On The Verge Analysis

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The script of On the Verge is one of great abstractness. The play itself is quite funny and light at face value, with yetis and cannibals making appearances. Beyond these lighthearted instances, the script takes deeper meaning with references to woman’s rights and character symbolism. The goal of my sound design would be to capitalize on the funny parts, as well as help convey a sense of where they are hyper realistic soundscapes in order to ground the play, and make it easier for the audience to understand. This play takes us to many different places throughout the script, from cliff sides and jungles, to gas stations and “paradise clubs”. Using hyper realistic sounds help tap into people’s minds and makes them connect to a certain place. Hyper realistic sounds would be better for this because that is what people are used to hearing in media today. The exaggerated sound of a jungle could connect the audience’s mind to the time they watched a documentary with a jungle scene …show more content…

The sound itself would be a short notification sound that’s not to take from the story, but indicate that something important just happened. For example, the sound of time travel would be cued when Alex exclaims, “Thick and rich? Like Mrs. Butterworth!” As the play progresses, the notification sound would begin to become more full fledged, with more instruments and more complex chords, as the ladies discover that they are time traveling. When the play reaches this point, the audience will take notice of the sound, and realize the importance of the sound they have been hearing throughout the play. The audience should be able to connect back, and realize the earlier instances of the sound were also time travel moment, thus furthering their understanding of the

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