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Optimism or Pessimism in A Raisin in the Sun
“Is your glass haft empty or haft full?” This saying perfectly describes what optimism opposed to pessimism is. Some people always see their glass haft empty, others haft full. The majority of people see their glass haft full some days and on other days haft empty. Our outlook on life is intimately related to the situation we are in and whether or not we believe we can get through the hard times. In the play A raison in the sun certain characters are more optimistic than others. Some of them are always optimistic whereas others have their ups and downs. Sometimes they are optimistic and on other days they are not.
Mama is a good example of an extremely optimistic character in the play. She always sees the best of every situation. At times the situation may seem completely hopeless to the audience. Yet, she never gives up. Mama has always dreamed of owning a house, she has always wanted to move her family out of the “ghetto”. Finally, she gets the chance to do so; she gets an important amount of money from the insurance company. She decides to use that money to make a down payment on a house. But her dreams are rapidly crushed; her son, Walter, has lost all of the money in an investment. Although she is extremely angry at first she does not give up. She decides that perhaps they can clean up the place they currently live in. They can add new furniture and perhaps even new curtains. The following quote perfectly illustrative Mama’s optimism: “I sees things differently now. Been thinking ‘bout some things we could do to fix this place up some. […] Why this place be looking fine. Cheer us all up so that we forget trouble ever come… […] Sometimes you just got to know when to give up some things… and hold on to what you got …” (p140) Mama is a really strong and important character in the play. Due to her hopefulness she is able to hold her family together till the end.
Beneatha on the other hand is more of a realistic character. She is optimistic some days and pessimistic on others. Beneatha is optimistic in the sense that she is a colored woman living in the ghetto and still, she strives and dreams to be a doctor.
The play depicts the feelings and thoughts of the people of their time. Their feelings are different then what we see today in our lives. The family had to deal with poverty and racism. Not having enough money and always being put down because of the color of their skin held them back from having a lot of self-respect and dignity. I think that Mama was the one who had the most pride and held the family together.
The protagonist, Mama, shows two distinct traits throughout the story. She possesses a hard working demeanor and rugged features, leading to her insecurities shown throughout the story. She raised two children without the assistance of a man in her life, forcing her to take on both roles, and further transforming her into a coarse, tough, and burly woman. Mama portrays this through her own account of herself, saying “[i]n real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man”(Walker 1312). It is very difficult for Mama to raise her kids on her own, but she does whatever
Mama, as a member of an older generation, represents the suffering that has always been a part of this world. She spent her life coexisting with the struggle in some approximation to harmony. Mama knew the futility of trying to escape the pain inherent in living, she knew about "the darkness outside," but she challenged herself to survive proudly despite it all (419). Mama took on the pain in her family in order to strengthen herself as a support for those who could not cope with their own grief. Allowing her husband to cry for his dead brother gave her a strength and purpose that would have been hard to attain outside her family sphere. She was a poor black woman in Harlem, yet she was able to give her husband permission for weakness, a gift that he feared to ask for in others. She gave him the right to a secret, personal bitterness toward the white man that he could not show to anyone else. She allowed him to survive. She marveled at his strength, and acknowledged her part in it, "But if he hadn't had...
In both these works, the mothers play the most important role in the development of the plot. They represent the pillars of strength and they are the ones that hold the family together and the hope alive. In Lorraine Hansberry's work, Mama is a widow, mother of two children and the head of the household: "There are some ideas we ain't going to have in this house. Not long as I am at the head of this family." (Hansberry 51) Mama is aware of the high position she is awarded in the family, since her husband is dead and she is left in care of the family. Qualities like independence and strength surround her and give her and air of authority. She takes charge when others hesitate and she gives courage to the insecure. "You just got strong willed children and it takes a strong woman like you to keep'em in hand, (Hansberry 52) her daughter-in-law tells her at one point. This symbolizes the love and respect she carries for her, but also the power that Mama radiates over the whole family.
A Raisin in the Sun is a play written by Lorraine Hansberry. The primary focus of the play is the American Dream. The American Dream is one’s conception of a better life. Each of the main characters in the play has their own idea of what they consider to be a better life. A Raisin in the Sun emphasizes the importance of dreams regardless of the various oppressive struggles of life.
...ccomplish this if they all understand what is important in life. All of Mama’s dreams are eventually recognized, although they certainly appear hazy throughout the play. The question about whether or not they should keep the house forms inside Mama’s head near the end of the play, but she quickly changes her mind. Mama never lost sight of her goals, no matter how hard nature attacked them.
1. Walter - His dreams of owning a licquor store conflict religiously with Mama's value system. The conflict between Mama and Walter is amplified by the fact that it is Mama's apartment in which the family lives and Walter is unable/unwilling to make decisions because Mama is so domineering. Ironically, it is the one decision that she eventually lets Walter make which nearly destroys the family.
