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The journey of a hero
Elements of the hero's journey
Elements of the hero's journey
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“When we quit thinking primarily about ourselves and our own self-preservation, we undergo a truly heroic transformation of consciousness” (Campbell 1). These words by the scholar Joseph Campbell illustrates his philosophy of the hero’s journey, which contains the three criteria of a hero. From these three criteria, he describes a hero’s journey beginning with a departure, fulfillment, and a return which encompasses the hero’s sacrifice for the good of others. As a result, from Amy Tan’s novel The Joy Luck Club, the characters could be applied to Campbell’s theory of heroism due to their life experiences. For example, the character Rose does not undergo a heroic journey. From Campbell’s theory of heroism, Rose contains the departure and the fulfillment of a hero; however, she lacks a concrete return Campbell describes as the moral objective to sacrifice for another person or idea.
To start with, Campbell explains that departure is the first stage in which the character traverses to enter the unknown. To demonstrate, Joseph Campbell elaborates on how the departure begins when he says, “There are both kinds of heroes, some that choose to undertake the journey and some that don’t” (Campbell 3). In Rose’s case, she voluntarily ventures
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into the unknown and strayed from the ordinary. For example, at the time of her meeting and eventual marriage with Ted, she explains that “what I initially found attractive in Ted were precisely the things that made him different from my brothers and the Chinese boys I had dated… the fact that his parents immigrated from Tarrytown, New York, not Tientsin, China” (Tan 117). Rose’s comment on Ted shows that she married him because of how different he was from her Chinese ethnicity. Therefore, her willingness to marry a foreigner has brought her into a life where certainty has ended, which is where she will eventually face her vulnerability caused by her silence. As a requirement to becoming a hero, Rose undergoes the fulfillment stage, which would test her potential of becoming a hero and give her a transformation of consciousness. For instance, when Rose and Ted are having a divorce, Rose would ponder her relationship with Ted and try to reach an understanding with herself. As stated, she would ask herself, “What did I want from divorce - when I never knew what I had wanted from marriage? The next morning I was still thinking about my marriage: fifteen years of living in Ted’s shadow” (Tan 193). In other words, Rose is always seen to comply with what Ted decides and this led up to her inevitable divorce. Consequently, she is brooding over her thoughts when she seeks to find a conclusion on her desires. Simply put, Rose is on the verge of having a transformation of her consciousness; giving her a new insight. With this insight, she would find a resolution to her divorce and her vulnerability. Leading to the return, Rose demonstrates her ability to decide what she desires and uncovers the side of her that voices out her determination. As a result of the fulfillment stage, she takes action and says, “I say I’m staying, and my lawyer will too, once we serve you the paper… You can’t just pull me out of your life and throw me away” (Tan 196). Consequently, she was able to keep the house and reach a clarity of mind; and yet, she went through the obstacles to only benefit herself since nobody else was affected by her exploits. Since she never accomplished the morals of a hero, Rose was lacking the objective to save another person or idea, although she gained courage and decisiveness to overcome her situation. In brief, based on Joseph Campbell’s interpretation of heroism, Rose has not completed the hero’s journey.
By going through her relationship with Ted, an event which Rose struggled through, her journey would have been complete if she sought to save someone as told by Campbell. Regardless, she has traveled through a departure and a fulfillment stage when she met Ted and had a divorce; however, it is apparent that she is missing the paramount moral of heroism when she only sought to benefit herself by acquiring the house. All things considered, Rose still had a change in consciousness when she was deep in thought about how to face her divorce and accordingly, she acted upon what she desired. Hence, she only fulfilled part of the
return.
Many typical adventures in classic novels follow a pattern of events using the archetype, the Hero, which defines the nature of the protagonist’s journey. However, some stories don’t fit the layout of a Hero’s journey. The nature of this story structure often limits itself to the interpretation of a male’s heroic quest involving accomplishments in order to prove one’s masculinity. The alternate story pattern, a heroine’s journey, was created to satisfy the type of journey a female would experience. The heroine's journey defies the general perspective of heroism, instead highlighting the bravery in defying expectations of one’s character and refusing to be held back by the expectations of others. Walk Two Moons is a book written by Sharon Creech which tells the story of Salamanca Hiddle, a teenage girl who retraces the journey of her mother who left her. On her journey, Sal is able to relive her own story through her friend, Phoebe, whose mother also left. The book Walk Two Moons is representative of a heroine’s journey rather than a hero’s journey because Sal must leave her home to escape
In the face of hardships, Rose of Sharon comforts herself by remembering these dreamlike goals of her family and even reminds others of them, intending to lift the burden of reality. She does so when the sheriff threatens the roadside families to leave or be jailed. She tells Ma of Connie’s plans for California, which have nothing to do with the situation at the moment. This escape only proves to ultimately hurt Rose, Sharon and Connie. They learn that illusions don’t support a life when survival is the priority.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
This plummet’s Rose even further into a slump and deters him from his goals and makes him lose ambition or what ambition he did have. The story takes a big turn for the better on 165, Rose meets the teacher that saves him and turns his live around Jack Macfarland. This teacher unlike any other teacher he has had in vocational education. Macfarland follows a different set of principles. The teacher likes to encouraging his student instead of disciplining them and always strives for them to be better. On page 167, Macfarland even helps Rose get into college. This brought Rose back from the dark side because the grades in the last three years of high school didn’t reflect well for him. Macfarland helped him anyways and saw the potential Rose had and what he could to and that reflects on what Rose is doing today. This emotional appeal is different in tone, but similar in style to the story
To fully appreciate the significance of the plot one must fully understand the heroic journey. Joseph Campbell identified the stages of the heroic journey and explains how the movie adheres meticulously to these steps. For example, the first stage of the hero’s journey is the ordinary world (Campbell). At the beginning, the structure dictates that the author should portray the protagonist in their ordinary world, surrounded by ordinary things and doing ordinary tasks so that the author might introduce the reasons that the hero needs the journey in order to develop his or her character or improve his or her life (Vogler 35). The point of this portrayal is to show the audience what the protagonist’s life is currently like and to show what areas of his or her life are conflicted or incomplete. When the call to adventure occurs, the protagonist is swept away into another world, one that is full of adventure, danger, and opportunities to learn what needs to be learned. T...
