more and more distant from some parts of daily life. At one point death was something that most children and teens seen as a natural part of life, now though the increase of technology is removing them from this knowledge. Since young adults are not experiencing death as much as they used too in their real lives anymore, literature has become a way for them to learn about death. Also, many teens feel as if they are invincible and that death can’t touch them. With the death of people we know slowly being removed from the family setting, and with adolescents not fully understanding the value of life, the use of death is increasingly becoming an important theme that is used in young adult literature.