Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Reflection paper on war trauma
Soldiers experiencing war trauma essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Reflection paper on war trauma
Otto dix was a war veteran who was deeply traumatized and affected by the sight of war. He described his experience of WW I as a recurring nightmare. Post WWI Dix expressed his disdain of the Weimar society through his paintings which depicted the harsh and brutal reality of a post war society. His paintings were responsible for the new objective movement in Germany, the movement was against the ideas of expressionism and believed in presenting ‘truths as it was’. One such painting of his which left a lasting impact on me is the Skat players. It is the most detailed and horrifying depiction of injuries caused by artillery fire. It is the only painting located indoors, away from the brutality of street life. Three war veterans play cards at a café located in Dresden, as it is indicated by the newspapers’ headlines on the background. Their bodies are thoroughly destroyed and their wooden legs are hardly discernible from the legs of the chairs and table. One holds his cards with his toes, another with his teeth, and the third one with his only remaining …show more content…
This Friday was my grandmother’s 75th birthday, I couldn’t attend it due to other commitments, I was so exhausted and tired that even calling them to wish them seemed like a struggle. I later realised neither my mother or my uncle visited her. My grandmother and grandfather are positive human beings but human pain and misery have got the better of them. Their house is surrounded with medicines and machines which help them survive and there is a 24-7 nurse at their disposal. Their home screams of loneliness and depression. This painting has stayed on with me, I can visualise my grandmother’s birthday, two old souls using each other as their last strand of support reminiscing the past. This painting has helped me connect with them and view them in a different light. I want to hug them and give them all the love they
Many soldiers who come back from the war need to express how they feel. Many do it in the way of writing. Many soldiers die in war, but the ones who come back are just as “dead.” Many cadets come back with shell shock, amputated arms and legs, and sometimes even their friends aren’t there with them. So during World War I, there was a burst of new art and writings come from the soldiers. Many express in the way of books, poems, short stories and art itself. Most soldiers are just trying to escape. A lot of these soldiers are trying to show what war is really like, and people respond. They finally might think war might not be the answer. This is why writers use imagery, irony and structure to protest war.
The arts often shed light on a nation’s esprit de corps. If an artist’s work reflects the emotion of the consumer, the work will be more attractive and connective. Artists may also personally believe in the ideas presented by their work, rather than catering to an audience. For example, Ludwig Meidner was a painter in pre-WWI Germany who painted serene pieces early in his career as technological advancements were aimed to improve the quality of life of the citizen. However, as Germany became intertwined in alliances and war seemed inevitable, Meider’s paintings became increasingly apocalyptic. His work reflected the stress of the people and the fear of impending doom. Generally, the American people did not approve of the government’s actions
The begging of World War II not only changed countries, economic structures and politics but also had an enormous influence on different sides of life of people and societies. Well-known from the historical experience is the fact that every single of such size as World War always has its resonance on arts, as culture is an inseparable part of people’s lives. Talking of WWII, the response within artistic communities was so strong that artists became a part of the ideological war of the time (Martin). The position of lots of creative people was at the same time very fearful, as they found themselves in occupied countries under the threat of totalitarian regimes and had to immigrate
As the German painter and sculptor, Kathe Kollwitz conveyed in her statement that the art she created held the burden of transfiguration. The fixation of sorrow and hardship that occurred while she sat huddled with the children was the driving force of her drawings. Her realization that art could not only be an escape from the horror happenings in Germany such as the rationing of food and the starving-to-death children at that time was also a way to voice her opinion of change and revolution. It was the quest, in which she enamored in her drawings and it is this feeling that I value from it. I choose this artist because she delineated the various circumstances surrounding the human individual, she took into account perspectives that involved life with its tragedies, and the lives of little angel children. Her drawings and sculptures were prepared to emulate and capture what her eyes had seen while she was in Germany and this is why I had taken a likening to her drawings. The two artworks that I am specifying in this research paper is the drawing labeled “Germany's children starve!” and”Self-Portrait, Hand at the Forehead (Selbstbildnis mit der Hand an der Stirn)”.
