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Dorian gray as an antagonist essay
The picture of dorian gray character
Dorian gray as an antagonist essay
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In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the …show more content…
The text states “For years, Dorian Gray could not free himself from the influence of this book. Or perhaps it would be more accurate to say that he never sought to free himself from it.” (Wilde 112). Dorian was given the book by Lord Henry, read it and fell in love with it. His enjoyment and passion towards the book was so great, he proceeded to purchase “nine large-paper copies” Dorian then “had them bound in different colors, so they might suit his moods.” (Wilde 112). This is only the beginning of the obsession Dorian has to the yellow …show more content…
An example of one thing he became suddenly attached to is music, and instruments. It is stated that “At another time he devoted himself entirely to music... ” (Wilde 118). Wilde starts to explain Dorian’s new obsession with music and artifacts pertaining to it, to the reader. “The mysterious juruparis of the Rio Negro Indians” (Wilde 118) and “Alfonso de Ovalle” (Wilde 118) are two of many examples of Dorian’s new collectables in the music category that he has acquired for the sole purpose of pleasing his senses. Another item Dorian finds himself collecting is jewelry. He spends his time traveling, collecting various stones, such as “the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wire-like line of silver…” (Wilde 119). Dorian’s sudden attachment to sensually pleasing items right after being introduced to the yellow book is no coincidence. It shows the power the book already has on Dorian. It is changing his lifestyle and his perception of beauty.
The yellow book has a stronger influence on Dorian Gray than Lord Henry does. It is proven through Dorian’s attachment to the book, the obvious lack of effect Lord Henry has on Dorian, and his sudden change in lifestyle due to the teachings of the book. In these three actions, Dorian is able to disprove Lord Henry’s influence while
Throughout the novel, 'The Scarlet Letter,'; Nathaniel Hawthorne illustrates the themes with various dramatic colors. Of the array are the colors green and gold, where green symbolizes different aspects of nature such as tranquility, security, and gloominess, whereas gold represents all that pertains to luxuriance, serenity and goodness. In certain chapters, it seems as if one color is codependent with the other.
The novel depicts the protagonist, Dorian Gray, coming to realization of how everything in the world is not permanent, including his beauty due to a painting from Basil Hallward and a lecture of life from Lord Henry Wotton. In response, Gray sells his soul to the painting for eternal beauty, and that the painting should take his sins.Gray is content, even purposefully using trial and error on the emotions of people around him. Yet, the past comes back to haunt him, and Gray has to come to terms with time passing even if it is against his
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
The yellow wallpaper itself is one of the largest symbols in the story. It can be interpreted to symbolize many things about the narrator. The wallpaper symbolizes the mental block mean attempted to place on women during the 1800s. The color yellow is often associated with sickness or weakness, and the narrator’s mysterious illness is an example of the male oppression on the narrator. The wallpaper in fact makes the narrator more “sick” as the story progresses. The yellow wallpaper, of which the writer declares, “I never saw a worse paper in my life,” is a symbol of the mental screen that men attempted to enforce upon women. Gilman writes, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” this is a symbolic metaphor for restrictions placed on women. The author is saying subliminally that the denial of equality for women by men is a “hideous” act, and that when men do seem to grant women some measure of that equality, it is often “unreliable.” The use of the words “infuriating” and “torturing” are also descriptions of the feelings of women in 19th century society.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the wallpaper that is trapped and is struggling to come through it(Gilman). After the fact, she believes she is also trapped along with the figure behind the wallpaper. The narrator claims her husband John, whom sees his wife as a “little girl”, has trapped her inside the wallpaper also(Gilman). When the narrator tears the wallpaper down, she concludes the wallpaper was the oppression of masculine sunlight and has given her a new identity. As the woman inside of the wallpaper crawled around, the narrator must crawl around her room because the result of “feminist uprising(Feldstein).”
With the fateful encounter with Lord Henry, Dorian is ushered into a world of idealistic art and beauty. Lord Henry plays a key role in introducing a new world in which beauty, youth and sensations dominate. First, Lord Henry employs a powerful strategy of developing Dorian's self-consciousness of his ow...
Wilde begins setting the mood of the text with excessive descriptions of nature, and natural beauty: “The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn” (Wilde 5). While this description hardly sounds like the language of the gothic, the use of nature sets up a contrast to the darker tones which appear later in the text. The nature theme is also present in the descriptions of Dorian Gray, whom at this point in the text has not been corrupted by the influences of Lord Henry Wotton or his search for pleasure and experience. Not only is Gray described as someone who encompasses flower like beauty, he is a representation of a flower himself. As Lord Henry describes, Gray is “some brainless, beautiful creature, who should be always here in winter when [there are] no flowers to look at” (7). Wilde extends this flower allusion with the metaphor of the aging man, and the beauty which dies with age. Like a flower Dorian’s beauty will fade, wither, a...
It represents the psychological block that society attempts to place on women during the 1800’s. The color distinct color yellow is connected with sickness and weakness which displays the gender differences of how society sees women as weak and men inferior. The wallpaper in fact makes the main character feel “sick” as the short story develops. As a matter of fact, the wallpaper draws a line between insanity and sanity that the narrator faces. Quawas offers honest insight and advice on “The Yellow Wallpaper,” and its symbolic significance that is portrayed throughout the short story. In the process, Quawas offers a deeper interpretation of the main character decline into madness and how the direct identification of the narrator with the wallpaper brings many underlying symbols that lie within the story. “The narrator is torn asunder between her own personal feelings, which are indeed healthy and positive, and the patriarchal society's view of what is proper and decent behaviour for women. Since she has internalized society's expectations of women, this conflict is felt as a schizoid within herself” (Quawas, 44). This supporting evidence helps give bigger insight of a deeper meaning to the correlation of insanity and symbols in the actual
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
Shortly after meeting Dorian for the first time, Lord Henry calmly declares, “to influence a person is to give him one’s own soul” (20). In these few words, Lord Henry foreshadows the entirety of his relationship with Dorian throughout the novel. By sharing his unique thoughts about the scientific view of influence, Lord Henry captures Dorian’s curiosity and attention, opening the door to the beginning of Dorian’s evolution
Though Wilde wrote in the preface to this book that, "To reveal art and conceal the artist is art's aim", we can still trace the shadow of the author himself in all of the three major characters. Basil Hallward, the artist who painted the picture of Dorian Gray, probably has a homosexual attachment to the young Dorian. And as a homosexual himself (or to be exact, bisexual, because he also loved his wife and two sons), Wilde here might be commenting on the enforced secret homosexuals' lives in the late nineteenth century. Seemingly striving after impersonality and aesthetic perfection in his work, Basil feels the greatest anxiety of having put "too much of himself" into his picture of Dorian (Chapter 1, page 20) that he can't exhibit it. To display his work of art in public would, in a sense, amount to exposure of Basil's attraction to Dorian Gray.