When she was younger, she dreamed of being able to live in a decent sized house where she could even have her own small garden. However, the more privileged black neighborhoods were too expensive for her and her family at the time so she could never get the best of what Chicago had to offer. That factor didn’t hinder her from providing for her family and getting what she needed in life though. Mama’s environment formed her into a woman who hopes for the best, but even if that doesn’t happen, she will still make do with what she has. She also is very religious, this enables her to have strength and guidance during troubling times, and find a way when there is none.
A Raisin in the Sun The creativity of Hansberry played a crucial role in the development of African-American drama since the Second World War. A Raisin in the Sun was the first play by an African-American author to be set on Broadway and was honored by the circle of New York theater critics. Drama of A Raisin in the Sun (1959) brought Hansberry to the Society of New York Critics Award as the best play of the year. A Raisin in the Sun shows the life of an ordinary African-American family who dreams of happiness and their desire to achieve their dream.
...llow." Ruth replies by saying, "He’s rich!" That is exactly Beneatha's point. She does not want to be in a relationship with George (boyfriend) simply because he can support her financially. That is how Beneatha proves her point about looking beyond the surface. He seems her obstacle in fulfilling her dream of becoming a doctor. She is a strong woman who faces the negative attitude of people with great patience. For example, when Mrs. Johnson (neighbor) says, “I know--- but sometimes she act like ain’t got time to pass the time of day with no body ain’t been to college. It’s just--- you know how some of our young people get when they get a little education” (Hansberry 527).
Towards the beginning of this novel, we meet the character Candide, who throughout the novel, Candide by Voltaire, was exposed to not only the philosophical idea of optimism, but also a dose of Pessimism and Realism. The question that arose from the novel however is what philosophical thought is right? It wasn’t until the last chapter where Candide says, “We must cultivate our garden,” which is essentially his own understanding of the events he has experienced. Contrary to all philosophical ideals he was exposed to, his experiences with the events that occurred leading him to believe that people are to take responsibility for their own actions and people shouldn’t question everything that has
Beneatha is Mama’s daughter. She wants to become a doctor when she gets out of college. She also wants to save her race from ignorance.
In the words of Jim Cocola and Ross Douthat, Hansberry wrote the play A Raisin in the Sun to mimic how she grew up in the 1930s. Her purpose was to tell how life was for a black family living during the pre-civil rights era when segregation was still legal (spark notes). Hansberry introduces us to the Youngers’, a black family living in Chicago’s Southside during the 1950s pre-civil rights movement. The Younger family consists of Mama, who is the head of the household, Walter and Beneatha, who are Mama’s children, Ruth, who is Walter’s wife, and Travis, who is Walter and Ruth’s son. Throughout the play the Youngers’ address poverty, discrimination, marital problems, and abortion. Mama is waiting on a check from the insurance company because of the recent passing of her husband. Throughout the play Walter tries to convince Mama to let him invest the money in a liquor store. Beneatha dreams of becoming a doctor while embracing her African heritage, and Ruth just found out that she is pregnant and is struggling to keep her marriage going. The Youngers’ live in a very small apartment that is falling apart because of the wear and tear that the place has endured over the years. Mama dreams of having her own house and ends up using part of the insurance money for a down payment on a house in an up-scale neighborhood. The Youngers’ meet Mr. Lindner, who is the head of the welcoming committee. Mr. Lindner voices the community’s concerns of the Youngers’ moving into their neighborhood. Is the play A Raisin in the Sun focused on racial or universal issues?
Beneatha is Mama's youngest child. She aspires to become a doctor. Mama wants Beneatha to become what she wants so she decided to put aside some of the insurance money for Beneatha's schooling. Beneatha struggles as a young independent woman who has yet to find her identity. She finds herself trying new hobbies and dating two very different men. During a conversation with one of those men, Asagai, Beneatha is forced by Asagai to realize that she is not very independent at all. In fact she has been depending on the insurance money to get her through school. After this realization, Beneatha gains thoughts on how to achieve her dream of becoming a doctor (Kohorn). She presents her mother with her decision of getting married and how she "plans to find her roots in Africa" with Asagai (Silver).
Mama is a powerful, strong witted person. She has a lot of control in this play and dominates as a woman character. This is unusual because this is usually a male’s position in life. She is a woman, “who has adjusted to many things in life and overcome many more, her face is full of strength”. In this play she is illustrated as taking over for the head of the family and controls the lives of everyone in her house. Rules are followed to Mama’s extent. She controls what is said and done in her house. After Walter yells, “WILL SOMEBODY PLEASE LISTEN TO ME TODAY!” (70). Mama responds in a strong tone of voice saying, “I don’t ‘low no yellin’ in this house, Walter Lee, a...