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The parthenon structure
History of greek architecture
History of greek architecture
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In the time of Ancient Greece, the Parthenon was the epitome of all Greek temples, possessing desired traits from hut-like temples, the Temple of Zeus at Olympia, and other temples. All the column styles were established in 6th century BCE, but the styles were named afterwards (Spawforth 62). The chief column styles of Greek temple building were Doric and Ionic, and they were named in the 5th century BCE (Spawforth 62). The Corinthian column style was named in the 4th century BCE (Spawforth 62). Doric columns from the 4th century BCE are skinnier than the 6th century BCE columns (Spawforth 62). The “Aeolic” column, related to the Ionic column, was developed by the Aeolian Greeks (Spawforth 62). The Ionic and Aeolic columns has scrolls at the top, but only the Aeolic column’s scrolls spring outwards in a vertical direction, making it unique from the Ionic column (Spawforth 62). The Doric columns were created by the Dorians; the Ionic columns were created by the Ionians (Jenkins 15, 17). Each column consists of a column, base, shaft, capital, and entablature. The entablature consists of the architrave, frieze, and cornice (Summerson). The Romans used columns as ornaments, but the Greeks used the columns for structural stability (Summerson). The Parthenon was a Doric temple (Spawforth 64). The Parthenon was the centerpiece of acropolis renewal (Jenkins 76). The marble is from Mount Pendelikon (Jenkins 76). The Parthenon is a culmination of long tradition (Jenkins 28). The Parthenon is the Romantic Symbol of a cultural age; it is viewed with great fondness and nostalgia in the Western civilizations’ cultural memory (Nardo 12). The Parthenon is not at ground level; it stands on a three step stylobate (Corbett). In the 6th century, the ...
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...olis). The reconstruction of the façade of the Temple of Apollo at Thermon, due to the unpleasant front side of the temple, ended in 500BCE (Nardo 19). Stone replaced the Temple at Thermon’s wooden entablature and columns in the 600s to keep it from weakening further (Nardo 19). If this issue had left untended, it would have led to the place of worship’s eventual collapse. The Temple of Apollo at Thermon was one of the few temples of its time on Ancient Greece that was solid enough to uphold a tiled roof (Nardo 19). The tiled roof would not have been supportable, had the façade, entablature, and columns not been replaced. The Temple of Apollo at Thermon was a Doric temple (Guido).
The Temple of Zeus at Olympia contributed to the timelessness of the Parthenon, as it was the trial for it. The hut-like temples were the first known forms of temples. Make it better!
The Parthenon in Athens, for example, is a dedication to Athena; the goddess of wisdom and the patron of Athens (OI). As depicted in The Parthenon at the Acropolis in Athens, Greece (Doc6), this architectural piece is shown to have Doric columns that have a cylindrical shape seeming to be plain but sturdy. In comparison to the Doric style, the Ionic style was more elegant as it was taller and more decorative; engraved with vertical lines and topped with a curved rectangular shape. The Corinthian design is similar to the Ionic design because of the elaborate designs at the end of the pillars; it features more detailed designs that seem to be based around nature such as the inclusion of leaves and flowers. There are many buildings today that include these types of columns in their architectural design mainly in monuments and government buildings. According to the depiction of the White House in Greek Architecture (Doc8), the columns of the White House most closely resemble the Ionic style. Greek architecture are one of the many important legacies that Western civilization had inherited, influencing many architectural elements and building types used in art and architecture
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
...the Athenian Parthenon’s in some ways its powerful imagery has caused it to be acknowledged it as one of the most wonderful examples of Hellenistic art and architecture.
The Parthenon was built to honor the goddess of wisdom, Athena. When structures are built using straight lines they tend to look slightly distorted due to the science of optics. The architects Iktos and Kallikretes were skilled architects of their time and they used illusory tactics to create an ideal aesthetic for The Parthenon. The architects compensated for these visual illusions by counteracting them in their design. The end result is a structure that is not composed of straight lines, but when viewed by the human eye, looks perfectly straight. Plato would have mentioned one of his famous dictums, ?That which changes least is most real.? He would have viewed Iktos and Kallikretes designs as less real than other designs that do not u...
Brief History Though the Persian wars were possibly over before the Parthenon was being considered, the wars played a vital role for Athens and her temples. During the wars, the armies of Persia attacked Athens and sacked the city leaving much of it in ruins, including the new temple in honour of Athene atop the Acropolis that was under construction. During the struggle, many of the states in Greece joined together to fight against the Persians and decided that they should not rebuild any of the temples that had been destroyed by the Persians to have an eternal memory of the devastation they caused and the lack of respect they have for religion. The once impressive city of Athens was reduced to dust, with small basic houses and nothing really imposing.
