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The film tells the disconcerting story of a young girl who finds a magical realm. Ofelia was a young girl caught up in the fantasies of her fairy-tale books. The film, directed by Guillermo Del Toro, presents the reader with the journey that Ofelia took in attempting to complete the three tasks given to her by the faun, which she discovered when wandering through a labyrinth. Personally, I feel that Ofelia was using her creative imagination as a form of escapism: her mother was extremely ill and her new father was a sadistic and malevolent man, who takes pride in his status and the fact that he is the highest authority figure there. Del Toro's narrative is particularly disturbing since fairy-tales are incorporated into the story (such as Peradventure, the moral of the film was to teach us to be positive and look for something beyond the five senses, something intangible yet an innate human necessity. This can be seen at the very end of the film where Ofelia finally completes the tasks required of her and has her wish granted to her, in a most unexpected way one may say. The constant conflict between reality and fantasy can also be a symbolic representation of religion. The faun and fairies representing God and His angels, while everything else (the war, the killings and the beasts she fights) a representation of the devil. The battle of good and evil is simply an inevitable part of life - we all should make decisions of who we want to be, just as Ofelia refused to sacrifice the life of her baby brother and was the one to die in his place. There is a high level of familiarity that Del Toro presents, the wars and innocent deaths witnessed in the film is experienced by many in today's society. The sufferings inflicted on innocent people due to political disagreement has been something that humanity have experienced from the beginning of Fascism and neglect being a reoccurring theme in Pan’s Labyrinth, triggers the audience to question and challenge what they are watching; bringing them to the understanding that what they are watching is inhumane and should not be inflicted on anyone. Therefore, the film, though in subtle way, challenges ideologies and the lack of use of our conscience, which is what reminds us that we are all the same: we breathe, eat and feel just like anyone else. Therefore, Pan’s labyrinth directs us all back to humanity and sanity by displaying what the world would be like without that
This can be used as a symbol for the relationship between a person’s good side and evil side. The good side (the humans) attempt to exile the bad side (Grendel) and live in peace, but every once in awhile, the evil side will reappear and triumph for a while. Until a person reaches true morality and goodness (Beowulf) and can destroy the evil, this relationship will continue to occur.
"Pan 's Labyrinth" is directed by Guillermo del Toro, is a magical realism drama. The screen shows the magical world of bizarre situations, a fictional out of Pluto 's daughter "Ophelia" to roam the world. To 1944 as the background, the fascist murder of guerrilla fighters as a real-world story. The whole film myth and reality are intertwined, is a complete metaphor and reflection on the Spanish civil war. One side is the little girl innocent fairy tale, while the Nazis are inhuman torture and slaughter. Two living scenes intertwined in a film, brings out a moral and human conflict. This is the child to see everything in the eyes, and what we see, it seems that the other world.
Ever feel as though someone is watching you? You know that you are the only one in a room, but for some reason you get an eerie feeling that you are not alone? You might not see anyone, but the eyes of a stranger could be gazing down on you. In Foucault's "Panopticism," a new paradigm of discipline is introduced, surveillance. No one dares to break the law, or do anything erroneous for that matter, in fear that they are being watched. This idea of someone watching your every move compels you to obey. This is why the idea of Panopticism is such an efficient form of discipline. The Panopticon is the ideal example of Panopticism, which is a tool for surveillance that we are introduced to in “Panopticism.” Kurt Vonnegut's "Harrison Bergeron," has taken the idea of surveillance one step further. The government not only observes everyone, but has complete control over society. The citizens of the United States cannot even think for themselves without being interrupted by the government. They are prisoners in their own minds and bodies. The ideals of “Panopticism” have been implemented to the fullest on society in Vonnegut’s "Harrison Bergeron," through physical and mental handicaps.
