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In Pearl S. Buck’s The Good Earth women are looked at as inferior to men. In the 20th century, which is when this novel takes place, women are considered the property of a man from birth until death. Buck illustrates the outlook of women in the novel by creating different relationships and thoughts between the opposite genders. The main character in the story, Wang Lung, treats many of the women in his life the same way, except for one. Some of the women who were dependent upon him, but also played a huge role in his life were Olan, Lotus, and Poor Fool. Even though each of the women in the story had a different purpose and were mostly treated the same way, they all pointed out a more universal observation about women in the twentieth-century Chinese culture.
Throughout Wang Lung’s life more and more women were being introduced to him. Whether they became part of his family, or worked as a slave or concubine, they were all treated with the same respect. The first woman that Wang Lung ever met was Olan. Olan was a slave at the wealthy House of Hwang, and had been since she was ten years old. In chapter one Buck tells of how the father of Wang Lung went to the House of Hwang and asked for a girl "not a slave too young , and above all, not a pretty one" (8). He then says:
Parker 2
And what will we do with a pretty woman? We must have a woman who will tend the house and bear children as she works in the fields, and will a pretty woman do
these things? She will be forever thinking about clothes to go with her face! No, not a pretty woman in our house. We are farmers. Moreover, who has heard of a pretty slave who was virgin in a wealthy house? All the young lords have had their fill of her. It is better to ...
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... The Good Earth, by Pearl S. Buck, truly illustrates the life of chinese women in the twentieth century. Not only does it describe the daily life of women but it also goes in depth about the perceptions of women back then. Although there are several other women in the story who leave an imprint on Wang Lung's life, Olan, Lotus, and Poor Fool are the three most important ones.
Works Cited
Baker, Caroline. "Position of Women in Chinese History - Chinese Culture." BellaOnline -- The Voice of Women. 2011. Web. 28 Feb. 2011.
Gao Xiongya. Pearl S. Buck's Chinese Women Characters. Cranbury, NJ: Associated University Presses, 2000.
Hist 471: Chinese Culture in 20th Century A Blog of One’s Own." A Blog of One’s Own. 27 Jan. 2009. Web. 28 Feb. 2011.
SparkNotes Editors. “SparkNote on The Good Earth.” SparkNotes.com. SparkNotes LLC. 2003. Web. 24 Feb. 2011.
Lessons for Women was written by Ban Zhao, the leading female Confucian scholar of classical China, in 100 C.E. It was written to apply Confucian principles to the moral instruction of women, and was particularly addressed to Ban Zhao’s own daughters. As her best remembered work, it allows the reader insight into the common role of a woman during this fascinating time-period. The work starts off by Ban Zhao unconvincingly berating herself, and claiming how she once lived with the constant fear of disgracing her family. This argument is rather implausible, for the reader already knows the credibility of Ban Zhao, and how important her role was in ancient China.
Ban Zhao wrote Lessons for a Woman around the end of the first century C.E. as social guide for (her daughters and other) women of Han society (Bulliet 167). Because Zhao aimed to educate women on their responsibilities and required attributes, one is left questioning what the existing attitudes and roles of women were to start with. Surprisingly, their positions were not automatically fixed at the bottom of the social hierarchy. Ban Zhao’s own status as an educated woman of high social rank exemplifies the “reality [that] a woman’s status depended on her “location” within various social institutions’ (167). This meant that women had different privileges and opportunities depending on their economic, social, or political background. Wealthier noble women would likely have access to an education and may have even been able to wield certain political power (167). Nevertheless, women relinquished this power within the family hierarchy to their fathers, husbands, and sons. Despite her own elevated social status, Ban Zhao still considered herself an “unworthy writer”, “unsophisticated”, “unenlightened’, “unintelligent”, and a frequent disgrace to her and her husband’s family (Zhao). Social custom was not, however, the only driving force behind Zhao’s desire to guide women towards proper behavior.
This huge discrepancy illustrates gender inequality. Secondly Poh-Poh’s opinion is securely indulged that girls are useless. When Jook Liang was six, once she was learning knots from Poh-Poh, but her six-year; old fingers are too clumsy to follow Poh-Poh’s skilled fingers, essentially reasoning for her failure. After the fact, Poh-Poh refused to teach Liang anymore: “all her [Poh-Poh] womanly skills she would keep away from me [Jook Liang], keep to herself until she died: ‘job too good for mo yung girl’”(Choy 32). Clearly, Poh-Poh believes girls are underdeveloped, and too slow to perform womanly skills, providing a girl with good things is a waste. Lastly, although Poh-Poh treats her granddaughter poorly, and looks down upon girls. She herself is also a victim of the perspective that a girl-child is inferior to a boy-child. When Poh-Poh first came to the world “‘Too ugly’ the midwife has pronounced at Grandmother’s [Poh-Poh’s] birth. And her father, an old farmer wishing for a son, spat at his wife and left them forever” (Choy 38). Obviously, Poh-Poh’s father abandons Poh-Poh’s mother and Poh-Poh just because Poh-Poh is born a girl-child. However, this ridiculous incident is common in Old China; a woman has no existing value except for being a tool of
From the beginning of Wang Lung’s marriage to O-lan, she saved him time, money, and effort without complaint. She offered wisdom when asked and was smart in the ways of the world. During the famine, when the family went south in search of food, O-lan taught her children how to beg for food, “dug the small green weeds, dandelions, and shepherds purse that thrust up feeble new leaves”(p. 128). She raised her children prudently. She knew how to bind her daughter’s feet, and she gave them a better childhood than she had had. O-lan knew that the land was the only consistent thing in her life, so she willingly helped Wang Lung as he bought more and more land. O-lan knew her place in the family was as a wife and mother. As a wife, she fe...
