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Art and culture during french revolution
Art and culture during french revolution
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Imagination is the seed of creation; much like impressionism, a movement freed from preconceived ideas and interpretive concerns, is the genesis of all modern art. It is through an analysis of Camille Pissarro’s Peasants in the Fields, Éragny and Apple Picking at Éragny-sur-Epte that one is provided an insight to his idiosyncratic expression of impressionist art. Pissarro’s revolutionary countryside paintings changed not only the way life was depicted but the way life was perceived—from one of Parisian conventions to a world of ideality. His social and political ideas were not expressed through harsh criticisms, rather, he exalted a positive outlook of proletariats and their simple life on land. As well, his work in the countryside provided …show more content…
The artist often expressed this through his own medium—painting. Despite this, never did Pissarro depict anything overtly political in his work, as could be found in the art of fellow impressionists Renoir, Degas, and Cézanne. He separated the events of volatile times in daily life from his paintings, insofar as stating: “Despite the grave turn of affairs in Paris, despite all these anxieties, I must work at my window as if nothing has happened” (Pissarro, 332). In Peasants in the Fields, Éragny, the audience is presented with a piece that depicts workers in the sincerity of their nature and habits, accomplishing both their social and domestic duties (Shikes, 67). It lacks a subtextual attack on the Parisian aristocrats and bourgeoisie, and instead was made to positively exemplify the diligent lifestyle of rural laborers. Pissarro admired French peasantry and their small, self-sufficient communities (Kelly, 208) as he had depicted in this painting, embodying his aspiration for social equity (Watson, 208). This self-contained populace was a typified model for his ideal world; one in which class castes did not separate society. Although blatant in his attempts to keep politics separated from his artwork, it is perhaps this lack of criticism that made his message the most
Joy Williams, the author of “The Farm” was born and raised in Portland, Maine. She attended and graduated from Marietta College and from there went on to earn a Master’s degree in Fine Arts from the University of Iowa. In recognition of her writing, she was the recipient of the PEN/Malamud Award for Excellence in the Short Story in 2016. Growing up, she was the daughter of a minister and as such, she often incorporated a religious theme in her novels, essays, and short stories. Similar to Jesus, Williams’ style was to present her stories in the form of parables in the hope of getting an important message across to her readers.
Davis addresses various important factors in a peasant’s life. She highlights many components of peasant society, including their social classes and how their society values property in different ways. Davis also includes the peasants’ culture. She elaborates on the importance of children and the consequences of not being able to produce children. She also explains typical marriage procedures and customs. Lastly, Davis talks about some of the laws and common uses of the judicial system by peasants. By incorporating these factors into her book Davis is successful at recreating life for peasants in France during the sixteenth century.
Hutch, the main character of The Big Field, has played baseball all of his life. He has always played shortstop, the same position that his father dreamed of playing as a professional. “Hutch, had always thought of himself as the captain of any infield he’d ever been a part of” (Lupica 1). Hutch finds himself being demoted to second base because there is another player, Darryl, on his new team that is expected to go pro and also plays shortstop. Hutch struggles because he does not want to play second base and his father does not support him because he does not want baseball to break Hutch’s dreams like it did his own. Hutch is betrayed by his father and Darryl when he finds them practicing together. Hutch has to learn to adjust and eventually becomes friends with Darryl, the up and coming shortstop. He understands that if he wants to win, then he needs to work together with Darryl. His father also comes around and finally gives Hutch his approval. Students should read this book in a high school English classroom because it demonstrates how relationships can be difficult, but teamwork can help to solve many issues.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
Now, in modern times, affairs seem to be a natural phenomenon of daily life. They are popularly seen in movies, novelas—soap operas and also expressed through literature. Although they are conventionally characterized as passionate and exciting, they can also catalyze a lot of thought and uncertainty for the individuals involved. “Migration” written by Rosa Alcala is a poem that takes a different approach in describing what an affair is. In her poem she rather focuses on describing the stressful cognitive affects that occur as a result of being involved in an affair. Through figures of speech, persona and images the author is able to establishes the feeling of the poem as cautious uncertainty.
In the Enseigne, art is also shown to serve a function that it has always fulfilled in every society founded on class differences. As a luxury commodity it is an index of social status. It marks the distinction between those who have the leisure and wealth to know about art and posses it, and those who do not. In Gersaint’s signboard, art is presented in a context where its social function is openly and self-consciously declared. In summary, Watteau reveals art to be a product of society, nevertheless he refashions past artistic traditions. Other than other contemporary painters however, his relationship to the past is not presented as a revolt, but rather like the appreciative, attentive commentary of a conversational partner.
