Ozzie Freedman Portrayed as a Hero
A hero can be defined as one who inspires through manners and actions; who leads through personal example. Under this definition, the character Ozzie Freedman from Philip Roth’s “The Conversion of the Jews” (1959) can be classified as a hero. The sections of Discoveries: Fifty Stories of the Quest (Schechter & Semekis 1992): The Call, The Other, The Journey, Helpers and Guides, The Treasure, and Transformation, can be applied to the story about Ozzie to support it’s inclusion in this class, entitled “Myth of the Hero”.
The chapter on The Call describes that a hero may be “on the brink of a decisive change” (21) and they “perceive the danger of remaining where they are” (22). The hero must be “ready … to leave [his] old, familiar [life] behind and move on to something new” (23). In “The Conversion of the Jews”, we see Ozzie questioning his faith and going against the Jewish teaching by believing that God could “let a woman have a baby without having intercourse” (384). He stood up to the rabbi in class and was prepared to defend his questioning and beliefs.
The Other is a character who embodies the exact opposite personality of the protagonist. According to Schechter & Semekis, the Other causes self-revelation in the protagonist, which his journey would not begin without. In Roth’s story, Itzie is Ozzie’s best friend, who does not question authority or his faith, quite the opposite of Ozzie. He gives Ozzie a hard time for always asking questions and speaking out in class. (‘“What do you open your mouth all the time for?”’ (383)). Ozzie realizes he doesn’t want to be like Itzie and blindly accept the Jewish belief about Jesus. He defends his right to question something in order to seek validity, and says, ‘“Itz, I thought it over for a solid hour, and now I’m convinced God could do it.”’
Discoveries describes The Journey as a portrayal of “how difficult the hero’s quest is” (8). In Roth’s story, Ozzie faces “external enemies, agents of conservatism or conformity that must be overcome” (Schechter & Semekis, 8). He is speaking out against the Jewish religion, saying that he believes God could impregnate a woman without her having intercourse. When he delivers this defiance to Rabbi Binder, he is...
... middle of paper ...
...nbsp; By applying the theory of the hero’s journey as found in Discoveries: Fifty Stories of the Quest and applying it to Roth’s “The Conversion of the Jews”, we see that the character Ozzie Freedman truly fits the title of a hero. Ozzie questions his religious beliefs and is not ashamed to bring forth his insight and seek answers and new ways of thinking. He winds up teaching his mentor a lesson in religion and sets out to have his message heard, despite the possibility of ridicule and even death. Once he realizes he has a different belief than the people of the Jewish religion, he understands his life will never be the same and that he cannot go back to the Jewish belief that God is not able to produce a child without intercourse. Ozzie gets his message across, that one should never be punished for his beliefs, and he is then born into a new day and a new life journey.
Works Cited
Roth, Philip. “The Conversion of the Jews.” Discoveries: Fifty Stories of the Quest.
2nd ed. Harold Schechter and Jonna Gormely Semekis. New York: Oxford, 1992.
Schechter, Harold, and Jonna Gormely Semekis. Discoveries: Fifty Stories of the Quest.
2nd ed. New York: Oxford, 1992.
These feelings drive O’Brien to seek out a journey in order to find out what is truly valuable to his self being. His adventure of self-knowledge mirrors the narrative archetype of the Hero’s Quest. One might argue that as a result of O’Brien’s uncooperative nature towards his circumstances, he is able to pursue the main motive of the Hero’s Journey, in which he departs from his ordinary world and is able to obtain the life treasure of self-acknowledgement.
The word "hero" is so often used to describe people who overcome great difficulties and rise to the challenge that is set before them without even considering the overwhelming odds they are up against. In our culture, heroes are glorified in literature and in the media in various shapes and forms. However, I believe that many of the greatest heroes in our society never receive the credit that they deserve, much less fame or publicity. I believe that a hero is simply someone who stands up for what he/she believes in. A person does not have to rush into a burning building and save someone's life to be a hero. Someone who is a true friend can be a hero. A hero is someone who makes a difference in the lives of others simply by his/her presence. In Tim O'Brien's novel, The Things They Carried, the true heroes stand out in my mind as those who were true friends and fought for what they believed in. These men and women faced the atrocities of war on a daily basis, as explained by critic David R. Jarraway's essay, "'Excremental Assault' in Tim O'Brien: Trauma and Recovery in Vietnam War Literature" and by Vietnam Veteran Jim Carter. Yet these characters became heroes not by going to drastic measures to do something that would draw attention to themselves, but by being true to their own beliefs and by making a difference to the people around them.
Who is your hero? Many of us can clearly picture our idea of our personal hero in our head, but is the person you consider to be a hero really a hero by definition? In Heroism: Why Heroes are Important, Scott LaBarge, a Classics and Philosophy Professor at Santa Clara University, awakens your thoughts on the word heroism and how it has changed since its origins in ancient Greece. Throughout his essay, he goes in depth into the term ‘hero’ and compares it to society’s take on heroes today. Although LaBarge uses examples to back up his stance that “Today, it is much harder to detach the concept of heroism from morality (LaBarge. 1),” his essay contains flaws and he contradicts his own words.
