Froissart’s Chronicles, simply known as the Chroniques, is considered by historians as the one of the important entities that recounts the events which happened during the Hundred Years’ War period. It was an extensive literary work with approximately 1.5 million words in length, written in Middle French prose by Jean Froissart. The Chronicles start by narrating the deposition of King Edward II in year 1326 and covering events from this time onward up to year 1400, hence can be significant in the study of the first part of the Hundred Years’ War. This source is also of vital importance in the study as well as the understanding of the chivalric culture of the 14th century England and French as chivalry and knighthood are the central ideal of …show more content…
Froissart’s legacy includes Meliador, an Arthurian romance and a large amount of poetry works. However, his Chronicles is the most renowned work of all. Due to his chivalric expressions in the Chronicles, he is often labelled as the “Chronicler of Chivalry”. Froissart lived around the period of 1337 to 1405 and can be considered as a cleric that comes from a middle class background of that time. He once served under Phillippa of Hainault the queen consort of Edward III of England and wrote a rhyming chronicles known as the “lost chronicle” for her. After the death of Queen …show more content…
For example, when Froissart attempted to describe the severity and mortality of the plague known as the Black Death, he wrote that ‘People died suddenly and at least a third of all the people in the world died then.’ This can be regarded as the author’s own assumption and there are no statistical reliability to his claim. However, it is also interesting to note that even though Froissart tends to neglect the life of commoner and peasants in his own writing (as his work generally central around the idea of chivalry and aristocratic belief of the Middle Ages), he has included some descriptions of the reactions of the people during that time of Black Death in order to ward off the plague to make his writing relevant and interesting for the readers. For instance, he has written that: “They were men who did public penance and scourged themselves with whips of hard knotted leather with little iron spikes. Some made themselves bleed very badly between the shoulders and some foolish women had cloths ready to catch the blood and smear it on their eyes, saying that it was miraculous blood.” In conclusion, although Froissart Chronicles is written based on the historical events that occurred during the Hundred Years’ War period, the reports of these events can be erroneous and inaccurate, which is a main characteristic of medieval historical writing. Hence, historians must view
- - - The New Penguin Atlas of Medieval History. London, England, Penguin Books, no publication
When Maurice Keen set out to write a book on the components and development of chivalry, he did not know it would be “the last word on a seductive subject,” as stated by one Washington Post reviewer. Instead, Keen was merely satisfying a curiosity that derived from a childhood fascination of stories filled with “knights in shining armour.” This juvenile captivation was then transformed into a serious scholarly interest by Keen’s teachers, the product of which is a work based upon literary, artifactual, and academic evidence. Keen’s Chivalry strives to prove that chivalry existed not as a fantastical distraction, as erroneously portrayed by romances, but instead as an integral and functional feature of medieval politics, religion, and society. The thirteen chapters use an exposition format to quietly champion Keen’s opinion of chivalry as being an element of an essentially secular code of “honour” derived from military practices.
In Shakespeare’s “The Life of King Henry V,” set in England in the early fifteenth century, with the famous and heroic English King, Henry V, claiming his “rights” to the French throne. This claim caused complications and the declaration of war on both English and French soil. This political war, then turn into a route of complicated negotiations, after King Henry’s terrifying forces had successfully defeated French forces. As the result of the war, a peace treaty was made, and part of that agreement was the marriage between King Henry V and the daughter of the King of France, Katherine of Valois. An analysis of the both King Henry’s and Katherine’s relationship reveals that both had conflicting perspectives of one another, which resulted as a marriage in political unions of two powerful nations rather than a union of two lovers.
By the end of eleventh century, Western Europe had experienced a powerful cultural revival. The flourish of New towns provided a place for exchange of commerce and flow of knowledge and ideas. Universities, which replaced monasteries as centers of learning, poured urbanized knowledge into society. New technological advances and economics transformations provided the means for building magnificent architectures. These developments were representative of the mental and behavioral transformations that the medieval world underwent and the new relationships that were brought about between men, women and society in the twelfth century. As in technology, science, and scholasticism, Literature was also reborn with a new theme.3
When comparing the epic poem of The Song of Roland to the romantic literature of Ywain, the differences between the early medieval period and the high medieval period become evident. Both The Song of Roland and Ywain depicts the societies from which each story derives its fundamental characteristics. Through close observation, one is able to see the shifts in customs and mentality that make the move from the epic to the romance possible. In his chapter 'From Epic to Romance', R.W. Southern shows how this transformation manifests itself through changing ecclesiastical and secular thoughts and feelings.
...n Society In Medieval Europe. Chicago: University of Chicago Press, 1987. eBook Collection (EBSCOhost). Web. 20 Feb. 2014.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Stroud, Michael. “Chivalric Terminology in Late Medieval Literature.” Journal of the History of Ideas (1976): pg 323-334. JSTOR. Web.
The epic poem, “The Lay of the Nibelungs” (1200’s), set to practice the major pillars in the code of chivalry that the Duke of Burgundy in the 14th century eventually condensed and ascribed to the Burgundian Knights: Faith, Charity, Justice, Sagacity, Prudence, Temperance, Resolution, Truth, Liberality, Diligence, Hope, and Valor. Though values bear merit, “The Lay of the Nibelungs” teaches that true worth and longevity comes from assessing the situation and applying intellect to the code, from submitting to God, and from not cheating the system (the laws and cultural norms of the time that be).
Gottfried, Robert S. The Black Death: Natural and Human Disaster in Medieval Europe. New York:
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...
On the 14th of May 1264, the forces of Simon de Montfort, Gloucester and the Londoners were set arrayed against the loyalist forces of King Henry III, Richard of Cornwall and Prince Edward (later to become King Edward I). The loyalists suffered a massive defeat at this Battle of Lewes and among those captured, aside from Richard of Cornwall and perhaps the King (Prestwich indicates the unsure nature of the King's capture 46), were the northern barons (Scottish lords) of Balliol, Bruce and Comyn. (Jenks 132) Prince Edward also became a hostage as part of an exchange after the battle. These same men who fought together and were held captive by the de Montforts would war against each other thirty years later. King Edward I (whom will be referred to as Edward) was not set on instigating a war against Scotland, nor were any of these Scottish lords interested in battling against such a formidable opponent as England. So why did war occur if none of these men were initially motivated for war? A series of unfortunate, but potent events led to the chrysalis of war, which was then allowed to grow and fully develop into a war by the specific actions of individuals. This essay will attempt to draw attention to many of the events which gave rise to war and investigate the complex nature of the individuals who in the end caused war through their acts (intentional and non-intentional).
Roger Babusci et al. Englewood Cliffs: Prentice-Hall, 1994. 115-136. Print. “The Medieval Period: 1066-1485.”
Living in the medieval time period was not as glamorous as it is often portrayed; peasants and serfs led hard lives, however, kings, lords, and knights lived lavishly and at the expense of those under them. In this paper you will read about all of these lifestyles, as well as the castles in which these lords and kings lived in. Mainly castle designs, fortifications, and siege tactics will be revealed to you; yet there are several sections, dealing with the lifestyles of the above mentioned, leading up to that.
Rice, Eugene E. and Anthony Grafton. The Foundations of Early Modern Europe, 1460-1559. 2nd. ed. New York: W. W. Norton and Co., 1994.