Next, consider the text trying to express her frustration with life: “She wants to live for once. But doesn’t quite know what that means. Wonders if she has ever done it. If she ever will.” (1130) You can sense her need and wanting to be independent of everything and everyone, to be truly a woman on her own free of any shackles of burden that this life has thrown upon her. Also, there is an impression that her family does not really care that she is leaving from her sisters to her disinterested father. “Roselily”, the name is quite perplexing considering a rose stands for passion, love, life; while the lily has associations with death, and purity. Still at the same time the name aptly applies to her because the reader knows she is ultimately doomed to wilt away in a loveless marriage in Chicago. Even though she is convincing herself that she loves things about him it is all just a ploy to trick herself into believing that this marriage could be the answer to all her problems. Now on to the men of Roselily’s past most of which are dead- beat dads that could not care about what happens to their children, or where they go.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
In Joseph Campbell’s book, The Hero With A Thousand Faces, he talks about the “Monomyth,” otherwise better known as, the “Hero’s Journey”. This is the major theme throughout this book as well as the majority of Joseph Campbell’s studies. Campbell’s idea of the hero’s journey can be seen in many books, movies, television series, etc. That is an idea I will discuss at a later date. For this paper I would like to discuss and explain the hero’s journey, as well as give my opinions on the idea. This is a very interesting and eye opening idea that Campbell has presented us with and has made The Hero With A Thousand Faces one of the most important books of the past one hundred years.
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself ” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind. While fulfilling their journey, a hero must undergo a psychological change that involves experiencing a transformation from immaturity into independence and sophistication.Campbell states that these events are what ultimately guides a hero into completing
When things are at their best prepare for the worst. That’s something I always told myself since I was young boy. Joseph Campbell was no stranger to this concept which he described as the hero’s journey. This journey had three stages: leaving the everyday world, overcoming trials and tribulations, and finally going back to the everyday world with newfound knowledge that you can share with people. I traveled through all three of these stages myself. This is my hero’s journey.
From the beginning of time, mythology has appeared to be one key method of understanding life’s confusions and battles. Within these myths lies a hero. From myth to myth and story to story, heroes experience what may be called a struggle or a journey, which lays down their plot line. Bearing tremendous strength, talent, and significant admiration, a hero holds what is precious to their audience, heroism. Over time however, no matter the hero, the hero’s role remains indistinguishable and identical to the position of every other hero.
The bulk of the praise a hero receives tends to be in response to his or her actions. People look up to the heroes who can perform the most miraculous feats. However, there is an element of heroism beyond the superficial element of a hero’s actions: the hero’s character. Both heroes and antiheroes might do great things; however, the similarities end where motivations are considered, and these differences in motivations are rooted in the differences in the character of heroes and the antiheroes. An antihero’s character is flawed, leading to actions based on selfish and impure motivations. In contrast, a hero is characterized by his or her selflessness; this can be defined as putting the interests of others above the interests of oneself, and
One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby. Joseph Campbell calls the initial phase of a hero’s development the “Call to Adventure.” The call is the in... ...
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
An example of heroism in action is when acts of feelings and unreasonability forges a brighter future from the pits of darkness with only the faintest glows of light. An example of heroism could be that in dire situations a hero emerges from an ordinary person when he or she rises up to the occasion and performs the extraordinary. Ana is a victim of the treacherous disease of cancer, and is a wholesome example of heroism, she fought cancer with a smile and went above and beyond to make her family’s lives as normal as possible, as if cancer was a distant memory. Furthermore, heroism could be, when one is made from the pure truthfulness in one’s heart, cherishing every soul without hesitation.