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• An Early Christian Artwork compared to a Byzantine Artwork
Symbolism in art during the byzantine period essay
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Throughout history, the purpose of art is dedicated to anything from decorative embellishments to religious tributes. However, art was also used by rulers and other powerful figures for propagandistic reasons as well. This can be seen through a survey of art pieces ranging from the Hellenistic period to the Ottonian period. At the beginning of the Hellenistic period Alexander the Great had just passed away, leaving his vast empire fragmented amongst many individual leaders. Many of the Greeks left the Balkan Peninsula to seek commission abroad, thus forsaking their identity and ties to the old Greek city states. The result was a greater focus on the individual, a psychological sense of isolation, as well as a mixture of foreign and Greek elements in the arts. The bust of Euthydemos I, King of Bactria, exemplifies all of these features. At the time period, many other leaders sought to liken themselves to Alexander and his greatness in the arts. However, unlike the other leaders of the fragmented kingdoms, Euthydemos does not conform to this practice for propagandistic reasons. Being the ruler of the highly prone and unstable kingdom of Bactria (modern day Afghanistan and Pakistan), Euthydemos wanted a depiction of himself to be harsh and feared. Thus, the bust portrays a cruel-looking old man with individualistic features, exaggerated creases, and a ruthless expression. No doubt, Euthydemos commanded this interpretation of his personality to serve as a warning that he could potentially be a terrible enemy. Moving forward to the Hellenistic Baroque period, the Greeks now experience attacks from the Gauls of central Europe. Eventually, the Gauls were crushed in battle by the Pergamon army under Attalos I. Attalos I then construc... ... middle of paper ... ...of the Byzantine era. In the Liuthar Gospel illumination of Otto III enthroned, this is Byzantine feature is replicated and expanded upon. Instead of just depicting Otto as divine authority on earth, Otto seems to replace Jesus entirely. This seems to be the case due to the following reasons: he is enthroned in heaven, being crowned by the hands of god, he is surrounded by symbols of the evangelists, and he sits on the personification of the earth. Similar to the panel in San Vitale, where Justinian is surrounded by military officers and clerics, Otto III is also surrounded by the officials of the Church and State. This serves to show the ruler’s head authority over both sectors of the empire. Yet, unlike the Justinian panel, this illumination of Otto III is far more audacious via the grandiose symbols of heaven and god’s direct crowning of Otto III’s divine power.
Pericles ascended to power at the empire’s height and was, according to Thucydides, the city’s most capable politician, a man who understood fully the nature of his city and its political institutions and used his understanding to further its interests in tandem with his own. After Pericles, however, Thucydides notes a drastic decline in the quality of Athenian leaders, culminating in Alcibiades, the last major general to be described in The Peloponnesian War. While he is explicit in this conclusion, he is much more reticent regarding its cause. What changed in Athens to produce the decline in the quality of its leadership? The development of an empire is a change strongly emphasized in the Archeology as a radical departure from the Hellenic tradition, and consequently a major source of conflict among the Greeks.
During World War II propaganda was ubiquitous. It consisted of a wide range of carriers including leaflets, radio, television, and most importantly posters. Posters were used based on their appeal: they were colorful, creative, concise, and mentally stimulating. Posters often portrayed the artist's views on the war. They demonstrated the artist concern for the war, their hopes for the war, and reflected the way enemies were envisioned. Posters also show a nations political status: they reflect a nations allies and enemies, how the nation saw itself, and its greatest hopes and fears of the war.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
When a person sees a new advertisement or commercial for their favorite shoe company, they immediately want to go and check out their latest designs. Similarly, propaganda uses different sources of media to encourage people to buy a certain item that will benefit their country or an organization. Propaganda was used in World War II to encourage citizens to buy certain tools or participate in certain events to help the soldiers fighting. Both video and radio advertisements were used by the Allied and Axis powers to encourage citizens to aid the war effort, resulting in a rise of nationalism and resentment towards opposing sides.
Orientalism was used back in the 19th century to imitate or depict others nations and their cultures. The Europeans would take impressive feats of architecture or objects from other nations to create their own “better” version. They used orientalism to show how other nations were barbaric and that they were vastly more intelligent. These tactics can be seen in many paintings and buildings where they tried to improve upon other nations works. In some of theses paintings you can see upperclassmen wearing lavish clothes or in other cases black people serving the europeans and being underneath them. Other orientalist artists will take ordinary objects and make them more european by adding expansive material and artwork. Additionally, artists will
The use of art forms and sculpture as a means of conveying a message to its viewers has been rooted deep into culture throughout human history. Imagery has carved political views and depictions of society’s circumstances into permanent marks of antiquity. From the Ancient Roman architecture and sculpture to the 1900’s emergence of media in politics, we have continued to express our views, hardships, and culture in permanent ways, and use art as an intricate form of manipulation and persuasion. In the ancient times, the Romans used sculpture to portray individuals of power, such as Augustus, to mark a political ideology by making powerful figures look more pristine and perfect on a godly level. They would portray the unattainable perfection
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
During the beginning of the Nazi development. Nazis made posters to shape the Hitler regime legitimacy. The poster shows that there are leaders from different periods. It puts Hitler with emperors in parallel, such as king, prince and marshal, which meaning is that to convey the German militarism and the supreme spirit of leader. The title specially emphasizes the identity of Hitler, who was a soldier. Although the soldiers’ status below other three leaders that can highlight leader’s strong volition and personality
World War ll has promoted and emphasized the desire to serve in the war through the propaganda posters. The United States targeted different groups such as; men who were already soldiers, the men that were workers and women. The used techniques were moving and because of it many took charge and helped in the ways they could. There are three propaganda posters that stood out and were moving to others at that time.
The Usage of Propaganda Propaganda is everywhere, and our life and society have been affected by propaganda significantly. Propaganda can control what people believe, what people buy and how people live their lives. Propaganda was necessary during wartime as it encouraged the general population to support the war. Propaganda helped keep armies from withering away, it encouraged support from the citizens and it was an effective way to get a message across to the public.
In the early 1700s, the monarchies failures at finance, national debt, involvement in multiple wars with
Since having been taught about the various propaganda techniques that we have learned about in class, I now understand the enormous scope of the techniques’ appeals to their targets. Before this unit, I did not realize how much time and effort is put into capturing the target audiences’ attentions and how each detail of an advertisement or piece of propaganda is tailored to those who are being sold to. From the color scheme to a subjects’ placement on the page, every subtle feature of an ad is carefully thought out and planned to be as effective, both consciously and subconsciously, as possible. Before, I would have never realized that this level of intricacy and functionality was present in the world of propaganda. There are seven propaganda
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
Throughout the ages art has played a crucial role in life. Art is universal and because art is everywhere, we experience it on a daily basis. From the houses we live in (architecture) to the movies we see (theatre) to the books that we read (literature). Even in ancient culture art has played a crucial role. In prehistoric times cave dwellers drew on the wall of caves to record history. In biblical times paintings recorded the life and death of Christ. Throughout time art has recorded history. Most art is created for a specific reason or purpose, it has a way of expressing ideas and beliefs, and it can record the experiences of all people.
Now that the terms fine arts and applied arts have been defined, we can move onto the purposes and functions of art. There are four purposes of art: to provide a record, to give visible or other form to feelings, to reveal metaphysical or spiritual truths, and to help people see the world...