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The relationship between man and animals
The relationship between man and animals
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In Kieven Rus’ Animal is You Anthropomorphism in Medieval Slavic Mythology Jeffery Simpson, V00781708 MEDI 210 James Acken April, 2014 Word Count: 2,538 1 or hundreds of years, Russia has carried the moniker of ‘The Bear.’ Seen as large, clumsy and unpredictable, Russia has been long associated with this animal. But where did this likeness come from? Was it merely developed by 17th century political cartoonists or does it have a deeper meaning? In the Medieval Slavic mythological corpus, animals play a large roll, and are often found both aiding and opposing the hero, and also feature as main characters in many instances. While many cultures have had a ‘Mother Earth’ character, Vlashnaya Mat-Zemlya, or ‘Damp Mother Earth’ seems to have much more importance in Slavic myth. She is frequently mentioned and is given great reverence. In the Povest’ Vremyan’nykh Let’, or The Primary Chronicle and the Tale of Bygone Years, Prince Vladimir the Great, first Christian ruler of the Kievan Rus’, condemns the Romans, because “they call the earth their mother…if, according to their understanding, the earth is their mother, why do they spit upon their mother, and pollute her whom they caress?”1 This personification of the earth as a living being gave way to the increased instances of anthropomorphism within their myths and legends. In addition to this, it was common for Slavic animals to be portrayed with a soul. The Serbs tell of the Vjedogonja, spirits of both sleeping humans and animals who assemble on mountain-tops, where 1 Nestor the Chronicler, compiler. Cross, Samuel & Olgerd Sherbowitz-Wetzor, editors. The Primary Chronicle. Cambridge: The Medieval Academy of America. pg. 115 F 2 they do battle, with the victor winning good weather for h... ... middle of paper ... ... Folk-Tales: Primitive Literature of the Empire of the Tsars. London: The C.W. Daniel Company. 1925. pg. 674 34 Coxwell, pg. 703 35 Coxwell, pg. 798 9 those who begin to take on various human qualities. These animals belonging in the latter group not only gain physical human attributes, but they become mentally human, being treated as equals by people in the myths. No long are they a feral force of nature, but a tamed and co-operative agent of diplomacy between civilization and nature. Reinforcing this, three animals have stood out; birds, wolves, and bears. All three of these carry deep religious and cultural significance behind them and through examining that, not only can we study the flexible distinctions between man and beast in the Medieval Slavic world, but we are also given excellent insight on linguistic and religious origins of various characters and terms.
Bongars, Gesta Dei per Francos, 1, pp. 382 f., trans in Oliver J. Thatcher, and Edgar Holmes McNeal, eds., A Source Book for Medieval History, (New York: Scribners, 1905), 513-17
The Web. The Web. 23 Nov. 2011. The "Middle Ages - Information, Facts, and Links." ENotes - Literature Study Guides, Lesson Plans.
legends about those wild half-human beasts who haunt the edges of our forests and lurk in the
In the Maus series, the life of Vladek during the Holocaust was detailed. The animals were used to illustrate a point of view.
Boardman, Phillip C. "Margery Kempe (c. 1373-1439)." Enduring Legacies: Ancient and Medieval Cultures. 6th ed. Boston: Pearson Custom Pub., 2000. 455-62. Print.
