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Dostoevsky nihilism
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Fathers and Sons is a novel written by Russian author Ivan Turgenev and originally published in 1862. Emerging in tsarist Russia during the realism period of literature, Turgenev examines the subject of changing generations in his novel. In Fathers and Sons the new generation is represented by the characters Arkady Nikolaevich Kirsanov and Evgeny Vasilich Bazarov, recent university graduates and self-proclaimed nihilists. Nihilism, a term popularized by Turgenev himself, is a broad philosophical school of thought that debases traditional values of life. Fathers and Sons was both written during and set in a time when nihilism movements in Russia were gaining a strong following. Throughout the novel Turgenev uses a combination of characterization, irony, and conflict to denounce nihilism.
In Fathers and Sons, Turgenev writes the character Bazarov to be, in his view, the prime example of a nihilist. Arkady also (initially) assumes the role of self-proclaimed nihilist, he is merely an initiate; Bazarov is the mentor. While very intelligent and well-spoken, Bazarov is rude and generally unlikable in personality from the moment he is introduced. When being introduced to Arkady’s father Nikolai, he is flippant and aloof: “Nikolai Petrovich went. . . going up to [Bazarov]. . . he warmly pressed the ungloved red hand, which was not at once held out to him. . . ‘[I am] Evgeny Vasilich,’ answered Bazarov, in a lazy but manly voice” (106). Bazarov uses his intellect and oratory skills most often to belittle others and their ideals, valuing very little himself. This is not done out of any meanness though, it is simply a part of his philosophical, nihilist views. He explains his views to Arkady’s uncle, Pavel, as such:
“We suspected that talk, ...
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... from a cut he received while participating in an an autopsy. He develops a fever, and accepts that death will come to him even when those around him do not. Bazarov, after a few days of struggling with the infection, finally succumbs and dies a young and unfulfilled man. This is symbolic: a man who lived his life devoid of values dies without ever contributing any true significance to the world.
These combinations of characterization, irony, and conflict are used by Turgenev to display nihilism in a negative light and fully denounce it. Bazarov, an intelligent but harshly plainspoken man who is even unable to adhere to his own philosophy, dies alone and unfulfilled, and his pupil Arkady has cast aside his teachings and moved forward onto a new life.
Works Cited
Turgenev, Ivan. Fathers and Sons. Trans. Constance Garnett. New York: Barnes and Noble, 2007. Print.
The short story “The Death of Ivan Ilych” is about a man who realizes he is dying and that no one in his life cares about him. Even more disappointing for Ivan is the realization that besides his success as a high court judge, he has done nothing else to make his life worth saving. The death of Ivan Ilyich, sadly, comes as a release of stress to all. In the end, Ivan is soothed by the release of death, his family and friends are relieved of having responsibility of Ivan taken off their shoulders, and the reader is released from the stressful journey. Tolstoy teaches the audience through the structural elements of the “black sack” metaphor and pathos about the unavoidability of death and the relief of accepting it.
The Brothers Karamazov - Thriller The Brothers Karamazov is an enthralling thriller about the struggle for self-redemption in the eyes of God as well as in the hearts of the Russians. The murder of Fyodor Karamazov, a foolish and heartless savage who betrays his own sons of a father's care, venomously seeps its way into Dmitri, Ivan, and Alyosha's lives causing innocence to request fault and suffering. With intricate characterizations, Dostoevsky magnificently presents the internal agony that derives from a wavering spirit. The religious teachings of the great elder Father Zosima engross the minds of the spiritually inadequate throughout the novel. Dostoevsky essentially carries these guidelines to peaceful immortality by means of the character Alyosha.
On July 16, 1918, the Russian imperial family, the Romanovs, were executed in the basement of the Ipatiev House by the Bolshevik political party. While The Kitchen Boy, by Robert Alexander, follows the point of view of the family’s young kitchen boy during this event, along with a different possible ending to history, it also follows the boy through the poor treatment of the royal family long before they were killed. During their stay in the House of Special Purpose under control of the Bolsheviks, the Romanov family endured physical, psychological, and spiritual mistreatments.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
The story of In "The Death of Ivan Ilych", was written by Leo Tolstoy around who examines the life of a man, Ivan Ilyich, who would seem to have lived an exemplary life with moderate wealth, high station, and family. By story's end, however, Ivan's life will be shown to be devoid of passion -- a life of duties, responsibilities, respect, work, and cold objectivity to everything and everyone around Ivan. It is not until Ivan is on his death bed in his final moments that he realizes that materialism had brought to his life only envy, possessiveness, and non-generosity and that the personal relationships we forge are more important than who we are or what we own.