In her novel The Daughter of Time Josephine Tey looks at how history can be misconstrued through the more convenient reinterpretation of the person in power, and as such, can become part of our common understanding, not being true knowledge at all, but simply hearsay. In The Daughter of Time Josephine claims that 40 million school books can’t be wrong but then goes on to argue that the traditional view of Richard III as a power obsessed, blood thirsty monster is fiction made credible by Thomas More and given authenticity by William Shakespeare. Inspector Alan Grant looks into the murder of the princes in the tower out of boredom. Tey uses Grant to critique the way history is delivered to the public and the ability of historians to shape facts to present the argument they believe.
The men of Reserve Police Battalion 101 were just ordinary men, from a variety of backgrounds, education, and age. It would appear that they were not selected by any force other than random chance. Their backgrounds and upbringing, however, did little to prepare these men for the horrors they were to witness and participate in.
Daru, the schoolteacher in a remote area of Algeria, is torn between duty and what he believes is the right thing to do when he is suddenly forced in the middle of a situation he does not expect. He must escort an Arabic prisoner to the nearest town. It is not that Daru has much sympathy for the man; in fact, he does not, and actually finds himself disliking the Arab for disrupting so many lives. "Daru felt a sudden wrath against the man, against all men with their rotten spite, their tireless hates, their blood lust." Unfortunately, Daru loves his homeland, and cannot bear to think of leaving, despite the chaos that is raging around him between France and the Algerian natives. I believe that Daru makes the right choice in letting the prisoner choose his own fate. Daru has reaso...
The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity, McKay see’s as an ugly, flawed, system that crushes the hopes and dreams of the African-American people.
The poem, “Field of Autumn”, by Laurie Lee exposes the languorous passage of time along with the unavoidability of closure, more precisely; death, by describing a shift of seasons. In six stanzas, with four sentences each, the author also contrasts two different branches of time; past and future. Death and slowness are the main motifs of this literary work, and are efficiently portrayed through the overall assonance of the letter “o”, which helps the reader understand the tranquility of the poem by creating an equally calmed atmosphere. This poem is to be analyzed by stanzas, one per paragraph, with the exception of the third and fourth stanzas, which will be analyzed as one for a better understanding of Lee’s poem.
“Dead Men’s Path” by Chinua Achebe. In this short story “Dead Men’s Path,” Chinua Achebe gives the protagonist an exciting chance to fulfill his dream. Michael Obi was officially headmaster of Ndume Central School, which was backward in every sense. He had to turn the school into a progressive one, however the school received a bad report when the supervisor came to inspect.
“Spinster” by Sylvia Plath is a poem that consists of a persona, who in other words serves as a “second self” for the author and conveys her innermost feelings. The poem was written in 1956, the same year as Plath’s marriage to Ted Hughes, who was also a poet. The title suggests that the persona is one who is not fond of marriage and the normal rituals of courtship as a spinster is an unmarried woman, typically an older woman who is beyond the usual age of marriage and may never marry. The persona of the poem is a woman who dislikes disorder and chaos and finds relationships to be as unpredictable as the season of spring, in which there is no sense of uniformity. In this poem, Plath not only uses a persona to disclose her feelings, but also juxtaposes the seasons and their order (or lack thereof) and relates them to the order that comes with solitude and the disorder that is attributed with relationships. She accomplishes this through her use of formal diction, which ties into both the meticulous structure and develops the visual imagery.
In this text Mohanty argues that contemporary western feminist writing on Third World women contributes to the reproduction of colonial discourses where women in the South are represented as an undifferentiated “other”. Mohanty examines how liberal and socialist feminist scholarship use analytics strategies that creates an essentialist construction of the category woman, universalist assumptions of sexist oppression and how this contributes to the perpetuation of colonialist relations between the north and south(Mohanty 1991:55). She criticises Western feminist discourse for constructing “the third world woman” as a homogeneous “powerless” and vulnerable group, while women in the North still represent the modern and liberated woman (Mohanty 1991:56).
Utopia as a text is a clear reflection and representation of More’s passion for ideas and art. Through the character of Raphael, More projects and presents his ideas, concepts and beliefs of politics and society. More’s Utopia aims to create a statement on the operations and effectiveness of the society of England. This text is a general reflection of More’s idea of a perfectly balanced and harmonious society. His ideas and concepts of society somewhat contrast to the rest of 16th century England and indicate a mind that was far ahead of its time. A number of issues and themes are raised throughout the text to which More provides varying views and opinions. These are transmitted and projected through the perspectives of the fictional Raphael, More and Giles.