Froissart’s Chronicles, simply known as the Chroniques, is considered by historians as the one of the important entities that recounts the events which happened during the Hundred Years’ War period. It was an extensive literary work with approximately 1.5 million words in length, written in Middle French prose by Jean Froissart. The Chronicles start by narrating the deposition of King Edward II in year 1326 and covering events from this time onward up to year 1400, hence can be significant in the study of the first part of the Hundred Years’ War. This source is also of vital importance in the study as well as the understanding of the chivalric culture of the 14th century England and French as chivalry and knighthood are the central ideal of
The main character, Ivan Tsarevich, is a common placeholder name in russian fairy tale history appearing as the protagonist in countless tales. “He is almost always portrayed as either the third son of a peasant family or the third son of a king” and in this case he is portrayed as the king's third son (Ivanits 212). Also in many cases Ivan takes a wife during the story same as the bold knight who , “married the princess Paliusha” (Afanas’ev 320). In the contemporary the knight is the same character as Ivan Tsarevich was in the russian
As in many parts of the ancient world, the people living in the Rus lands worshiped Pagan gods for thousands of years. Christianity became an influence on the Rus via the Byzantine Empire and the Kievan Rus state around 800 CE. The Byzantine Empire was the largest empire in the world in the 800s and 900s and the official religion of the Byzantines was Orthodox Christianity. The Byzantines' global influence was extraordinary but Kiev's (the Rus capital) close proximity to the Byzantine capital Constantinople added even more influence and pressure to the Rus than most places. Olga, who was ruling the Kievan Rus state as regent, officially converted to Christianity in 945 CE. Olga's gender and status as regent did not allow for Christianity to spread in the Rus state but for the first time churches and missionaries from Constantinople were allowed to stay in Kiev. (Notes from Kovalev class, 9/24/13) Olga's grandson Vladimir became the Grand Prince of the Rus from 980 to 1015. Vladimir felt there was a need to unite all of the diverse Rus tribes under one cultural and religious orientation. Vladimir invited representatives from several religions such as Judaism, Islam, Catholicism, and Orthodox Christianity to try and convert him and the Rus to their respective religions. The obvious choice for Vladimir was Orthodox Christianity from the Byzantine Empire. Constantine was a close neighbor to Kiev. Converting to Orthodox Christianity opened up trade and political options for the Rus that they never had before. The Rus and the Byzantines became trading partners and uneasy allies which helped the Rus kingdom stabilize and grow in the years to come. (Zenkovsky, 66)
Howe, Helen, and Robert T. Howe. A World History: Ancient and Medieval Worlds. Volume 1. White Plains, NY: Longman, 1992. 533.
...d A Serpent’s Skin and A Bears Fur.” The Sun Maiden and the Crescent Moon: Siberian Folk Tales. Interlink Books. New York: 1991. 88-91.
There was an abundance of mythological creature in Tiksi Russia; however, when they are in their human forms it was challenging to determine which creature they were. She definitely didn’t want to canoodle with the wrong type. Nevertheless, it would be rude to walk up and ask; hey, what type of creature are you?, especially if they turned out to be human. Scout rolled her eyes at her own internal monologue. Scout’s thoughts were depressing her and she let out a soft sigh, so not to wake
A young boy named Nicki has his grandmother make him white mittens to wear out in the cold. When Nicki drops one of those mittens in the snow, a bunch of forest animals squeeze in one-by-one stretching the mitten to its limit and go to sleep. Until the bear sneezes. Brett’s telling of a Ukrainian Folktale is made captivating by her beautifully detailed and brilliant illustrations and borders. These colorful illustrations are a stark contrast to those in Alvin Tresselt‘s version of the folktale in which they alternate between full and one color pictures. His version also differs from Brett’s in that the last creature to go into the mitten is a cricket not a mouse causing the mitten to completely burst. Also, in Brett’s version the animals look
This essay will inspect Nithard, The History of the Sons of Louis the Pious as a source. Select Feudal Documents will be examined as a source in this essay. Also, John Scotus Erigena, On The Division of Nature will be used as a source. The Oaths of Strasbourg and Liudprand of Cremona, Otto the Great in Italy will both be inspected as sources.
Rice, Eugene E. and Anthony Grafton. The Foundations of Early Modern Europe, 1460-1559. 2nd. ed. New York: W. W. Norton and Co., 1994.
One of the most fundamental developments in this century in both the popular and intellectual understanding of culture has been the wide growth of awareness that only a little percentage of man's total creativity has depended on literacy. Writing is at most a comparatively recent awkward innovation, and while it is useful for keeping records of all sorts, it is a futile means of cultural communication, even with the help of printing. In spite of their mechanical awkwardness and inadequacy, writing and printing are indisputably two great tools of civilization. But they are not basic assets of human nature. The more primary and most distinguishing cultural property of men everywhere remains their instinctive power of speech. Spoken words are