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Background on alexander solzhenitsyn
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The novels- One day in the life of Ivan Denisovich and The Stranger both focus on the life of the protagonist. The Stranger, Albert Camus’s first novel, is both a brilliantly skilled story and an illustration of his absurdist world view. In The Stranger, the protagonist Meursault is portrayed as a person who is psychologically detached from the world around him. He lacks sentimental emotions which at times are very important for a person. Such as when his mother died, it is natural for a person to grieve or shed tears but Meursault did not show any concern about his mother’s death. The story revolves around Meursault’s indifference and shows us how he is trying to understand the meaning of the society.
In contrast, One day in the life of Ivan Denisovich, Aleksandr Solzhenitsyn, wrote this novel to show the harsh inhuman behavior in the soviet camp. One day in the life of Ivan Denisovich is a valiant and hugely contentious novel. This is a work of fiction, but it is also a kind of journalistic novel that informs all about the gulag system. The ‘Gulags’ are the forced labor camps where millions of people are sent for crimes. Aleksandr Solzhenitsyn was writing about the ‘Gulag System’ under Joseph Stalin, the dictator who ruled the Soviet Union from 1924 until his death in 1952. During Stalin's reign of terror, millions of people were killed and millions were arrested and shipped off to gulags. Conditions in the Gulag were appalling and prisoners were used as slave labor. The people who survived the camps were often sent into forced exile afterwards. Aleksandr Solzhenitsyn had an actual understanding of the ‘Gulag System’. He was detained for writing a deprecating note about Stalin in a letter. Aleksandr Solzhenitsyn was detained i...
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One day in the life of Ivan Denisovich . (n.d.). Retrieved may 10, 2011, from Bookrags: http://www.bookrags.com/notes/ivan/
One day in the life of Ivan Denisovich . (n.d.). Retrieved may 10, 2011, from Gradesaver: http://www.gradesaver.com/one-day-in-the-life-of-ivan-denisovich/
One day in the life of Ivan Denisovich . (n.d.). Retrieved May 10, 2011, from Sparknotes: http://www.sparknotes.com/lit/denisovich/
One day in the life of Ivan Denisovich . (n.d.). Retrieved May 10, 2011, from Shmoop: http://www.shmoop.com/ivan-denisovich/
The Stranger. (n.d.). Retrieved May 10, 2011, from Sparknotes : http://www.sparknotes.com/lit/stranger/
The Stranger. (n.d.). Retrieved May 10, 2011, from Gradesaver: http://www.gradesaver.com/the-stranger/
The Stranger. (n.d.). Retrieved May 10, 2011, from Shmoop: http://www.shmoop.com/the-stranger/
The short story, “Ivan Fyodorovich Shponka and His Aunt”, explicates the life of a man named Ivan Fyodorovich Shponka. We see him briefly in his young years, followed by his life in the army, and his return to the farm where his strong characterized aunt resides. We can see immediately that this man lives in constant cleanliness and dutiful paranoia; these are some of his desires that he wishes to exhibit to others. We can also see his fears, which reside in the confiscation of his masculinity and independence. This short story has many elements that resemble others in the Nikolai Gogol collection.
"Posterity will not be able to understand our difficult and glorious period of life without intently listening to the works of Sergei Prokofiev, and contemplating his extraordinary fate." - Ilya Ehrenburg
Intro with Thesis: A Day in the Life of Ivan Denisovich is a novel by Alexander Solzhenitsyn that documents totalitarian communism through the eyes of an ordinary prisoner in a Soviet labor camp. This story describes the protagonist, Ivan Denisovich Shukhov, as he freezes and starves with the other prisoners, trying to survive the remainder of his ten-year sentence. In this story, Solzhenitsyn uses the struggles in the camp as a way to represent the defaults of the Soviet Union under Stalin’s regime. By doing this, Solzhenitsyn uses authoritative oppression in his labour camps to demonstrate the corrupt nature of the Soviet system.
One day in the Life of Ivan Denisovich is not a book about a superhuman. It is not a story about someone who is weaker and more desperate than everyone else. It is not a tale of greatness, nor is it about extraordinary faults. Instead, Aleksander Solzhenitsyn chose to center his story around Ivan denisovich Shukhov, an average, unnoticeable Russian prisoner.
Dostoyevky, Fyodor. The Brothers Karamazov. Translated by Constance Garnett. Edited and revised by Ralph E. Matlaw. New York: W.W. Norton & Company, Inc., 1976.
Bardach, Janusz, and Kathleen Gleeson. Man Is Wolf to Man: Surviving the Gulag. Berkeley, CA: University of California, 1998. Print.
Hansen, Bruce. “Dostoevsky’s Theodicy.” Provo, Utah: Brigham Young University, 1996. At . accessed 18 November 2001.
Fay, Laurel E. ‘Shostakovich vs. Volkov: whose Testimony?’ The Russian Review (October 1980), pp. 484-93.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
Within The Stranger, Albert Camus includes a passage concerning the story of the Czechoslovakian man. Camus employs this passage not only to foreshadow Meursault’s final fate, but also to emphasize Meursault’s antihero status by creating foils between Meursault and the Czechoslovakian man. The Czechoslovakian man has a brief appearance in the story which plays a large part in Meursault’s emergence as a dynamic character. Meursault’s emotionless demeanor throughout the story distinguishes him as a flat character, at face value, at least. Once he enters prison, he must find ways to pass time, and one of those ways becomes recalling how to remember. The story of the Czechoslovakian man turns into one of his means of remembering, as he reads and rereads this story, memorizing details and forming actual opinions. These shifts within Meursault represent his first real commitment to any single entity, even if that entity exists only to pass time.
1-27. The 'Standard' of the 'Standard'. Dragomirov, M.I. & Co., Ltd. "Dragomirov on Prince Andrey and the Art of War". Tolstoy: The Critical Heritage.
Dostoevesky, Fyodor Mikhailovich. The Brothers Karamazov. The Constance Garnett Translation revised by Ralph E. Matlaw. New York: W. W. Norton & Company Inc., 1976
Turgenev, Ivan. Fathers and Sons. Trans. Constance Garnett. New York: Barnes and Noble, 2007. Print.
xvi Solzhenitsyn, A. I. The Gulag Archipelago, (I-II). Translated by Thomas P. Whitney. New York: Harper & Row Publishers, 1973, 436.