Tolstoy, Leo. The Death of Ivan Ilyich. Trans. Lynn Solotaroff. New York: Bantam Books, 1981.
Father and Son by Bernard McLaverty 'Father and Son' by Bernard McLaverty is a short story which is set in
The Romanov family story is one that ends in tragedy and mystery. The Romanov dynasty ruled Russia for over 300 years coming to an end with Nicholas II. The book The Family Romanov: Murder, Rebellion, & The Fall of Imperial Russia, written by Candace Fleming, tells the story of Tsar Nicholas II of how he came to become the Tsar and fell trying to protect his family. Fleming tells the story of young Nicholas coming to power when his father, Alexander III, died and how ill-prepared Nicholas was to rule due to his father’s inferior teaching skills. The story goes on to Nicholas meeting his future wife, Alexandra, and how they had four daughters, Olga, Tatiana, Marie and Anastasia. With each daughter came a disappointment of not having an heir
This man is the absolute opposite of everything society holds to be acceptable. Here is a man, with intelligent insight, lucid perception, who is self-admitted to being sick, depraved, and hateful. A man who at every turn is determined to thwart every chance fate offers him to be happy and content. A man who actively seeks to punish and humiliate himself. Dostoyevsky is showing the reader that man is not governed by values which society holds to be all important.
In the novel, Darkness at Noon, by Koestler, Rubashov learns about himself, and makes an effort to cross the hazy lines between his conscience and his beliefs. Rubashov's realization of the individual aspect of morality is a gradual process, satisfying his internal arguments and questions of guilt. His confession to Gletkin reflects the logic that Rubashov had used (both by himself and his political regime), as well as his internal conflicts. He questioned the inferior value of the human, in respect to the priceless value of humanity. Rubashov's ideas on communism, he found, were blurred by his dedication to the Soviet revolutionaries, and ordeal that compromised his life to solve. In many ways, Rubashov was an antagonist to himself. One way Rubashov defeated his goal was by giving in to suit others. "The Party denied the free will of the individual - and at the same time it exacted his willing self-sacrifice… There was somewhere an error in the calculation; the equation did not work out."(204) Rubashov's confession implies a submission of his personal ego to a larger purpose, and he questions himself as to whether it is worth it. His ideals were not his own, but rather the ideals that the communist revolutionaries forced him to have. Rubashov was a man who thinks extremely logical in every situation; he follows every idea "…down to its final consequence."(80) He is an elite intellectual, but even as Ivanov and Gletkin question his line of thinking, Rubashov constantly asks himself the same questions. He justifies his rational by reminding himself that he is working for a more perfect society, no matter what the cost. As stated in the first partition of his confession, he heard only ...
... destroy and reinstate the bonds of family and Russian nationalism. Turgenev explores hoe this generational divide interacts with the division among classes and how the powers of the aristocracy affects the younger generation and feminine identity. Throught these interactions the power of love as redemption is seen in the relationship between Arkady and Katya as well as Anna and Bazarov. The women in Fathers and Sons symbolize the diversity found within the same class and generational margins these women challenge the men they encounter and cease power over their relationships. The struggle for power, between the sexes is dependent upon the roles and social standings of the perspective character. The female characters whether aristocratic or dependent, “mothers” or “daughters” find power in their gender and utilize their womanly intellect to find eventual resolve.
Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...
One of the most profound and obvious changes in Raskolnikov’s character can be seen in the newfound appreciation for other people and human relationships he discovers at the end of the novel. When the reader is first introduced to Raskolnikov, Dostoevsky quickly makes it apparent that he has little to no regard for others, writing on the very first page that Raskolnikov was “so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but anyone at all” (1). Indeed, in Raskolnikov’s mind, “to be forced to listen to [the landlady’s] trivial, irrelevant gossip […] and to rack his brains for excuses, to prevaricate, to lie” is the most loathsome thing imaginable (1). His disdain toward other people is so great that the mere thought of interacting with anyone for any length of time repulses him. On some occasions...
Raskolinkov’s beliefs transform from the beginning of the novel to the ending. His theory was never complete and to test his theory he commits the murder of an evil soul. The irony of this novel is Raskolinkov who though he was an extraordinary men, have the will to commit murder but not the power to live with the crime on his hands.
1-27. The 'Standard' of the 'Standard'. Dragomirov, M.I. & Co., Ltd. "Dragomirov on Prince Andrey and the Art of War". Tolstoy: The Critical Heritage.