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My day started kind of rough, because I and my wife couldn’t agree to manage our diverse schedule. I was scheduled to meet with members of my class in downtown San Diego, and she was scheduled for her event at work. Ultimately, after a brief argument, we utilized two different vehicles heading the same direction. A conflict in timing was the cause of our disagreement. As a result, the day for me started chaotic resulting in no inner peace of mind. I didn’t sense no normal pattern of tranquility in my thoughts. I felt mentally exhausted, anguish and pain at the knowledge I that couldn’t be trusted to go to a museum on my own. I started my day with an attitude of frustration and anger. To make matters worse, I thought I was going to a place where historically I found peace and tranquility in my mind. I was always very fond of art, and believe artist today have the freedom to express themselves with whatever style and methodology they have in life. Contemporary artist have greater freedom and influence than artist in the past, because they can use their artistic works to persuade individuals and help them realize or understand they have psychological or emotional personal problems. I believe art can help identify and expose underlying emotional and personal issues that some would normally be reluctant to share openly. This is my own profound personal self-realization.
I didn’t know the exhibit would be displaying two pieces artwork which would awaken and reveal a hidden attitude of remorseful anger. As I analyzed Alfred Jaars and Nan Goldin’s pieces of art, both pieces revealed my conflicting attitudes of frustration, loss, fear, anxiety and anger. I didn’t like these feelings I was confronting at the moment, but I had to come ...
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.... Living with Art. 10th ed. New York: McGraw Hill, 2011. Print
Jagodzinski, Jan. "Beyond Aesthetics: Returning Force and Truth to Art and its Education."
Studies in Art Education 50.4 (2009): 338-51. ProQuest. Web. 29 Jan. 2014.
Marti , Silas. “Oi future cancela mostra de artista Nan Nordin no Rio.” http://www1.folha.uol.com.br/ilustrada/1013229-oi-futuro-cancela-mostra-da-artista-nan-goldin-no-rio.shtml, 29 Nov 2011, web. 20 Jan 2014.
Möller, Frank. "Rwanda Revisualized: Genocide, Photography, and the Era of the Witness." Alternatives 35.2 (2010): 113-36. ProQuest. Web. 20 Jan. 2014.
Phillips, Patricia C. "The Aesthetics of Witnessing: A Conversation with Alfredo Jaar." Art Journal 64.3 (2005): 6-27. ProQuest. Web. 20 Jan. 2014.
“The Rwandan Genocide.” 2014. The History Channel website. Jan 27 2014, 12:04 http://www.history.com/topics/rwandan-genocide.
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
Since its emergence over 30,000 years ago, one of visual art’s main purposes has been to act as an instrument of personal expression and catharsis. Through the mastery of paint, pencil, clay, and other mediums, artists can articulate and make sense of their current situation or past experiences, by portraying their complex, abstract emotions in a concrete form. The act of creation gives the artist a feeling of authority or control over these situations and emotions. Seen in the work of Michelangelo, Frida Kahlo, Jean Michel-Basquiat, and others, artists’ cathartic use of visual art is universal, giving it symbolic value in literature. In Natasha Trethewey's Native Guard, Kazuo Ishiguro’s Never Let Me Go, and Joseph Conrad’s Heart of Darkness,
I never go anywhere alone. After a depressive Saturday morning I finally crawled out of bed and went to the Cummer Museum. Art is one thing that I don’t understand. How people can find deeper meanings from paint on a canvas is Japanese to me. When I look at a painting I see exactly what is being shown and nothing more. There is no deeper meaning evident. Being at this museum cranky and solo trying to find a picture I felt connected to was almost impossible. It took me about ten minutes to go through the whole museum. But in one of the last sections I went in there was finally something that my eyes were drawn to. An image that made me want to find the deeper meaning. Thomas Hart Benton’s June Morning.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
When the Rwandan Hutu majority betrayed the Tutsi minority, a destructive mass murdering broke out where neighbor turned on neighbor and teachers killed their students; this was the start of a genocide. In this paper I will tell you about the horrors the people of Rwanda had to face while genocide destroyed their homes, and I will also tell you about the mental trauma they still face today.
Gwin, Peter. "Rwanda: The Art of Remembering and Forgetting." National Geographic. National Geographic Society, 07 Apr. 2014. Web. 07 Apr. 2014. .
"Rwanda Genocide." Global Issues in Context Online Collection. Detroit: Gale, 2010. Global Issues In Context. Web. 12 Apr. 2010.
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art. Christianity has become a very common and well established religion, however, in the past it was hidden and a few people would worship this religion secretly. Gradually, Christianity became a growing religion and it attracted many converts from different social statuses. Christian art was highly influenced by the Greco-Romans, but it was immensely impacted by the establishment of the Edict of Milan in the year 313 AD. The Edict of Milan was so significant that scholars divide Christian art into two time periods, time before and after the Edict of Milan of 313.
As a graphic designer, I always strive to make all the elements included in my work flow together in a way that doesn't over complicate whatever message I want to convey. My goal is to take my interests—and sometimes, my experiences, and to give them purpose in my art. I want my audience to feel something from my efforts, even if they don't completely understand what it is I am going for.
Have you ever walked through an art gallery passing through a section that holds little interest to you, when suddenly you are stopped dead in your tracks? This happened to me when I was searching through the AGO for my essay topic. I never imagined I could be interested in an object involving religious subject matter. However here was a painting clearly different from the rest; it was smaller than usual, painted with primitive style yet highly gilded. Now, this painting spoke to me.
Art is not useless as Oscar Wilde stated; nor is it the death of logic by emotion as Plato supposed. Art is an activist trying to inform and shape the social consciousness. Art by nature is critical and questions how the world is perceived. These questions are pivotal in creating change within society. The Armory Show, a major turning point in American art, for example, was inspired by shifting perceptions of the aesthetic and a stirring toward modernity. The Armory Show was an artistic rebellion against the juries, prizes, and restricted exhibitions that excluded unacademic and yet t...
Middleton, John. "Rwanda." Africa: an Encyclopedia for Students. Vol. 3. New York: Charles Scribner's Sons, 2002. Print.
The development of semiotics in the 20th century revealed much about ideology in mass culture. Structuralist Roland Barthes' texts on the matter are very much products of their times, yet many still have a troubling modern-day relevance. Barthes' Mythologies demonstrates the possibilty to find meaning through the 'trivia' of everyday life. He claims to want to challenge the 'innoncence' and 'naturalness' of cultural texts and practices, as they are capable of producing a multitude of supplementary meanings, or 'connotations'.
The Creative Arts play a significant role in early childhood education as it provides children with a diverse range of skills to enhance their learning and development to meet the needs of succeeding in the 21st century. Educators can promote The Arts by adopting the Reggio Emilia approach to education, encouraging children to co-construct the curriculum to develop their skills in partnership with teachers, families and their cohorts. The focus of this essay is to emphasise the value of Creative Arts in early childhood education by providing a summary of the concepts and skills of the Creative Arts and the four strands; Dance, Drama, Music and Visual Arts. Then, ascertain how Creative Arts benefit children’s social development, language and
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.