Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The color red in the handmaids tale
Colors in the handmaid's tale
Handmaids tale girls treatment of women
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The words control and Gilead, the setting for the novel "The Handmaid's Tale" by Margaret Atwood, are interchangeable. Not only is control a pivotal feature of the novel and its plot, it consequently creates the subplots, the characters and the whole world because of its enormity in the Republic of Gilead. Resistance also features heavily, as does its results, mainly represented in the salvagings, particicution and the threat of the colonies.
Control dominates all aspects of Gileadian society, from minor, seemingly petty normalities such as the clothes allowed, all the way up to how and who to have sexual relations with. Unimaginable in this day, Atwood represents modern society gone sour, something which is chillingly close enough to reality to get worried about.
As just mentioned, Uniform is a necessity of Gileadian society, for all layers of the hierarchy, even the top. Commanders wear black, wives blue, whilst the Marthas sport green overalls and the econowives symbolically flaunting their use throughout the home, rather than for one specific task, wearing striped clothing. The Handmaid's themselves wear blood red, a sign of fertility. Each item worn has some significance readying to this fertility even their "flat heeled shoes to save the spine."
"Everything except the wings around my face is red... I never looked good in red, it's not my colour."
The wings worn on the head prevent others from seeing their face and vice versa, prevents them from looking anywhere except the direction in which they are facing, limiting their options to stray. All garments cover every inch of skin; Ankle length skirt, full sleeves and red gloves all worn by the Handmaid's prevent temptation for others and t...
... middle of paper ...
...rs, drinkers, a piece of the underground past jumps into Offred's life and she is astounded. Thanks to the commander she also meets Moira, her long time friend from before Gilead. This act of resistance from the commander brings Offred a lot and if he were caught, would face serious charges.
Both men and women are severely controlled throughout everyday life in "The Handmaid's Tale." Recreation is minimal, sexual intercourse is purely for creation and the nuclear family is a thing of the past. Elizabeth Atwood provides a dystopian world full of wrong doing, manipulation and emotional numbness stemming from a government in Gilead that controls all aspects of life for it's people. Resistance is rife throughout which is appealing to the reader, implying that even under the severity of such reality, the human spirit will fight for equality or at least fairness.
The women are divided into functions and are identified by the colour of their dress. In chapter 5, Offred is walking down the streets of Gilead, reminiscing about the days she used to walk down the street wearing what she wanted to wear before she got taken away, and also thought about simple things such as how she was able to freely walk to the laundromat to wash her own clothes with her own soap. She informs the reader of her analysis of the different types of women in the Republic of Gilead: “There are other women with baskets, some in red, some in the dull green of the Martha's, some in the striped dresses, red and blue and green and cheap and skimp, that mark the women of the poorer men. Econowives, they're called. These women are not divided into functions. They have to do everything; if they can.” (Atwood, 5.5) The Handmaid’s— the bearer of children— wear red, the Martha’s, who are the housekeepers wear green, and the wives wear blue. Econ Wives are the only women who aren’t defined by the colour of their dress because they must do every function. Atwood is showing that the individuality and identities of these women have been completely taken away and are labelled by the clothing they are forced to
The color red serves as a warning or reminder of the handmaids’ purpose. Red symbolizes blood from birth. Red also serves as warning for bloodbath-death. The handmaids are reminded their duty is to give birth. If they don’t compromise, they will be punished through torture: female mutilation or even death.
In the dystopian novel, "The Handmaid's Tale" written by Margaret Atwood, the color red is a reoccurring, significant symbol throughout the book. The dominant color of the novel, the color red is paired with the Handmaids. The Handmaids are always seen in their red uniform, even down to their red shoes and red gloves. From the opening pages of the novel we are informed that they are trained at the “Red Centre,” and we are introduced to the importance of the red imagery as Offred, the narrator and protagonist of the novel, describes herself getting dressed: “The red gloves are lying on the bed. Everything except the wings around my face is red.” Which reveals to us how the handmaid’s are required to wear all red, representative of the way they are visually defined, and therefore confined within their role in the caste system as sexual servants to their Commanders.
The Gilead Society has segregated women into different caste systems. There are six main categories in the caste system. The first are the Wives, who wear blue dresses and are at the top of the female hierarchy. Their main purpose is reproduce with their husbands, if they are unable then Handmaids are used. Then there are Daughters, either the natural or adopted children of the ruling class. They tend to wear white until marriage. The next are the Handmaids, fertile women whose sole purpose is to reproduce children for the wives. Handmaids wear a full red dress outfit with red gloves, red shoes, and...
The Handmaid’s role is to produce Keepers (babies that are born without any birth defects) for their host family. Housemaids are made to wear all red besides their nun-like white wings that work as blinders. Red represents passion and sin that can be turned white by the cleansing power of God. Commanders are the patriarchal head of the house who have a duty to father children either by their Wife or a Handmaid if needed. “Not every Commander has a handmaid; some of their wives have children.
The ability to create life is an amazing thing but being forced to have children for strangers is not so amazing. Offred is a handmaid, handmaid's have children for government officials, such as Commander Waterford. Offred used to be married to Luke and together they had a daughter but then everything changed; Offred was separated from her family and assigned to a family as their handmaid. The society which Offred is forced to live in shaped her in many ways. In The Handmaid's Tale, Margaret Atwood uses cultural and geographical surroundings to shape Offred's psychological and moral traits as she tries to survive the society that she is forced to live, in hopes that she can rebel and make change.
