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Propaganda in art
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Otto Dix Otto Dix was an extremely influential artist of the Neue Sachlichkeit (New Objectivity) movement and was greatly impacted by the ideologies and policies of the Nazi regime. Otto Dix is known for shaping a realistic image of the Weimar era in Germany. He was greatly inspired by the Bible, Goethe, and Nietzsche (Fulmer, 2015). Dix was a veteran of World War I and many of his works reflected the terrible experiences World War I had brought him. Otto Dix also had many works that portrayed real social issues going on in Germany at his time. He did other paintings that included nudity and prostitution as well. Throughout the 1930’s, his work became more allegorical. The Nazi’s did not like this and he was labeled as a degenerate artist. This clearly changed the path of the work of Otto Dix. This forced Dix to focus his work more on landscape designs rather than social issues and war. Otto Dix was born in 1891 in Dresden and was exposed to art at an early age. In the early 1900’s, Dix learned how to paint landscapes during his apprenticeship with Carl Senff. When Otto Dix was twenty-two, World …show more content…
If one was an artist in Nazi Germany, they were forced to be a member of the Reich Culture Chamber. Any abstract art, including Otto Dix’s art, was considered degenerate art. Any modern art was seen as degenerate art because it went against racial purity. Artwork that had a Jewish or Communist feel to it was banned. Traditional artwork was allowed because it enforced racial purity, war, and conformity-everything that the Nazi’s agreed with. Once in the Reich Culture Chamber, Otto Dix went back to painting landscapes. He was only allowed to paint them if he followed the regulations of the Reich Culture Chamber. His paintings could not offend any ideals that the Nazi’s agreed
Hermann Ottomar Herzog was a prominent artist born in Bremen, Germany in 1832.He was primarly known for his magnificents landscapes. While living in Germany he entered the Düsseldorf Academy at the age of seventeen. Herzog, painted in several countries of the European Continent, until he came to America in 1869. His early commercial success in Europe granted him clients among the nobility in Europe, among his most famous clientele were Queen Victoria and Grand Duke Alexander of Russia. In 1860, Herzog settled permannently near Philadelphia, he painted across the western states, arriving in California in 1873. From this trip he painted one his masterpieces a series of oil canvas inspired in Yosemite Valley. It was “Sentinel Rock” this collection that got him an award at the in 1876 Philadelphia Centennial Exhibition. He is considered by many as part of the Hudson River School, although his art is more realistic and less dramatic than the artwork from his peers Frederick Edwin Church or Albert Bierstadt.
Through out the duration of the war the looting and destroying of artworks continued. One might even say it was an obsession. Hitler at the time wanted to create a museum of the best art.
William Clark was ½ of the genius team that made their way through miles of unknown land, unknown nature, unknown natives, and came home with all but one voyager, who was killed of natural causes. William Clark and Meriwether Lewis were the first Americans to try and map the Louisiana Purchase area, and not only did they map it, they discovered allies, new plants and animals, and discovered new land and water routes that could be useful for future travelers.
...d the Analytic Cubist movement. During the Second World War, Picasso stayed in France under Nazi rule but his artistic style did not fit that of the Nazi artistic ideal. Although Picasso continued painting, he did not exhibit during that time. Picasso's works were usually held in exhibitions and were highly renowned although there were still many who did not agree with his style. Overall, Picasso's works reflected that of his time as the creation of the camera lead to a new movement of art which is still respected to this day.
Melvin Archie Jr. was born on 05/13/1948, in Canton, Mississippi, to Melvin and Lillie Mae Archie. Melvin's parents were married for twenty years before they divorced. Melvin and Lillie Mae had 2 children together. They are Melvin Archie Jr, age 67 and lives in St. Louis, Missouri and Nancy Archie, who passed away in 1994 of throat cancer, she was 44 years old. Melvin has 3 paternal half-brothers but he doesn't have a relationship with them other than limited Facebook contact. He attributes this to the large age gap. He stated that they live in Centralia, Illinois. Both of Melvin's parents worked outside of the home. His father was an oiler repairman for Missouri Portland Cement Company and his mother was a cook at a family owned restaurant
...s an artist but when he wasn’t accepted into art school he started to hate all art that wasn’t landscape paintings. He ordered an art burning in March 1939 setting over a thousand of paintings on fire. Organizations collected Jewish books and had a mass book burning, described on pages 108-113 in The Book Thief.