...opher McCandless is a unique and talented young man, but his selfish and ultimately complacent attitude towards life and his successes led to his demise. Chris possesses monumental ambitions that had the potential to be harvested into something great, but were not taken advantage of in the correct way. Through the book Krakauer paints a chilling picture of how detrimental choices can be. Had Chris been better prepared for his trip there is a good chance he would have walked out alive. Had Chris lived, he would not be famous, merely criticized for his poor choices and selfish behavior that deeply impacted those close to him. Chris is not a hero, nor should he be regarded as one. His actions were admired by others but spontaneous naive actions do not constitute a hero.
This paper is to show that Heracles is the prime example of a hero’s journey through his actions and the struggles that he faced during his life until he was about to die but instead of death, his father, Zeus, saved him and he conquered the mortal realm, to become a god.
Are heroes important? This is the question that Scott LaBarge, a philosophy professor at Santa Clara University, tackles in his article “Heroism: Why Heroes are Important.” He encourages teachers, parents, and students to realize that heroes are tremendously significant in society by using references to factual and historical details, personal association, and various examples of different types of heroes. LaBarge effectively uses the rhetorical appeals of ethos, logos, and kairos to convince his audience that heroes are important.
Long ago, in the desert of Egypt, Hebrew slaves known as Israelites escaped from the tyranny of the pharaoh. This story has a common theme that an unlikely hero leads people out of a wasteland and into a place of new life. The Israelites heroes' name was Moses. There are several attributes that his quest shares with Joseph Campbell's theme of the journey of the spiritual hero, found in The Hero with a Thousand Faces. Departure, initiation, and return are all part of the journey. Moses' journey will take him away from his familiar surroundings, separating him from all that he knows, so that he can return to perform the tasks God commanded him to complete.
“When we quit thinking primarily about ourselves and our own self-preservation, we undergo a truly heroic transformation of consciousness” (Campbell 1). These words by the scholar Joseph Campbell illustrates his philosophy of the hero’s journey, which contains the three criteria of a hero. From these three criteria, he describes a hero’s journey beginning with a departure, fulfillment, and a return which encompasses the hero’s sacrifice for the good of others. As a result, from Amy Tan’s novel The Joy Luck Club, the characters could be applied to Campbell’s theory of heroism due to their life experiences. For example, the character Rose does not undergo a heroic journey. From Campbell’s theory of heroism, Rose contains the departure and the fulfillment of a hero; however, she lacks a concrete return Campbell describes as the moral objective to sacrifice for another person or idea.
Hero is a word that is commonplace in our society. We seem to always be able to turn on the latest news story and find the newest local man who saved that beautiful kitten from that building that was burning down. When we say hero a vast array of different definitions come to people’s minds. Our definition of hero in our world is most definitely not a constant. In the Epic of Gilgamesh and the novel Monkey many would consider the main characters and their strongest companions nothing close to heroes but rather tyrants. I have to say that these people have defined hero too narrowly, and I must prove them of their folly. Monkey and Gilgamesh, despite the many sins they commit, highlight what it truly means to be a hero, reminding us to always aspire to greatness.
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation, and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind.
From the beginning of time, mythology has appeared to be one key method of understanding life’s confusions and battles. Within these myths lies a hero. From myth to myth and story to story, heroes experience what may be called a struggle or a journey, which lays down their plot line. Bearing tremendous strength, talent, and significant admiration, a hero holds what is precious to their audience, heroism. Over time however, no matter the hero, the hero’s role remains indistinguishable and identical to the position of every other hero.
A hero is considered to be any man noted for courage or nobility of Purpose; especially, one who has risked or sacrificed his life. In Ken Kesey's novel, One Flew Over the Cuckoo's Nest, the reader can see how McMurphy is a prime example of a hero. McMurphy's strength embodies a heroic devotion to the other acutes on the ward.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
There is another type of hero that almost no one is aware of. In the poorest areas of the country, live mostly minorities and other ethic background. All their lives they’ve been expected to work harder and expected not succeed in life. Some individuals living in poverty with a determination to succeed work hard all of their lives to become what everybody doubted they could. Escaping the crime, drugs, and prostitution is enough to escape hell, even if they don’t go to college. Despite of their financial problems, drug and crime surroundings, or difficulties in the language skills, their desire to triumph fuels their persistence. Those who make it to success are the few living examples of the purest form of hero anyone can be. They are not only their own heroes but also the heroes of the poor children who dream of becoming like them someday.
I’d like to think that Ozzie’s character is used to show that religious beliefs left undisputed does not equal spiritual commitment. Ozzie is spiritually committed while the rest