Although Mama, Ruth, Beneatha and Walter all live in the same house, there dreams are all different. All the characters want to for fill there dream but, what happens if these dream are deferred?
Mama is the head of the house. She dreams that her family will be happy and that her children have the best life they can have. She does what ever she can to make her children’s dreams come true.
Ruth is Walter's wife. Her dream is to have a happy family but she also wants to be wealthy.
Beneatha is Mama’s daughter. She wants to become a doctor when she gets out of college. She also wants to save her race from ignorance.
Walter is Mama’s oldest son. His dreams are to be wealth but at the same time wanting to provide for his family. His own personal dream is to open liquor store with his money he receives from Mama.
In ‘A Raisin in the Sun’, Lorraine Hansberry describes each of the family’s dreams and how they are deferred. In the beginning of the play Lorraine Hansberry chose Langston Hughes’s poem to try describe what the play is about and how, in life, dreams can sometimes be deferred.
Mama’s dreams were first deferred when she moved into the small apartment that the Youngers family stay in through out most of the play. She became too busy that she couldn’t accomplish her dream. She also could not for fill her dreams since she did not have enough money to do so. Her dreams were even more shattered with the death of her husband, but when she got the money from her husband’s death her dreams then became a reality again. Mama wants Travis to be happy and play in the garden but she cannot do this since they live in a dirty ghetto.
Ruth, whose dreams are the same as Mama’s, get deferred when the family are forced into there small apartment and there lack of money. Since she has no money she can not help her family as much as she would like to.
Beneatha’s dream is to become a doctor. She believes that her dream was deferred when she was born since she is coloured and a female. Although she fights this, her dream is deferred even more when Walter looses the money which she needed to get into medical school.
The final character is Walter. Although he has other minor dream such as opening liquor store, he has long dreamed of making his family’s life better.
Beneatha’s dream is revealed because nearly everything Beneatha does is because she wants to be a doctor. Beneatha’s barrier is that she is dependent on others to fulfill her dream. In act 3, Asagai says: “But did you earn it? Would you have had it at all if your father had not died?” (135). Beneatha begins to understand that the money was never hers. Asagai declares in act 3: “Then isn’t there something wrong in a house – in a world – where all dreams, good or bad, must depend on the death on the death of a man?” (135). After Asagai says this, Beneatha realizes she can’t depend on her father’s life insurance to become a doctor. Ruth and Beneatha both have major barriers keeping them from their
¨There is always something left to love. And if you ain't learned that, you ain't learned nothing.”- Lorraine Hansberry. This quote helps me understand how much Lena loves her family. Ruth's dream was to move and get a better, improved house. Beneatha's dream in the future was to become a doctor and go to college. Lena had a dream to make her family happy.
Ruth discovers that she is pregnant but fears that the child won't bring no good into the family. All the child will do is put more financial pressure on her family members. Beneatha even goes as far as saying, “...where is he going to live, on the roof?”. When Walter says nothing to Ruth’s admission that she is considering abortion, Mama puts a down payment on a house for the whole family from the insurance money. She believes that a bigger, brighter dwelling will help them all. The house is perfect, however it's in Clybourne Park. A complete white neighborhood. When the Youngers’ future neighbors find out that the Youngers are moving in, they send Mr. Lindner, from the Clybourne Park Improvement Association. Mr. Linder proposes an offer to the Youngers saying that he will pay them double the money they put in the house if they don't move in. In the meantime, Beneatha rejects her admirer, George Murchison, whom she believes to be blind to the problems of race and does not care about having deep conversations with Beneatha. She then receives a marriage proposal from her Nigerian love interest, Joseph Asagai, who wants Beneatha to get a medical degree and move to Africa with him. Since Walter has always been saying things like, “Have we figured out yet just exactly how much medical school is going to cost?”, she figured why not. Beneatha wholeheartedly agrees; but only after discussion with the
...ccomplish this if they all understand what is important in life. All of Mama’s dreams are eventually recognized, although they certainly appear hazy throughout the play. The question about whether or not they should keep the house forms inside Mama’s head near the end of the play, but she quickly changes her mind. Mama never lost sight of her goals, no matter how hard nature attacked them.
When Walter loses his "sister's school money," the consequences are widespread and Beneatha sees that dream diminish before her eyes. She sees her slipping through Walter's fingers and finds her lifelong goals changing. From the days of her childhood, she has longed "to be a doctor" and "fix up the sick." While her family and friends do not understand Beneatha's dream, she continues longing for the education she needs to create a successful life she desires rather than one where she is waiting "to get married.
