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Sophocles philosophy in his plays
Sophocles Tragedy
Essays about sophocles
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Explores how "turning a blind eye" operates in the drama of Oedipus and how it can be recognized in clinical work. The story of the play is recounted, and P. Vellacott's (1971) study of Sophocles and Oedipus is used to suggest that both the play and the Oedipus complex need to be understood at 2 levels simultaneously. In the classical view, Oedipus is a victim of fate and bravery. Freud likened this to the course of an analysis where the unconscious is gradually revealed to the patient. It is contended that, at the same time, Sophocles wanted the reader to understand that the chief characters in the play must have been aware of Oedipus' identity, realized that he had committed parricide and incest, and may have, for their own reasons, turned
a blind eye so that a cover-up was staged. It is asserted that the modern view of the Oedipus complex complements the classical view. Oedipal conflicts are universal and do not in themselves account for pathology; a pathological resolution of the Oedipus complex arises when the psychic reality of these impulses is denied and a cover-up of a pervasive kind results. It is suggested that turning a blind eye is an important mechanism that leads to a misrepresentation and distortion of psychic reality.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Oedipus the King is perhaps one of the most famous and influential of Sophocles' plays. It is a tragic play which focuses on the discovery by Oedipus that he has killed his father and married his mother. On the surface of this drama there is, without a doubt, a tone of disillusionment.
In Oedipus the King, Sophocles suggests that the impact of seeing the truth is harmful rather than enlightening. Whenever Oedipus strives to discover more to strengthen Thebes’ perspective of him, it leads him closer to his fate as determined by prophesy. Tiresias stands as a model in the play for the individual who is able to see the meaning beyond plot of events although his is blind, and Oedipus represents the oblivious arrogant individual who is never content because they need to be the unsurpassed individual. In the play, Sophocles illustrates the downside of a personality like Oedipus who desires to see the truth by ending the play with the brutality of gouging out his own eyes. Ultimately, the play reinforces that seeing the truth is harmful and being content with what you have, without greedily striving for more, can help avoid fate and a related deposition.
Throughout the entire play, it is clearly seen that blindness carries on second hand effects on most of the characters. Oedipus refuses to see life as it really is, and when he accepts all his truths, he ends up self-blinding himself because of his impotence to accept the true meaning of life. Once he becomes physically blind, he starts to see in a differnet manner, and he starts to realize that blindness is not necessarily a lack of knowledge. This following quote may represent one of the key themes in Sophocles’ work, “we see and understand things not as they are, but as we are.” This previous quote expresses that what a person sees depends on the person, and the point of view that person wants to take advantage of. In the play, Oedipus shows this idea towards his past, and also, towards his fate.
Throughout the years, there have been many interpretations of Sophocles’ Oedipus Tyrannus. However, one of the most interesting interpretations of the play would have to be one that uses the theories of Sigmund Freud to analyze the actions of the characters. The use of various aspects of Freudian theory such as the id, ego, superego, and the Oedipus Complex reveals Oedipus and his behaviors throughout the course of the play.
Ancient Greeks cared deeply about the pursuit of knowledge. Although the truth was often a terrifying concept, they still saw it as a critical virtue. One of the main underlying themes in Oedipus the King is the struggle of sight vs. blindness. Oedipus’ blindness is not just physical blindness, but intellectual blindness as well. Sophocles has broken blindness into two distinct components. The first component, Oedipus's ability to "see" (ignorance or lack thereof), is a physical characteristic. The second component is Oedipus's willingness to "see", his ability to accept and understand his fate. Throughout the play, Sophocles demonstrates to us how these components.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Sophocles?s play, ?Oedipus the King? is one of the most well known of the Greek tragedies. The play?s interesting plot, along with the incredible way it is written are only two of the many reasons why two thousand years later, it is still being read and viewed. For those who are not familiar with the story of ?Oedipus the King?, it is written about the results of a curse put on King Oedipus which claims that he will murder his father and marry his mother. After reading or viewing this play, it is apparent that there are a few different themes, though the one which will be discussed in this essay is the theme of blindness. The theme of blindness is shown through the blind prophet, through Oedipus?s blindness in realizing the truth, and finally through Oedipus stabbing his own eyes to the point of blindness.
Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his escape, he marries the widowed queen of Thebes, his mother Jocasta. Many events in the story should lead to suspicion of their marriage, but out of pride and ignorance Oedipus stubbornly refuses to accept his fate. Together, these sins represent the highest taboos of Greek society, revealed by Socphocles’s depiction of the already pervasive story. Before the Thebian plays, the myth centered more around Oedipus’s journey of self-awareness; meanwhile, Sophocles shows Oedipus’s struggles with his inevitable desire toward his mother throughout these stages of psychological development.
Greek theatre was entwined within Ancient Greek society. Multiple didactic, dramatic works were directed and performed for the Greek society, from multiple tragedies invoking thought upon the layered meanings of the work, to the satyr comedies, which provided relief from the dark tragedies, while also educating the audience. Oedipus Rex is a theatrical tragedy directed by Sophocles in which it describes the consequences of King Oedipus’s past. The dramatic work begins ‘in medias res” in which it commences after the Greek myth tale of Oedipus’s homicide, the banishing of the wicked sphinx and his incestuous activity. Oedipus is oblivious of his past sins, and the dramatic tragedy depicts the events leading up to, and regarding his anagnorisis, then the ramifications of committing his immoral crimes. Within Greek tragedies, the narratives presented a catharsis of the main protagonist to the audience in which the protagonist analyses their flaws and results in some form of ‘restoration’ or ‘renewal’ of the protagonist. This was enhanced via the application of the conventions of tragedy which contributes to the emotion that the audience experiences, therefore likewise, their reaction to the catharsis. Generally the catharsis of the protagonist invokes a catharsis of the audience members. The conventions of tragedy were present within each Greek tragedy, most following the same events, however with varying situations and motives. The protagonist must be viewed by both the audience and characters within the play as someone to be admired which causes audiences to identify with them. They must suffer from some form of hamartia which the audience can identify, therefore when the anagnorisis occurs, they can understand the reasoning and avo...
Oedipus the King is a tragic play by Sophocles that illustrates a change from the predestination belief, to that of free choice. It represents the progress of humans. The primary focus of the play is Oedipus the major character, a discovery of who kills King Laius and the ramifications of the act (Sophocles). To express the intended points to the audience, Sophocles makes use of the theme of blindness. In the play, there are varying situations that relate to the ability to see both in a literal context and in the symbolic meaning. It is a motif that is evident in various parts of the play which makes it a major theme as will be discussed below.
E. T. Owen in “Drama in Sophocles’ Oedipus Tyrannus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Throughout the play Oedipus The King written by Sophocles, sight and blindness is highlighted multiple times. Sophocles uses blindness/sight as motif in this play to create an abundance of dramatic irony. The dramatic irony is used to develop the plot of the play, making it increasingly interesting and intense for the viewers and/or readers. Oedipus, the main character, creates dramatic irony with this motif, by being oblivious to the facts, contradicting his sight, and finally, the realization of the truth. Through these ways, Oedipus creates the majority of dramatic irony throughout the play.
There are times where people act like or wish to act like Oedipus. For example, “You are a dead man if I have to ask you again.” (63) Shows how blind Oedipus can be because if he was to listen rather than hear, he would understand his fate. If he was less harsh and more open the play would end earlier making Oedipus Rex less popular after all these years and less relevant. However, seeing a person act completely foolish without seeing the consequences, make it more applicable to people. Readers are forced to put themselves into Oedipus’s shoe and feel comfortable that they are not like him and most likely have a better life than him. Observing an actor or reading about Oedipus from a third person point of view may give some readers that same perspective, they may need in order to accept themselves and the situation. Acceptance is the last stage of grief, and by seeing a tragic hero provides comfort to readers and
“Oedipus the King” by Sophocles is a tragedy of a man who unknowingly kills his father and marries his mother. Aristotles’ ideas of tragedy are tragic hero, hamartia, peripeteia, anagnorisis, and catharsis these ideas well demonstrated throughout Sophocles tragic drama of “Oedipus the King”.