The singer in “Bohemian Rhapsody” by Queen shares many parallels with Grendel, the main character in John Gardner’s short novel. In the song, the character is “Caught in a landslide, No Escape from reality.” In a similar manner, Grendel is caught in his own landslide, finding his purpose. The reality for Grendel is that he can’t find his purpose in life, and the feeling of indecisiveness is the worst pain possible. He embraces his role as a villain after the dragon advises him to “find gold and sit on it.” For some time, Grendel enjoys his existence. He is finding meaning in killing humans, self-justifying the killings because humans are wasteful, greedy, and are liars. Grendel has witnessed humans kill animals and destroy natural life for …show more content…
The reality for Grendel is that he cannot decide what his purpose is, and he never will. The mental anguish that reality brings upon both Grendel and the singer from Bohemian Rhapsody leads to suicidal ideation. Grendel, in a fit of rage, sometimes finds himself running to the edge of a cliff and staring down at the abyss. He stops just before he falls off, horrified at what he just did. The singer from Bohemian Rhapsody says that “[he] don’t wanna die, I sometimes wish I’d never been born at all.” When one values his life at such a low point, they begin to dive deeper into his thoughts, much like a depressed person. The singer from Bohemian Rhapsody restates the low value of his life, stating “[He]’s just a poor boy, nobody loves me. Spare him his life from this monstrosity. Nothing really matters.” Likewise, Grendel’s lack of affection and low valuation of his life leads to him enhancing his beliefs until he accepts that “nothing really matters.” The lack of affection that Grendel receives causes him to wonder if his death would affect the world in any way, as living has been a pain for him his whole life After encountering the shaper, Grendel questions reality even more, since it seemed to him that the difference between a hero and a villain, like Hrothgar, could be
"'Pointless accident,' not pattern, governs the world, says Grendel, who, as a consequence, adopts an existentialistic stance," explains Frank Magill in Critical Review of Short Fiction. This point has been expressed in numerous critical papers by various essayists. One may wonder, however, whether this is the only way to interpret an incredibly ambiguous story in which no question is ever clearly answered nor clearly formulated. One may wonder, actually, whether the author meant for his work to be analyzed in this way at all. The author, John Gardner, spins a tale of a monster held viscously to his destiny of an unnatural death. No matter what Grendel does, his death is predetermined. Though he tries to disprove fate to himself by believing in existentialism, the belief that actions create the future, he never validates that point of view. John Gardner's purpose in writing Grendel was to express that the future is completely unavoidable.
The Shaper’s musical tales mesmerize Grendel; Even though he knows that the tales are partially fictional, he can’t help but fall under the influence of the power of stories. He spends a large portion of his time spying on the Shaper while he tells his tales.This shows that there is some aspect of the human culture that fascinates Grendel enough for him to abandon his animalistic pursuits of
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Before meeting the dragon, Grendel had been labeled a monster by himself and the people of Denmark. His only purpose had been to spend his days in a languid stupor only punctuated by his acts of violence to the Danes. For the Danes, Grendels’ function had been to serve as, in the dragons’ words, “the brute existence by which they define themselves”(Gardner 73). However, Grendel find this dissatisfying and yearns to find his deeper purpose. The dragon sarcastically tells Grendel that it does not matter whether he is monster or not. After all, all labels are meaningless to a nihilist. Instead the dragon encouraged Grendel to “find gold and sit on it”(Gardner 74). Basically the dragon is saying for Grendel to cease measuring himself based off mans’ false labeling and find something tangible and rational to give him purpose.
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Grendel’s last words were, “Poor Grendel’s had an accident...So may you all.” Grendel’s last thoughts were confusion, confusion whether it was joy what he felt, or if it was only terror what abounded in his heart. The animals gathered around him , and he said, “They watch on, evil, incredibly stupid, enjoying my destruction” (Gardner 174). Grendel noticed the animals’ reaction towards his suffer. Therefore, Grendel’s last words meant to affect the animals gathered around him mainly, because they were contemplating his death as an enjoyful success.
In Grendel, nearly all of the characters are driven to shape the world to their ideas. Hrothgar spends his life crafting a government. Grendel's mother is described as loving her son "not for myself, my holy specialness, but for my son-ness, my displacement of air as visible proof of her power (138)." Both Grendel and the Shaper constantly seek the ability to reshape reality with words. While they have differing motives, all of these acts of creation give power and significance to the creator. As Baby Grendel desperately convinces himself, it is the act of observing and commenting on what is outside that makes one real: "I understood that, finally ...
Throughout the novel, this monster, Grendel, seems confused as to whether he wants to view life like his existentialistic dragon mentor, or like the ignorantly optimistic humans on which he feeds. At times he is captivated by the romantic songs of the Shaper, and feels no desire to kill, while at others he thrives on the "knowledge" of the dragon, and goes on bloody rampages. At one point during Grendel's insecure state, the dragon tells him something that changes his outlook, and gives him a new feeling of self-worth.
The presence of a bull prompts a shift in Grendel’s purpose in life from remaining obedient to his mother as a young child to being the creator of the world as he transitions into adulthood. As a young monster, Grendel motive’s coincide with his mother since she is the only person who Grendel is able to communicate with. He feels “Of all the creatures I knew, only my mother really looked at me...We were one thing, like the wall and the rock growing out from it… ‘Please, Mama!’ I sobbed as if heartbroken” (Gardner 17-19). His emotions demonstrate that as a child, he doesn’t consider himself as an individual but rather as embodying the same identity as his mother, which is further emphasized by the use of the simile. Additionally, Grendel’s use
Part of the development of a human being involves acquiring the ability to classify good and evil as well as distinguishing right from wrong. It has become an inherent trait that is invariably used in our everyday lives. In John Gardner’s novel, Grendel, the main character, Grendel, seeks to find the meaning of life. Through his journey, a depiction of the forces of good and evil is revealed. Aside from being a novel about the search for the meaning of life, Grendel also suggest society’s good and evil have a meaningful and imbalanced relationship where good prevails evil yet facing evil is still critical.
"People say that what we're all seeking is a meaning for life. I don't think that's what we're really seeking. I think that what we're seeking is an experience of being alive...." Joseph Campbell made this comment on the search for meaning common to every man's life. His statement implies that what we seem bent on finding is that higher spark for which we would all be willing to live or die; we look for some key equation through which we might tie all of the experiences of our life and feel the satisfaction of action toward a goal, rather than the emptiness which sometimes consumes the activities of our existence. He states, however, that we will never find some great pure meaning behind everything, because there is none. What there is to be found, however, is the life itself. We seek to find meaning so that emptiness will not pervade our every thought, our every deed, with the coldness of reality as the unemotional eye chooses to see it. Without color, without joy, without future, reality untouched by hope is an icy thing to view; we have no desire to see it that way. We forget, however, that the higher meaning might be found in existence itself. The joy of life and the experience of living are what make up true meaning, as the swirl of atoms guided by chaotic chance in which we find our existence has no meaning outside itself.
Humans look for some key equation through which they might tie all of the experiences of life and feel the satisfaction of action toward a goal, rather than the emptiness of which sometimes consumes the activities of our existence. However, humans may never find some great pure meaning beyond their mundane existences, because there is none. What there is to be found, however, is the life itself. Humans seek to find meaning so that emptiness will not pervade every thought, every deed, with the coldness of reality as seen by an unemotional eye. Without color, without joy, without future, reality untouched by hope is nothing more than an empty void. Man’s search for meaning is depicted in John Gardner’s Grendel, as Grendel’s perspective and philosophy
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”