Beneatha puts a lot of effort in to fitting in to the American culture and is even accused of being an assimilationist. Beneatha's hair is a symbol that she wanted to fit in because she straightened her hair and let it grow long, but when her dream is deferred, her hair is cut short and left curly to represent her own culture. One of Beneatha's ways to fit in was to become a doctor, but after trying she no longer feels the same and says, "I wanted to cure. It used to be so important to me. I wanted to cure. It used to matter. I used to care" (Hansberry 3.1.204). Her dream relates to the poem "Harlem" when Hughes writes, "Or does it fester like a sore" (Hughes 4). Beneatha's dream relates to this so well because the reason she gave up on her dream is because she knew it was something that was never going to get better just as the poem describes a sore that will never change or get
Walter and Beneatha’s relationship is very complex. The spiraling tension between the two siblings causes confrontation to form and creep into the Younger household. Walter needs his family to respect him as the man of the family, but his sister is constantly belittling him in front of his mother, wife, and son. This denigrating treatment taints Walter’s view of himself as a man, which carries into his decisions and actions. Beneatha also subconsciously deals with the dysfunctional relationship with her brother. She desires to have her brother’s support for her dream of becoming a doctor, yet Walter tends to taunt her aspiration and condemns her for having such a selfish dream. Mama as the head of the family is heartbroken by the juvenile hostility of her adult children, so in hopes to keep her family together she makes the brave move of purchasing a house. Mama’s reasoning for the bold purchase was,“ I—I just seen my family falling apart….just falling to pieces in front of my eyes…We couldn’t have gone on like we was today. We was going backwards ‘stead of forw...
...llow." Ruth replies by saying, "He’s rich!" That is exactly Beneatha's point. She does not want to be in a relationship with George (boyfriend) simply because he can support her financially. That is how Beneatha proves her point about looking beyond the surface. He seems her obstacle in fulfilling her dream of becoming a doctor. She is a strong woman who faces the negative attitude of people with great patience. For example, when Mrs. Johnson (neighbor) says, “I know--- but sometimes she act like ain’t got time to pass the time of day with no body ain’t been to college. It’s just--- you know how some of our young people get when they get a little education” (Hansberry 527).
The first problem Ruth faces is how to support her family. Accused of not paying enough attention to her son, Ruth snaps at Mama shouting, “I feed my son, Lena!” (1880). This encounter with Mama displays an uptight, stressed side of Ruth, who balances a job, a son, her husband, and keeping the expected baby a secret. With so much preoccupying her mind, Ruth still tries to make money while feeling ill telling Mama, “I have to go. We need the money,” (1881). Money becomes a topic of great interest in the Younger family causing everyone to worry entirely too much about it. Ruth puts her family before herself caring about their conditions and the money they make over her own health. The next struggle Ruth encounters is deciding what option is best for her family and possible new baby. After finding out about the pregnancy, Ruth assures her family “she”, the doctor, confirmed everything is fine (1888). The slip up reveals that Ruth is considering getting an abortion. Furthermore, pushing her own conflict aside, Ruth still supports her family’s dreams, encouraging Mama to “open it”, meaning the check, for Mama’s own benefit and use toward a better lifestyle (1893). Ruth solves her own conflict by deciding to keep the baby and motivate her family in whatever way possible in the new challenges to
She 's talking about why she wants to be a doctor she just wants to help people with Walter losing the money it makes Beneatha feel like a dream is next to impossible. She also dreams about finding her heritage. Her dream is deferred because does everyone wants her to just marry a rich guy instead of someone in tune with her heritage, “All anyone seems to know of Africa is Tarzan. ”(57). She believes her generation is ignorant and do not know a thing about their roots.
Let’s take a look at the dreams of Lena “mama” the matriarch of the family who is humble and yet proud and strong woman. And, like many
Mama younger was a progressive force that was both holding the family together and helping it to move forward. Throughout the play Mama Younger was a strong woman that was the head of her family since her husband died. Her priority was her family, everything she would do was
She is determined to find her fullness as an individual and to not be defined by the man she marries. Walter constantly criticizes Beneatha’s dream of being a doctor. He treats it as though his dream is no longer feasible. He’s portrayed by Hansberry as being fairly pathetic and helpless. It seems like he needs women to help him move into manhood.
In Lorraine Hansberry's play A Raisin in the Sun, the author reveals a hard-working, honest African-American family struggling to make their dreams come true. Langston Hughes' poem, "Harlem," illustrates what could happen if those dreams never came to fruition. Together, both Hansberry and Hughes show the effects on human beings when a long-awaited dream is thwarted by economic and social hardships.
Beneatha is Mama's youngest child. She aspires to become a doctor. Mama wants Beneatha to become what she wants so she decided to put aside some of the insurance money for Beneatha's schooling. Beneatha struggles as a young independent woman who has yet to find her identity. She finds herself trying new hobbies and dating two very different men. During a conversation with one of those men, Asagai, Beneatha is forced by Asagai to realize that she is not very independent at all. In fact she has been depending on the insurance money to get her through school. After this realization, Beneatha gains thoughts on how to achieve her dream of becoming a doctor (Kohorn). She presents her mother with her decision of getting married and how she "plans to find her roots in Africa" with Asagai (Silver).