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What is the importance of character development in literature
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Oleander lied awake in bed, staring at nothing in particular. Mortimer shifted beside him, waking up a bit and noticing the small thoughtful frown on his husband’s face.
“You okay?”
“Yeah. The memory thing is just bothering me again, it’s no big deal. You know how it hangs on me.”
“C’mere,” Mortimer said, kissing Oleander on the forehead. As he pulled away from the kiss, Oleander looked up at Mortimer’s gray eyes curiously.
“Hey. You might have told me this already, but what color were your eyes before?”
“Red. Well, technically, first they were brown and then they turned red when I became an aspect, but you only knew me when I had red eyes.”
“When were they brown?”
“During that time I can’t tell you about. The time you can’t understand. When I was-” the final word was cut off as if the sound was plucked from the air.
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That makes sense,” Oleander hummed softly, lost in thought. Leaning back, he ran a hand through his hair, feeling at the gray hair near his temples that he never tried to hide despite all the hair color changes he’d done throughout the years.
“I remember a time, and it might have been from—from then, from that time you can’t explain, that you didn’t age when I did. I remember some years that you did, remember the grays going through your hair at about the same rate as mine, but then you stopped. Was that…was that something to do with the way I was with Her around?”
“Yeah. After you-” another word lost, “you didn’t age, so I never felt the need to age with
" AHA FOUND IT " she walks over to me and shows me the page she was looking at. It 's a page about eye colors and their spiritual meaning but nothing about black eyes with blue pupils. I sigh and I hand it back to her, I grab my cloak and I put my hood back on.
“Nick-” she reluctantly drew words. “-Did I ever tell you of the letter Myrtle sent Tom, back in Christmas, about three years ago?” I already knew I didn’t want to have this conversation. I wanted to sit and hold my breath like a toddler until I got my way and she withheld this talk with me.
“Just weeping. I can still hear her weeping now sometimes. I know the exact sound of it, like a note you hear or a song that keeps spinning around in your head and you can’t forget it.”
“Well how do you explain your behavior the morning I tried to throw away the pearl?” I asked, remembering the sharp pain of his clenched fist making contact with my jaw. “You had become so w...
“Thought about it, but didn’t believe it. Well then,” my father’s voice was still the same, “that changes things, doesn’t it?”
1) "that was a long time ago, but it's wrong what they say about the past, i've learned, about how you can bury it. because the past claws its way out."
“Seanmhair, you must have been rather young when all this happened? Did you ever think about remarrying?” Aileana asked.
"Everything except the wings around my face is red... I never looked good in red, it's not my colour."
“Yes, that’s just what I can’t understand, looking back. But tell me now, Hedda, wasn’t it love that was at the bottom of that relationship? Wasn’t it, on your side, as though you wanted to purify
child he was and thinks about how, in the past, she used to worry that
The deconstruction of the conventions of the theatre in Anton Chekhov's The Cherry Orchard predicts the more radical obliteration presented later by Pirandello in Six Characters in Search of an Author. The seed of this attack on convention by Chekhov are the inherent flaws of all the characters in The Cherry Orchard. The lack of any character with which to identify or understand creates a portrait much closer to reality than the staged drama of Ibsen or other playwrights who came before. In recognizing the intrinsic flaws of its characters, we can see how Chekhov shows us that reality is subjective, reality is not simple, linear, or clean, and that the real benefit of theater is to show this inane, subjective reality.There are essentially three flaws that permeate over the characters of The Cherry Orchard. The obvious first flaw is nostalgia.
"Not as stunning as I am now though, Dad. Now let me get own with my story!" I replied.
“We talked about this last week. Don’t you remember?” “Remember what?” Molly asked as she tried to resist snuggling into him. Just the smell of him seemed to calm her immensely.
"I didn't know what to say, so I just took this breath in and in my head I'm running through a million different things. I think I took a little while because she made sure I was still