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Recommended: The journey of a hero
Walk Two Moons: A Heroine’s Journey Many typical adventures in classic novels follow a pattern of events using the archetype, the Hero, which defines the nature of the protagonist’s journey. However, some stories don’t fit the layout of a Hero’s journey. The nature of this story structure often limits itself to the interpretation of a male’s heroic quest involving accomplishments in order to prove one’s masculinity. The alternate story pattern, a heroine’s journey, was created to satisfy the type of journey a female would experience. The heroine's journey defies the general perspective of heroism, instead highlighting the bravery in defying expectations of one’s character and refusing to be held back by the expectations of others. Walk Two Moons is a book written by Sharon Creech which tells the story of Salamanca Hiddle, a teenage girl who retraces the journey of her mother who left her. On her journey, Sal is able to relive her own story through her friend, Phoebe, whose mother also left. The book Walk Two Moons is representative of a heroine’s journey rather than a hero’s journey because Sal must leave her home to escape Sal’s journey reflects that of a heroine; the journey helps her discover who she really is and she comes home to share what she has learned afterward. Sal explains, “When my mother had been there, I was like a mirror. If she was happy, I was happy. If she was sad, I was sad. For the first few days after she left, I felt numb, non-feeling. I didn’t know how to feel”(Creech 37). When her mother left, Sal had no reflection. She was forced to start experiencing her feelings independently. Sometimes to start feeling again, one needs to leave what is familiar to them. The journey she took healed this numbness she felt. Furthermore, her identity and feelings were given context through Phoebe’s story and shaped by her own reflections of the
Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the hero will fulfill the prophecy and find his/herself, realizing his/her full potential. This rubric may be easy to spot in epic action films, but if upon close inspection is found in a wide array of genres, some of which are fully surprising.
These timeless tales relate a message that readers throughout the ages can understand and relate to. While each of these tales is not exactly alike, they do share a common core of events. Some event and or character flaw necessitates a journey of some kind, whether it is an actual physical journey or a metaphorical one. The hardships and obstacles encountered on said journey lead to spiritual growth and build character. Rarely does a person find himself unchanged once the journey is over.
Heroism How are a Pakistani girl and an NYPD Officer similar? Both the Pakistani girl, Malala Yousafzai and the NYPD Officer, Moira A. Smith have qualities of heroism. But what makes them a hero? Was heroism thrust upon them or did they seek it out? Malala was shot in the head in 2012 because she wanted an education; likewise, Moira risked her life multiple times to save people just because it was her duty.
As someone once said, ”One of the happiest moments ever, is when you find the courage; to finally let go— of what you can’t change.” Sal and Phoebe throughout the story they experience a sad moment in their life. They both found ways to get through it without letting it ruin their whole entire life; Phoebe’s mother had completely disappeared and was very depressed, but she decided to dig up information to find her mother’s whereabouts. Sal’s mother had also left and she was too very distraught about it. Since she refused to believe that her mother is dead she takes a trip to accept that her mother is truly dead. A major theme that is evident throughout the story Walk Two Moons, by Sharon Creech, is that you can’t keep the birds of sadness from
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
“The Hero’s Journey.” Ariane Publications, 1997. Course handout. AS English I. Dept. of English, Woodside High School. 26 October 2013.
Joseph Campbell describes the hero’s journey as a quest where the “hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man” (Campbell 7). The heroine’s quest, according to Valerie Estelle Frankel includes “battling through pain and intolerance, through the thorns of adversity, through death and beyond to rescue loved ones” (Frankel 11). Contrary to the hero’s journey, the heroine’s journey focuses on the “culture on the idealization of the masculine” while the hero’s journey focuses on the adventures. In the inspiring autobiography, I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban, Malala Yousafzai represents a heroine because she goes through the stages of the heroine’s journey as she refuses to be silenced and risks death to confront the Taliban on behalf of the young Pakistani girls that are deprived of education. The stages of the journey include the ordinary world, the call to adventure, the supernatural aid, the crossing of the first threshold, the road of trials, the ordeal, death and rebirth, and the return with the elixir.
The Hero's Journey is a theory created by Joseph Campbell and expresses the idea that most heroes are essentially the same person embodied in different ways. Lawrence C. Rubin describes the monomyth as, “The hero, or mythic protagonist, from birth to death is on a journey, replete with demons, both inner and outer, challenges both great and small, and a cast of characters, some enemies, others allies and companions” (265). The 2001 animation Osmosis Jones is no exception to this assumption. In the film, a white blood cell named Osmosis Jones goes on an epic adventure to save the life of Frank and prove himself to the people of his community. In the beginning of the movie, Osmosis starts off as an egotistical jerk who believes he can do everything on his own; however, as the film progresses, Osmosis realizes that sometimes two brains are better than one. Jones finds out the hard way that without a helping hand, there is little he can achieve alone. Osmosis’s journey through the monomyth develops the theme of teamwork because help from others proves to be essential to Osmosis’s triumph.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
The main character of the story is Grant, and the novel revolves around the growth of his character as he works with Jefferson; and from these interactions the plot moves forward to talk about being an individual, fatalism, heroism and particularly social injustice. I will focus on the theme of social injustice in my analysis of “A Lesson Before Dying”.
2. Dike (p.77 to 79) Robert Ross shows his perseverance, when he tries to save himself from drowning in the dikes. He fights against Mother Nature, and thinks strategically by pushing himself and not giving up. He was fearful of drowning, mentally motivated himself to get out and avoid dying, and soon eventually breaks free. This shows how strong Robert is when motivated by the will to survive. Although he was fearful, he overcame it and saved himself, since some would just give up. Before entering the war, it was seen that he would run away from his problems (Rowena’s death), but now as he realizes that there is no point of return, he finds a new sense of drive. He shows his willpower, by maintaining an independent, and strong, logical mind when faced with fear, and learns to fight so that was doesn’t get the best of him. “I don’t want to drown, he thought. Please don’t drown. He pushed himself up with his head hanging down,” (Findley 79).
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
Heroism can show itself in many shapes and forms from ordinary people to heroic and courageous people something to think about is that anyone can show heroism. A lot of people have shown heroism just by doing the right thing such as just helping someone or not acting mean towards others. heroism can show itself in many different forms but sadly some ordinary people don’t get recognized for the heroic acts that they do. Many different people just don’t recognize heroism from ordinary people as they just think of superheroes and supervillains. In reality anyone can achieve heroism as long as they strive for it. While ordinary people can sometimes not be recognized for acts of heroism, these heroes are courageous and can defeat all of the challenges
The book “Walk Two Moons”, by Sharon Creech, is a book about a girl called Salamanca Tree Hiddle from Bybanks, Kentucky that moves on to Euclid, Ohio with her father. Although her mom left them Salamanca still have the hope to find her mom in Lewiston, Idaho. So with her Gram and her Grandpa she goes on a road trip to Idaho to find her mom until her birthday. Hope and love during the road trip and the book is the main thing.
It would seem that living life for the moment exposed Sal to great ecstacy and torment, but it is the torment that rings the clearest in his prose, the bittersweet quality that echoes through even the happiest passages. "Love is a duel," rages Sal when he leaves Terry. Nowhere is this more apparent than in his love for the road, where the conflict between pleasure and sorrow escalates awkwardly until the very end, when Sal, weary and sad, watches his best friend disappear around the corner of Seventh