I looked around at everyone in the room and saw the sorrow in their eyes. My eyes first fell on my grandmother, usually the beacon of strength in our family. My grandmother looked as if she had been crying for a very long period of time. Her face looked more wrinkled than before underneath the wild, white hair atop her head. The face of this once youthful person now looked like a grape that had been dried in the sun to become a raisin. Her hair looked like it had not been brushed since the previous day as if created from high wispy clouds on a bright sunny day.
The grandmother is very old and has lived a very tough life in Vietnam. She “‘lost four of [her] children… twelve of [her] grandchildren and countless relatives to wars and famines’” (Meyer, 74) while in Vietnam. During her life she had very little time to enjoy herself, instead she had to focus on not only surviving, but also holding a family together and getting them through the hardships as well. On top of the Vietnam War, which killed an estimated 500,000-600,000 Vietnamese citizens alone (Weisner), she had to live through 2 additional wars and several famines. The implicated stress and hardships are almost unimaginable. This is evident in her stories and fairy tales she tells her granddaughters, which always have dark twist or no happy ending, or as the granddaughters say “The husband comes too late” (Meyer, 77) to stop the bad guy or save the
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
Black smoke stained the sky and scarlet blood darkened the earth, as global war, once again, ravaged twentieth-century society. The repercussions of the Second World War rippled across the Atlantic and spread like an infectious disease. As the morality of humankind appeared to dissipate with each exploding bomb, anxiety, frustration, and hopelessness riddled the American public and began to spill into the art of New York City’s avant-garde (Paul par. 4). By the mid-1940s, artists reeling from the unparalleled violence, brutality, and destruction of war found a shared “vision and purpose” in a new artistic movement: Abstract Expressionism (Chave 3). Critics considered the most prominent artists of the movement to comprise the New York School
Ernst was one of multiple artists who emerged from military service emotionally wounded and alienated from European traditions and conventional values. It is believed that many or Ernst’s views and expressions of some of his works are from the emotional impact and devastation came while serving in the war. After his war service, he began to develop his own style. “He made a series of collages, using illustrations from medical and technical magazines to form bizarre juxtapositions of images” (Hopkins 3). In 1918 Ernst was demobilized and he returned to Cologne. He then married art history student Luise Straus, who he met in 1914. He and Luis had a son Ulrich ‘Jimmy’ Ernst who was born on June 24, 1920. Ernst’s marriage soon began to fall apart shortly after the birth of his
I didn’t know the exhibit would be displaying two pieces artwork which would awaken and reveal a hidden attitude of remorseful anger. As I analyzed Alfred Jaars and Nan Goldin’s pieces of art, both pieces revealed my conflicting attitudes of frustration, loss, fear, anxiety and anger. I didn’t like these feelings I was confronting at the moment, but I had to come ...
middle of paper ... ... Grosz is using this art to convey a feeling, and to bring us into World War I, not by showing what it actually looked like, but rather how it felt to be there. Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel, instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment.
The title of the painting, “The Face of War” gives a very clear understanding of what this painting is supposed to represent. When looking at the deeper meaning however, one has to consider the context of the painting. Because it was made during both a civil war-capital letters?? and the Second World War, many aspects of these wars are reflected upon in this piece.
and etchings of George Grosz and Otto Dix, World War I reshaped the notion of what art is, just as it
The air is really fresh, and the wind is comfortable. Grandma usually opened the window during the daytime; I still remembered that feeling when the sunshine came in house and scatter. I walking among those numerous grand trees and admire colored leaves on the trees and on the ground. I miss that feeling of calmness and stability of the world around. I wish I could return the reality of those feelings once more. Memories in mind and never forget about happiness of staying in my grandmother’s house. Grandparent’s time-honored gift to their grandchildren is their unconditional love, unfettered by schedules, routines or commitments. They reinforced their grandchildren’s sense of security and self-value.
Two years ago today my great grandmother passed away from old age and suffered from Alzheimer’s disease. Although all of my memories with her are vague, I will never forget the happiness that emanated from her when you were around her. Even in her last days, when she could barely remember her own children, you never saw her without a smile on her face. And that to me is something that I will carry with me for as long as I