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The picture of dorian gray character analysis
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Oscar Wilde’s life, with his lack of concern towards ethics and dedication to the Aestheticism movement, served as a source of inspiration for many of his works, one being The Picture of Dorian Gray. The novel becomes a reflection of Wilde through his own eyes and the eyes of society as well as his philosophy of aestheticism over morals. It shows that ethics and aestheticism cannot harmoniously exist and that the ideas of aestheticism contradict morals. One must choose to be purely artistic or purely moral. In The Picture of Dorian Gray, Oscar Wilde suggests that there is a direct conflict between art and morality and one cannot be both moral and artistic.
The Aesthetic Movement of England had a major influence on both Oscar Wilde and his works. As
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Art is completely severed from morality and according to aestheticism, is autonomous from society’s expectations and views during any age (Shewan 97). Oscar Wilde himself even states in the preface of Dorian Gray that “There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all,” which strongly reflects the ideas of aestheticism and its independence from moral influence (1). Whether a person views an artwork as moral or aesthetic also depends on a person’s outlook. For example, if one has an artistic nature, they will appeal more to the beauty of a work. But if someone appeals more strongly to ethics, they will see the moral (Benson). As stated in Benson’s article, “If a man sees the artistic beauty of a thing, he will probably care little for its ethical import” (Benson). The separation between art and morals eliminates conflict between the two spheres, and prevents corruption and friction seen in Dorian Gray’s character
Dorian Gray shows how much he gave up to pursue his obsession when he said that his fiancé’s suicide was melodramatic and unnecessary (Wide 88-89). Obsession causes Dorian to indulge all forms of self-pleasure, whether moral or immoral, and to disregard the value of his own soul to preserve his transient beauty. The portrait that Basil Hallward painted acted as a mirror to his soul’s state and grows revolting each time he indulges in immoral acts, which inhibit him from focusing on what is truly important. It was only until the end when he kills himself does his soul reverts back to his inner beauty as shown in his portrait (Wilde 197). Wilde shows us how conformity can push us to obsess something that we don’t truly believe and ignore all other aspects that actually lead to our good lives. Through Dorian Gray, we are taught that we need to stand by our beliefs and not lose ourselves in other people’s beliefs. Wilde teaches the audience that we need to hold onto some core beliefs and elements that we hold near and dear to
Like many stories, Oscar Wilde’s The Picture of Dorian Gray has a moral, a greater message. Wilde’s lesson about the relationship between the body, mind, and soul is simple, but important: the body is the vehicle for the mind, which is the vehicle for the soul. This is the “natural order” of things, and Wilde shows that it should not be contested. The soul should remain inside a piece of the mind: invisible to the world, mysterious and sacred to its bearer. If this order is changed or contested, Wilde warns of sin, manipulation, and grief to come, making The Picture of Dorian Gray an essentially philosophical and moral novel.
Like many stories, Oscar Wilde’s The Picture of Dorian Gray has a moral, a greater point. Wilde’s message about the relationship between the body, mind, and soul is simple, but important: the body is the vehicle for the mind, which is the vehicle for the soul. This is the “natural order” of things, and Wilde shows that it should not be contested.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
In Oscar Wilde’s “The Picture of Dorian Gray” personal obstacles are met that truely challenge the main character, Dorian Gray, which deter him from the understanding of right and wrong. Dorian’s act of selling his own soul to the devil to remain young and beautiful comes with severe consequences, which the latter of the novel portrays. “The Picture of Dorian Gray” precisely depicts the character trying to achieve a worthwhile goal but facing personal obstacles which can be seen in Dorian Gray’s morality and beauty, while trying not to the let the portrait get to his head. Dorian’s beauty represents the biggest personal obstacle that Dorian seems to face, which the novel mostly centralizes itself upon. Without Dorian’s beauty and the beauty
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Duggan, Patrick. "The Conflict between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray." Journal of the CAS Writing Program (2008): 61-68. Print.
The immoral body of Dorian Gray is beauty. For example, he is immorally beauitful, and the portrait morally ugly. From his prayer to tranform to the protrait which bears all, and forever remain young. In fact, his beauty is immoral from it ugliness of horror able trail of self-indulgences. On the other hand, his soul is immoral, but has a twist of innocence in the portrait.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the
Everyone is merely a product of their surroundings and become what they have been raised to be. While some remain untempted by the vices of their peers, others completely absorb the negative influences in everyday life. Modern society values beauty over substance and The Picture of Dorian Gray serves to reveal that flaw. Oscar Wilde criticizes the superficial nature of people by satirizing the corruption of their views on morality. He says “The books that the world calls immoral are books that show the world its own shame” (Wilde 238). Dorian Gray, the main character, is representative of the direction that humanity as a whole is heading toward. He struggles with his religious identity while also trying to please society’s expectations
John Ruskin and Matthew Arnold would both challenge Oscar Wilde’s assertion, “There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” First and foremost, they would challenge how a work of literature or art could be rated as good in the first place. Utilizing Ruskin’s “The Savageness of Gothic Architecture” and Arnold’s “The Study of Poetry” to compare the criteria both used to classify something as either good or bad and lastly, considering if morality is completely foreign to defining the quality of something according to their texts.
Oscar Wilde’s ‘The picture of Dorian gray was based on the importance of Beauty and aesthetics. Lord Henry claims to value beauty and youth above all else. “But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid.” Here Henry talks about his belief that everything that matters shows itself in appearance. According to him, a person's thoughts and personality have influence over the alignment of their features. It is this very logic, which Lord Henry transfers to Dorian that drives him to make the wish that ultimately damns him. The moment Dorian Gray realizes that he would get to keep his beautiful appearance regardless of the sins he indulges in, he thinks himself free from the bounds of morality and righteousness. He values his physical appearance more than the state of his soul, which is openly displayed by the ever-increasing degradation of the portrait. This superficial faith in the ultimate value of youth and beauty is therefore the driving mechanism behind the protagonist's damnation. It is important to bear in mind that the beauty that Dorian incessantly pursues is a beauty defined by a purely artistic sensibility, as opposed to a humanitarian one. When faced with the news of his fiancé’s suicide,
Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril” (4). Oscar Wilde criticizes Victorian culture as he implies that too many people read and analyze the surface or read the symbol, but not both. In order to properly understand a piece of literature, the reader must interpret both surface and symbol. Dorian Gray fails to do this as he interprets merely the surface of the portrait and also of the yellow book, but he fails to investigate the symbol of each piece of art.