Ancient Greece made many achievements in architecture that impact society today. There are five orders of classical architecture: Doric, Ionic, Corinthian, Tuscan, and Composite. The first three were developed by the Ancient Greeks. The Greeks developed Doric columns instead of using the previous wooden columns. This was a vertical fluted column shaft, thinner at its top, with no base. The Greeks were skilled with stoneworking and were able to make incredible buildings such as the parthenon (Doc. 7) and the temple of Hephaistos. The Greeks also built a great theater in skillful places so that every one of all 12,000 people in the theater can hear the actors voice. The Greeks also made sophisticated temples - some of which were to their
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
The Parthenon was built during the Golden age in Athens, Greece. The Parthenon is made of mainly columns; there is a 9:4 ratio. It was almost destroyed in war; the ruins that remained were dedicated to Athena. The purpose of the Parthenon was to house the statue of Athena, made of ivory and gold, and also Athena’s treasure. The ratios and the equations used to make the Parthenon were used as a sign of the harmony in the natural world around us. The mathematical harmony in the world shows how we can work with the world rather than destroy to make it what we want. The Parthenon also has no straight lines. The columns of the Parthenon are angled going up getting smaller the higher they get. This was done so that you could get the best lighting
Greek and Roman architecture is truly amazing. They each had great ideas, and fabulous productions. It is said that the Pantheon is to Italy what the Parthenon is to Greece. Both are tremendous monuments that reek of culture and history. Each had a purpose which was displayed by the design and construction of each. There are such great meanings behind each of these architecural structures. The Romans and the Greeks alike worshipped and dedicated their structures and designs to the Gods and Goddess they believed in.
As something given beyond what is actually due, The Parthenon (designed by the architects Iktinos and Kallikratis) became a masterpiece of architecture and art where certain features details made the temple perfectly balanced in shape and symmetry. Cartwright (2012) lay much emphases on those details clearly ahead of time, “The temple measure 30.88 m by 69.5 m and was constructed using a 4:9 ratio of the diameter of the columns in relation to the space between columns, the height of the building in relation to its width, and the width of the inner cella in relation to its length. Other sophisticated architectural techniques were used to combat the problem that anything on that scale of size when perfectly straight seen from a distance to be curved. To give the illusion of the true, the columns lean over so slightly inwards, a feature which also gives a lifting effect to the building making it appear lighter than its construction material would suggest. Also, the stylobate or floor of the temple is not exactly flat but rises slightly in the center. The columns also have entasis, that is, a slight fattening in the middle, and the four corner columns are imperceptibly faster than the other
The Greek Parthenon is dedicated to the Goddess Athena and was designed to house a single, large statue of her. Furthermore, the building itself is designed to be pleasing to the eye and has a repeating series of 9 to 4 ratios in its construction (overall length to width, face of building width to height, etc…). It is also sighted on a prominent feature, visible for miles around. In short, it is as much a statement of artistry and power for the Athenian city state as it is a temple to venerate Athena. The Roman Pantheon is a much more utilitarian building built in the middle of the city and is admired today more for the fact that it has the largest concrete dome ever built than for its overall beauty. It is an engineering statement. Seen from the front it resembles the Parthenon but one gets a whole different feeling when viewing it from the side where it looks like a square building mashed together with a rectangular one and then with a cylindrical one. Only the front of the Pantheon has any decoration versus all four sides of the Parthenon. This utilitarian theme continued inside where the statues of many gods were placed around the outside perimeter, leaving the center open for a variety of
There is one issue that all ancient Greek art historians and archeologist agree on, and that issue is that the reason why the Parthenon frieze cannot be correctly solved is that there is no ancient literature or sources that appropriately documents the context of the frieze. Without contextual evidence, the intertextuality of the subject matter corresponding to the Parthenon frieze becomes ambiguous to the modern viewer. Therefore, modern academics can only conceptualize and speculate about what the Parthenon frieze is conveying. This issue is mentioned in the majority of articles relating to Parthenon frieze including “Parthenon and Parthenon: A Mythological Interpretation of the Parthenon Frieze,” by Joan B. Connelly, Jenifer Neil’s article
Introduction In this week’s assignment I will make a comparison and description of two famous buildings: Pantheon and Parthenon. They are both ancient temples, but built in different periods and with different purposes. Both temples went through (natural and human) catastrophes that damaged their architecture, but fortunately they were repaired (or at least partially). Discussion
Architecture is one of the most emotive and complicated forms of art in the world. Even its conception and creation is singularly unique, being the third-dimensional reality of a plan made on a two dimensional plane. As such, my group and I wanted to base our work on something that had a deep rotted history in the subject and thus chose the Parthenon. As this 5th century B.C.E temple of Athena is the most recognizable example of ancient Western culture that stems from Greece and Rome, it seemed an apt inspiration for our project, which eventually became an expensive seafood restaurant dedicated to and named after Poseidon, Greek god of the sea. The process to build this architectural model involved multi-faceted decision making as my group
...nce on elegance and decoration, preferred Ionic order more. Unlike the Doric order, the emphasis on the decoration provided a figurative relief. ‘Athena Nike Temple’ bolsters the example of the Ionic order. The temple sometimes had columns replaced by statues, as on the ‘Erechtheum.’ These statues have some similarities to the columns such as the fold in the figures tunic could symbolize the fluting on a column, and the headdress may be regarded as a capital. On the other hand, in Doric temples the sculpture applied the structure rather than form part of it, such as the relief in the metopes and groups of figures in the high relief. (J. J. Coulton)