Imagine if you can, living in a world that tells you what you are to wear, where to live, as well as your position and value to society. In Margaret Atwood's novel, The Handmaid's Tale, she shows us the Republic of Gilead does just that. Offred, the main character, is a Handmaid, whose usefulness is her ovaries. Handmaids are ordered to live in a house with a Commander, his wife, and once a month attempt to become pregnant by the Commander. Throughout Atwood's novel, you will notice she uses different colors for her characters clothing that correspond to their position and place in the Republic of Gilead. They become aware of people's statuses by the color of their garments. The colors of dress that have been used are red, blue, green, white, black, and khaki. Going into detail, I will show the social rank that each color represents in the novel, and my interpretation of them. The Handmaids are the only ones wearing red dresses, and several references are made towards the comparison of blood. "When Offred is in the room, which she refuses to call her own, she hears the bell to signal her time to go to the market. Getting up she puts on her red shoes and her red gloves, all the while thinking, everything except the wings around my face is red: the color of blood, which defines us. The dress she wears is also red, being ankle-length as well as long sleeve. The only item she wears that isn't red is the white wings around her face to keep her from seeing, as well as from being seen. Leaving the room, she walks down the hall, and heads for the stairs. She knows there is a mirror on the hall wall. If she turns her head so that the white wings framing her face direc...
Young girls are being taught at that other people the final say in clothing choices and that clothing transform them into sexual beings. In The Handmaid’s Tale, the leaders of Gilead assign simplified, color-coded uniforms for women to prevent any hypersexualization like in the time before. Offred describes the various specific outfits of each kind of woman. For the handmaids, “Everything except the wings around my face is red: the color of blood, which defines us. The skirt is ankle-length, full, gathered to a flat yoke that extends over the breasts, the sleeves are full. The white wings too are prescribed issue; they are to keep us from seeing, but also from being seen” (Atwood 8). Her impression of her garb shows how rigid the rules around wardrobe are. It is an interesting paradox that the wings frame her face but she is not to be seen so in addition, she wears a veil over her face. This makes her lose her
Fear is power. Fear is ever-present in Gilead; it is implemented through violence and force. It is through fear that the regime controls the Gileadian society. There is no way Offred, or the other Handmaids can avoid it. The dead bodies hanging on the wall are a relentless reminder of what rebellion and conflict result in. The abuse of power is also present in chapter fifteen after Moira attempts to escape, she is taken to the old science lab and has her feet beaten with steel frayed wires and is then left on her bed, ‘’Moira lay on her bed as an example.’’ (pg. 102 ) She is an example of what rebellion results in. Therefore, creating fear in the other Handmaids to prevent them from rebelling.
... pre-Gilead, and is miserable within the society; this unhappiness is due to the fact that she is oppressed, does not have freedom, and cannot feel real love. The phrase wrapping is also symbolic, since it affiliates with the idea of a wrapped present; describing her organ like a red wrapped present establishes how Offred’s only goal is to become pregnant, avoid miscarriage, and carry on her job as a Handmaid. Plus, describing her body part within wrapping connotes the nastiness of men; Offred and other women believe men only desire sexual satisfaction. With hierarchical figures in Gilead forcing Handmaids to wear concealing red dresses, this expresses how these women are isolated by higher class citizens who reinforce that a Handmaid’s job is only to procreate, and exaggerate the importance of pleasure-less reproduction.
The Handmaid's Tale is a dystopian novel in which Atwood creates a world which seems absurd and near impossible. Women being kept in slavery only to create babies, cult like religious control over the population, and the deportation of an entire race, these things all seem like fiction. However Atwood's novel is closer to fact than fiction; all the events which take place in the story have a base in the real world as well as a historical precedent. Atwood establishes the world of Gilead on historical events as well as the social and political trends which were taking place during her life time in the 1980's. Atwood shows her audience through political and historical reference that Gilead was and is closer than most people realize.
Aunt Lydia illustrates the white wings (head covering) as a privilege instead of imprisonment. If all handmaids, wives, and marthas wear the exact same modest clothing, gives an idea of group identity and self identity is not needed. Handmaids wear the color red. Red is commonly known for being the color of passion, something handmaids must never know. Modesty also plays a major role in fashion. Modest does not allow temptation, and
Throughout The Handmaid’s Tale, the author Margaret Atwood gives the reader an understanding of what life would be like in a theocratic society that controls women’s lives. The narrator, Offred gives the reader her perspective on the many injustices she faces as a handmaid. Offred is a woman who lived before this society was established and when she undergoes the transition to her new status she has a hard time coping with the new laws she must follow. There are many laws in this government that degrade women and give men the authority of each household. All women are placed in each household for a reason and if they do not follow their duties they are sent away or killed. Atwood bases the irrational laws in the Gilead republic on the many
As The Handmaid’s Tale is considered an allegory of the social injustice women face against traditional expectations of their role in society, the symbolism of the Handmaids and other women as a whole for repressed feminine liberty and sexuality allows Atwood to connect her work to the theme between gender and expectations in her society. As Handmaids in the Republic of Gilead, females are stripped of their previous identity and are defined as a tool of reproduction for the men who is assigned them. At its core, these females are forced against their will to be mere tools, experiencing unwanted sex at least once a month, which Gilead names “The Ceremony”, hiding its true nature as a form of rape. Offred
The novel, The Handmaid's Tale, by Margaret Atwood focuses on the choices made by the society of Gilead in which the preservation and security of mankind is more highly regarded than freedom or happiness. This society has undergone many physical changes that have led to extreme psychological ramifications. I think that Ms. Atwood believes that the possibility of our society becoming as that of Gilead is very evident in the choices that we make today and from what has occured in the past. Our actions will inevitably catch up to us when we are most vulnerable.