This essay explores the ideas of power that cultivates from the Latina women within Litchfield Penitentiary from the Netflix Original Series, Orange is the New Black. The Latina community maintains certain ideologies of how to act, look, and speak; creating a struggle with some Latinas who take pride in their nationality, whether it be Dominican or Puerto Rican, there are ones who assimilate to the hegemony, and ones who stand somewhere in between. These women perform a sense of an expected tough attitude that comes with the pride of their ethnic background, or the pride some characters possess with rejection toward their typical community notions. It is the question of whether an individual is Latina enough in the eyes of their community and …show more content…
This series presents viewers with some of the most compelling and complex Latina women, allowing a focus on the ideologies that harness and shape national identities. There are communication dynamics between the Latina community as well as characters from other communities within the prison. The audience follows their background stories through flashbacks while getting a view of the characters’ ideas and beliefs in which they follow. To understand an individual’s acceptance of their national identity, it is ideal to empathize how they were raised and how they learn to adapt or follow ideologies overtime. These flashbacks are a tool demonstrating stereotypical and non-stereotypical practices as Latinas. Examples are their tough attitude and defending their place in the hierarchy or their use of English to Spanish depending on who they are talking to and the situation. Other examples are the argument of the typical work fields and branching out from them, as well as their music, attire, and religion. These women construct their own identity as individuals and as a group. With Mary Bucholtz and Kira Hall’s “four semiotic processes,” they “provide a clear account of how social identities come to be created through language.” Trying to show not only language means to verbalize in Spanish, but their actions are a performance based off their beliefs and ideas which are a sign of language/communication just as silence is a form of communication and body gestures. As well as their “tactics of intersubjectivity” framework explaining how these identities are constructed and why the Latinas perform their language and identity in a particular
How does being sentenced to prison affect someone later in his or her life? Many people pose the question, but they have yet to form an immutable response. Oscar Wilde once said, “one of the many lessons that one learns in prison is, that things are what they are and will be what they will be”, this quotation engenders the philosophy of prison, which consists of one being held responsible for his or her wrongdoings. The book Orange is the New Black by Piper Kerman explores how a once drug money launderer goes to jail for a crime which she committed almost a decade earlier. At the time she committed the crime, she considered herself lost and naive in regards to her life. Throughout the book, the audience witnesses Kerman’s struggles and how she ultimately overcomes them in order to better herself for the future. After examining the book, one can see that Kerman uses many rhetorical elements in her writing such as ethos, the rhetorical triangle, narration, and myriad others to make her memoir a timeless piece of non-fiction.
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
Just as their father wanted, the girls kept their Dominican roots alive and never forgot where they came from. This novel, “How the Garcia Girls Lost Their Accents”, is a coming of age novel, where four girls learn through experience how it is like to grow up in a tough time period. In America, the girls had the freedom to attempt almost whatever they wanted because they were free from the constricting rule of the patriarchy that ruled the Dominican Republic. All four were growing up but took separate paths during life to get to where they are as adults. Through the use of multiple narrators, Alvarez creates different perspectives throughout the story. The girls have come a long way from their mother’s color coding system when they were identity less to the women they are today. Each sister fought and conquered some sort of internal or external battle, helping them to overcome obstacles given by society that marked them as different. As adults, the sisters can keep their Dominican roots alive while living in the United States through
Junot Diaz's Drown, a compilation of short stories, exemplifies how the high standard of masculinity within the Latino community can have a detrimental effect on males. These stories are told in the first person by a narrator called Yunior. The different stories are told against the background of The Dominican Republic and the United States. The narrator highlights the different challenges that he faces throughout his childhood and into his young adult life. During this period, he struggles to find his identity which is expected by every Latino. In the Dominican Republic, a man’s manhood is closely tied to his identity, and Yunior is no exception. While in the process of finding his identity, Yunior is challenged with abuse, poverty and the lure of drugs, which leads to his addiction and his becoming violent .…
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
Orange is the New Black (OITNB) is a Netflix series that is loosely based on Piper Chapman, a self proclaimed WASP, who was imprisoned in Litchfield Penitentiary, a women’s jail, for drug smuggling. For the majority of the show, it gives insight on the social, personal, and past lives of inmates, as well as the interactions between the inmates, correctional officers (COs). In season four, episode nine, there is one main running theme, power imbalances. The core scene that depicts power imbalance and corruption is when a CO demands an inmate, Blanca Flores, to shower, but she refuses. He then forces her to stand on the dining tables for multiple days as a punishment. During this time, she urinates and defecates herself, causing her to smell even more. Eventually, other inmates realizes that this is wrong, they practice civil disobedience by joining her on the tables. Eventually, this turns into a dangerous riot
The popular revolutionary poem “I am Joaquin” by Rodolfo Corky Gonzales influenced many Chicana/os to embrace their heritage in the Chicano Movement in the 1960s. The poem created psychological work for the Chicano identity. Moreover, this poem developed and promoted social consciousness, commitment to activism, and cultural pride for many Chicanos. However, Gonzales primarily focuses on the identity and struggles of a Mexican-American male which excludes other narratives. Thus, the lack of inclusivity influenced me to recreate the popular poem, which centers on women from Central America who are rarely acknowledged in Chicano Studies. Therefore, our poem “I am Dolores” is focused on these three main themes: empowerment of women of color, resistance
Vigil, Ariana. 2009. “Transnational Community in Demetria Martinez's Mother Tongue”. Meridians: Feminism, Race, Transnationalism, 10 (1): 54-76
Montoya, Margret E. "Masks and Identify," and "Masks and Resistance," in The Latino/a Condition: A Critical Reader New York: New York University Press, 1998.
Anzaldua grew up in the United States but spoke mostly Spanish, however, her essay discusses how the elements of language began to define her identity and culture. She was living in an English speaking environment, but was not White. She describes the difficulty of straddling the delicate changing language of Chicano Spanish. Chicano Spanish can even differ from state to state; these variations as well as and the whole Chicano language, is considered a lesser form of Spanish, which is where Anzaldua has a problem. The language a person speaks is a part...
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
The contrast between the Mexican world versus the Anglo world has led Anzaldua to a new form of self and consciousness in which she calls the “New Mestiza” (one that recognizes and understands her duality of race). Anzaldua lives in a constant place of duality where she is on the opposite end of a border that is home to those that are considered “the queer, the troublesome, the mongrel and the mulato” (25). It is the inevitable and grueling clash of two very distinct cultures that produces the fear of the “unknown”; ultimately resulting in alienation and social hierarchy. Anzaldua, as an undocumented woman, is at the bottom of the hierarchy. Not only is she a woman that is openly queer, she is also carrying the burden of being “undocumented”. Women of the borderlands are forced to carry two degrading labels: their gender that makes them seem nothing more than a body and their “legal” status in this world. Many of these women only have two options due to their lack of English speaking abilities: either leave their homeland – or submit themselves to the constant objectification and oppression. According to Anzaldua, Mestizo culture was created by men because many of its traditions encourage women to become “subservient to males” (39). Although Coatlicue is a powerful Aztec figure, in a male-dominated society, she was still seen
Suaréz, Lucia M. “Julia Alvarez And The Anxiety Of Latina Representation.” Meridians: Feminism, Race, Transnationalism 5.1 (2004): 117-145. SocINDEX with Full Text. Web. 25 Mar.2014.