Dix was a painter and printmaker who created the portrait “Dr. Heinrich Stadelmann” in 1922. On the plaque next to the painting it explained how Dix painted this piece during the time just post World War I. It was one of the pivotal times in history that caused the “roaring twenties”. It was simultaneously a time of joyful and unrestrained celebration, but was also marked by violence, poverty and corruption generated by the disastrous political and economic situation, this is is very apparent in this painting. Otto Dix must have been motivated by this uglier side of the situation at the time and tackled this piece in a gritty and unapologetic manner.
The Haus der Kunst, or House of Art, is an art museum located in Munich, Germany. The rich history of the museum and the city in which it lies is strongly tied to the Nazi party’s rise to power. The construction of the exhibits and the museum itself was strongly propelled by Hitler’s efforts and his opinions on art: on what to preserve and what to destroy. The museum and what it portrays has changed in many ways from the original vision Hitler held for it, survived through WWII, and still remains a prominent museum in Germany today (“Historical Documentation”).
Black smoke stained the sky and scarlet blood darkened the earth, as global war, once again, ravaged twentieth-century society. The repercussions of the Second World War rippled across the Atlantic and spread like an infectious disease. As the morality of humankind appeared to dissipate with each exploding bomb, anxiety, frustration, and hopelessness riddled the American public and began to spill into the art of New York City’s avant-garde (Paul par. 4). By the mid-1940s, artists reeling from the unparalleled violence, brutality, and destruction of war found a shared “vision and purpose” in a new artistic movement: Abstract Expressionism (Chave 3). Critics considered the most prominent artists of the movement to comprise the New York School
It’s interesting to note what happened to the art world after Duchamp revolutionized art into meaninglessness. Artists seem to be exempt from the moral laws that are binding to ordinary people. Everything is O.K. under art’s magic umbrella: rotting corpses with snails crawling over them, kicking little girls in the head, rape and murder recreations, women defecating. Where does it stop? What is art and what is porn? What is art and what is disgusting? Where is the line? There isn’t one anymore. The effect of Duchamp’s pranks was to point out that anything could be art. All it took was getting people to agree to call something art.
Edouard Manet, often considered one of the founders of modern art, certainly challenged the norm and incited thought through his paintings and sketches. His works challenged social norms and were critical of politics. As we look at his art today it is hard to see how his work is controversial. The images within his paintings that seem little more than after thought, would have shocked and appalled people of the mid 19th century. However, with a little more knowledge pertaining to the meaning of the imagery, and how it would be perceived at the time, it is a wonder that Manet died of natural causes rather than riot or execution. He deliberately used images from famous paintings and applied them in ways that would either draw parallels to the original work or contradict it completely. Manet also used techniques to involve his audience in the painting, essentially extending the work beyond the canvas. The Execution of Emperor Maximilian is no exception to any of these rules.
During this time period artists became famous and inspired many people with their works. Caspar David Friedrich was a famous artist who lived from 1774-1840 in Greifswald, Germany. He was known for painting mediums with watercolors and oils, which is landscape art. Friedrich changed the face of landscape paintings with his intense and emotional focus on nature and became a key member of the Romantic Movement. "Friedrich demonstrated piety to God through nature, the diminished strength of man in the larger scale of life, and great emotion."( Artble ) Some of Friedrich's best known works and most easily recognizable paintings include Cross in the Mountains, Wanderer above the Sea of Fog and Two Men Contemplating the Moon. Another famous artist is Ferdinand Eugene Victor Delacroix, more commonly known as Eugene Delacroix, was a French painter who had a profound influence on the Romantic Movement. He was known as a master of color. He lived from 1798-1863 in Charenton, France. He focused on oil, pastel, wood, and other verities of paintings and drawings. Delacroix became a pupil of the English Romantic landscapists and extracted from their techniques, to develop a unique and memorable approach to color. Delacroix's paintings changed the art world forever and his technique had a lasting impact on the Impressionist and Post-Impressionist movements. Today, Eugene Delacroix is remembered as one...
With Cole, landscape painting took on a stature in America like that which history painting traditionally possessed in Europe. He was able to “transfer the heroic aims of history painters to the landscape category, where at ...
Winton, Alexandra G. "The Bauhaus, 1919–1933." The Metropolitan Museum of Art. Web. 03 May 2014.
One of the most prevalent examples of German modernism was their newfound attitude towards art. Ekstein...