Most critiques of The Good Earth are preoccupied with the authentic quality of the novel, and while the Western critiques praise it as a novel based on facts, the Chinese hold a different view. Kang Younghill, a Chinese man, in reference to the image Pearl Buck created of China, stated that "it is discouraging to find that the novel works toward confusion, not clarification" (Kang 368). This statement illuminates Kang's feelings that the details, which Buck had presented as factual in the novel, were contrary to the actual life of the Chinese. Yet researches have shown that Buck was rightly informed and presented her information correctly. One detail that she paid special attention to was the family structure within the rural Chinese family, which she presented in the form of the Wang Lung household. The family structure demonstrated by Buck is not restricted to the Wang Lung family, but was a part of every rural Chinese home in the early 1900s. Every member's experiences within the family structure are determined by the role and expectations placed on them by the society, and Buck was careful to include these experiences in Wang Lung's family.
Money and wealth change and influence Wang Lung as he evolves from a common peasant to a wealthy noble. For instance, towards the beginning, after he is shaved by a local barber before heading off to the House of Hwang, Wang Lung sees “the money counted into the barber’s wrinkled, water-soaked hand . . . [and] had a moment of horror” (11). A poor peasant in the beginning of the story, Wang Lung always thought completely about how he spent his money, whether he was shaving his face to look presentable or the wedding day itself. Thus, he wasn’t prone to spoiling himself with unnecessary luxuries, and thought of money to be used only when it is needed. Thereafter, on his second visit to the local House of Hwang, Wang Lung is treated as one of the nobles for his growing wealth and prospering harvest, shown when the gateman’s wife “presented to him [a bowl of tea] and he set it before him and did not drink of it, as though it were not good enough in quality tea leaves...
Spurling, Hilary. Pearl Buck In China Journey to the Good Earth. New York: Simon & Schuster, 2010.
“The Pastoralization of Housework” by Jeanne Boydston is a publication that demonstrates women’s roles during the antebellum period. Women during this period began to embrace housework and believed their responsibilities were to maintain the home, and produce contented and healthy families. As things progressed, housework no longer held monetary value, and as a result, womanhood slowly shifted from worker to nurturer. The roles that women once held in the household were slowly diminishing as the economy became more industrialized. Despite the discomfort of men, when women realized they could find decent employment, still maintain their household and have extra income, women began exploring their option.
Other characters in the novel said things about O-lan that showed her to be the modest woman she was. When Wang Lung was talking to his father, he said a lot shouldn't be expected of O-lan's appearance. He said, "We are farmers. Moreover, who has heard of a pretty slave who was a virgin in a wealthy house? All the young lords have had their fill of her." (18)
Wang Lung needs a wife so saves up the little money he has and buys a woman who is a slave named O-lan. O-lan is sold to Wang Lung so she can take care of the home, cooking and bear children. Wang Lung is disappointed when he first sees O-lan because she does not have bound feet which was a desirable quality at that time but he does enjoy when O-lan has the food ready when he comes in a night from the land. Wang Lung is very proud when O-lan makes cakes that no one else in the village knows how to makes and when his family comes to feast for the new year at their house.
In the novel the women experienced hardship in their country. China contained strict ethics under which women abided by. In the beginning of the novel Suyuan-Woo is emphasizing a better life in America for women. Tan said, “On her journey she cooed to the swan: “In America I will have a daughter just like me. But over there nobody will say her worth is measured by the loudness of her husband’s belch” (Tan 3). This shows that women in China simply were treated subpar Comparing an individuals worth to a belch simply is unfair for t...
Paul A. Doyle, a literary critic, remarks that Buck's stories were improbable and simplistic (Chauhan, 1994, 120). He later adds: "In structure, The Good Earth uses a chronological form which proceeds at a fairly regular pace. Buck's stories take the epic rather than dramatic form, that is to say, they are chronological narratives of a piece of life, seen from one point of view, straightforward, without devices; they have no complex plots, formed of many strands skillfully twisted, but belong to the single-strand type, with the family, however, rather than the individual as a unit (Buck 35). As Wang Lung and his father begin this family strand, one by one characters are introduced from Wang's viewpoint. In regards to women in his society, he objectively portrays them for what they are worth. In spite of his smooth surface, the novel shows a complicated feminism. On the one hand, the woman's situation is clearly, almost gruesomely, presented: Chinese village society is patriarchal, oppressive, and stultifying to women (Hayford, 1994, 25). The clearest illustration of this occurs through O-lan, the wife of Wang Lung.
Wang Lung 's relationship with O-Lan is very dysfunctional. He does not seem to have success with her. Wang Lung is a poor peasant farmer whose life is mainly centered on Earth. Living with his old father, Wang Lung struggles to work hard on the field and earn money to feed his father. Wang Lung is getting married to a servant from the rich family of House of Hwang, her name is O-Lan. Now being married, he leaves all his responsibility to O-Lan. Wang Lung views women as lesser than men. "Wang Lung views women in inferior terms. He feels that they are not worth thinking of or mentioning" (Jan 34). In this quote, it clearly demonstrates that
Kazuko, Ono. "Chinese Women in a Century of Revolution, 1850-1950." edited by Joshua A. Fogel, Stanford: Stanford University Press, 1989.
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.