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Critical analysis of othello
Critical analysis of othello
Othello literary devices
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A critical analysis of Oscar Wildes only novel would yield that it is in fact a homosexual allegory of doomed, forbidden passion. The relationship between Lord Henry and Dorian, as well as Basil and Dorian is, clearly Homoerotic and must’ve shocked Victorian society.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
It’s quite obvious that men have do have relationships with women in the novel- Dorian falls in love with sibyl and Lord Henry himself is married, but these heterosexual relationships are short lived. Victoria Wotton like most of the women in the novel is depicted with no real depth, she is briefly introduced, never to be heard from again. Made clear in Lord Henrys observation of sibyl, “women are a decorative sex” , her character is of little substance also, as it becomes clear in the subsequent chapters when she so easily gives up her greatest talent in order to pursue a relationship with Dorian.
Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...
Wilde first shows the importance of looks when Basil first sets eyes on Dorian Gray. "I knew that I had come face to face with someone whose mere personality was so fascinating that...it would absorb my whole nature, my whole soul, my very art itself" (7). This was before Basil had even talked to Dorian, and he had already judged what type of personality he had, ...
Obsession is the most compelling theme of The Picture of Dorian Gray, Dorian’s obsession with his beauty and youth, and Basil’s worship of Dorian, are a driving force. Dorian’s tale is similar to every celebrity that has been adored only to fall in public approval when their true natures are revealed. There is no doubt that Dorian is a celebrity in his time, he is adored by many in London like a celebrity would be admired today. The idolatry, quest for beauty, and downfall of obsession are seen in fiction as well as reality, through Dorian’s obsessions and modern day obsessions like plastic surgery or following a favorite celebrity on every form of social media. Obsession is a toxic force that has a hold on humans regardless if it is in fiction or reality.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Oscar Wilde’s The Picture of Dorian Gray is, at first glance, a novel about a young, handsome man’s demise as he travels into a world of self- indulgence, immorality, and evil. Though the predominant motif of beauty versus ugliness is the main take-away point, Wilde’s use of symbols, particularly flowers cannot go unnoticed. From characterization to depicting religious allusions, flowers are frequently used in The Picture of Dorian Gray. Clearly, the novel’s use of roses, orchids, lilacs, and the like has an underlying meaning, which will be explored and analyzed in this essay.
In Wilde’s The Picture of Dorian Gray, we follow the young Dorian Gray as Lord Henry Wotton first introduces him to a new way of being. Lord Henry believes that the only way of being is to understand that beauty is the only worthwhile trait of life. Wilde writes “, Lord Henry looked at him . . . There was something in his face that made one trust him at once . . . There was something in his low, languid voice that was absolutely fascinating . . . But he felt afraid of him, and was ashamed of being afraid. Why had it been left to a stranger to reveal him to himself?”(page18-23) To Dorian, having just met Lord Henry, these words are life altering. Scholars have made the argument that Lord ...
The novel, The Picture of Dorian Gray, by Oscar Wilde shows the life of three men who are affected by art in the Victorian society. In Victorian times men were expected to provide for himself and his family, accumulate wealth, exemplify good morals and prove his masculinity. If a man did not show one of these qualities in the Victorian time his masculinity would be questioned. In the novel these men show three different sides to masculinity. Each character finds himself unhappy with the role he is forced to play in order to prove his masculinity. For them it seems in order to be successful or achieve happiness they must push past the gender roles society has placed on them. Basil Hallward represents the artist, Dorian
Women in the Victorian Era cast aside by their male counterparts result in consequences such as those illustrated by Oscar Wilde. Men who primarily only care for themselves and belittling the feelings of women turn into tremendously selfish beings. From the first act of evil towards Sibyl Vane, to the last major act of killing Basil Hallward, the immoral acts of Dorian in The Picture of Dorian Gray show the definite result of disregarding women and in turn, caused chaos amongst the male figures in the novel.
Wilde says that Dorian’s journey begins with Ordinary World. He is a young and good looking male. He has a normal life till he met Basil and Lord Henry. He now receives the Call of Adventure. When he met Basil at a party, they become friends and everything is still good until he met Lord Henry. He captured the imagination of Basil and for Lord Henry is how he knows that Dorian can do anything with his looks and perfection. Basil made a portrait of Dorian. Lord Henry made Dorian realize that he is not doing anything wrong and he is perfect no matter what. This is how
Wilde begins setting the mood of the text with excessive descriptions of nature, and natural beauty: “The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn” (Wilde 5). While this description hardly sounds like the language of the gothic, the use of nature sets up a contrast to the darker tones which appear later in the text. The nature theme is also present in the descriptions of Dorian Gray, whom at this point in the text has not been corrupted by the influences of Lord Henry Wotton or his search for pleasure and experience. Not only is Gray described as someone who encompasses flower like beauty, he is a representation of a flower himself. As Lord Henry describes, Gray is “some brainless, beautiful creature, who should be always here in winter when [there are] no flowers to look at” (7). Wilde extends this flower allusion with the metaphor of the aging man, and the beauty which dies with age. Like a flower Dorian’s beauty will fade, wither, a...
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
Though Wilde wrote in the preface to this book that, "To reveal art and conceal the artist is art's aim", we can still trace the shadow of the author himself in all of the three major characters. Basil Hallward, the artist who painted the picture of Dorian Gray, probably has a homosexual attachment to the young Dorian. And as a homosexual himself (or to be exact, bisexual, because he also loved his wife and two sons), Wilde here might be commenting on the enforced secret homosexuals' lives in the late nineteenth century. Seemingly striving after impersonality and aesthetic perfection in his work, Basil feels the greatest anxiety of having put "too much of himself" into his picture of Dorian (Chapter 1, page 20) that he can't exhibit it. To display his work of art in public would, in a sense, amount to exposure of Basil's attraction to Dorian Gray.