Intimate pictures, on display for the first time in years, show the young Helen Mirren, Judi Dench and Diana Rigg in Sir Peter Hall's 1968 version of Midsummer Night's Dream
Her inner struggle is most obvious in the scene where she hesitates to give in to her desire to see the narrator 's chick and the language in which it is portrayed is almost violent. “Help me, her body said, as painfully divided into two.” (96) it says in the text, a rather extreme description of a little girl wishing to play with a chick. But the narrator recognises her own struggle in Ofélia, can see herself giving birth in her giving in to her desires. Because of this, the narrator then tries her best to help Ofélia through the painful process, leading back to the beginning of the story where she called herself a messenger. “Shall I risk it? shall I give way to feeling? she asked herself. Yes, she replied to herself, through me.” (97) She is the one providing Ofélia with an understanding of what she is going through. She already knows the courage it takes to give in to the love that only mothers can understand, to its desires, and in providing silent comfort is able to guide her through the process. For the duration of it, the narrator functions as a mother figure for Ofélia who is becoming a mother and a child at the same time. This is supported by the imagery in the scene. The narrator describes her transformation as “her entire body [becoming] swollen and deformed” (96) and
At first glance, it seems that the abhorrent destiny of the main character is at the mercy of mischievous and cruel gods.
Nowadays, children books are full field with morals and lesson to teach children how to behave and react in real life situations. A classic subject that teaches children is the rivalry between good and bad, where good defeats bad after a battle. An example of a children novel that explores in different ways the good versus the bad is The Lion, the Witch and the Wardrobe, written by C.S Lewis. The author of this novel uses literary elements to demonstrate the idea of good and evil, an example of which would be characterisation. Aslan and the White Witch embody the characteristics of the good and the evil, two of which are their physical and psychological descriptions and their actions in the novel.
If you can be honest with yourself then you should have no problem being honest with others. Ophelia is an obedient young woman torn between what she wants and what is good for her. She has lived a life of being kind, loyal, and always truthful even when outside voices attempt to influence her. Although being young and obedient, she was easily manipulated by the men in her life such as Hamlet and her father. During Hamlets act of madness, Ophelia still loved him, but chose to stay true to what she knew and Obeyed her father’s request to stay away from the prince. This young woman was so loyal to herself that it even drove her to her own death. Ophelia is the character that is most true to herself.
The plot is about human weakness. Hatred, jealousy, lust can make anyone loses his mind and do the most unthinkable acts. We should understand our human nature and not be motivated by these evil characteristics to do thing to harm others. At the same time, there are many wicked people around, who will use many manipulative skills to persuade us to do evils and we must resist it.
There is a large cast of characters including the priest Sarastro (a very serious, proselytizing basso), the Queen of the Night (a mean, angry, scheming coloratura), and her daughter, the beautiful and courageous Pamina. There is the handsome hero, Tamino, on the quintessential road trip, and his cohort in misadventure, the bird seller, Papageno. Papageno ultimately finds his Papagena (who starts out disguised as a crone), Tamino ultimately wins Pamina, Sarastro presumably wins a passle of converts, and everyone goes home humming the catchy Mozart melodies. It is all presented in a plot complicated by a dragon, a threesome of warbling ladies in service to the Queen of the Night, another threesome of boy-angels, even a bully - Monostatos, guard for the Queen. It is lightened by such elements as locked lips, charmed animals, and, of course, a magic flute.
of whether or not mankind is good or evil, illustrating the characters’ understandings of human
The most interesting aspect and probably the most influential characteristic of the story is found to be the age of the characters. The author successfully attempts to show how capable the aspect of evil is among human beings. However, Golding perfects this idea as he used children, who represent purity and innocence in a normal society.
The film is about Florence Cathcart, an author and debunker of the supernatural, sometime in post-World War I. After a boy 's death, she is requested to investigate a boarding school that is reportedly having sighting a ghost on the grounds. She soon finds out that there is more to the story.
In the film “The Passion of the Christ” by Mel Gibson the life of Jesus Christ is portrayed to the audience using his interpretation of the historical moment in which Jesus Christ was crucified. In the Gospels: Matthew, Mark, Luke, and John the stories recounted about the life of Jesus Christ are different, because each one was centered to the particular needs of their community. By not following the Gospels word for word Mel Gibson is able to dramatically depict the mercy, love, and salvation Jesus Christ had for the children of God. In doing so Mel Gibson was also able to impact people and have them reflect on the sins they have inflicted on God.
Good and evil are central themes in Paradise Lost. Classic symbols of both extremes are in the book: God and Satan, good and evil personified, respectively. In spite of the seeming dichotomy of either pure evil or total goodness, for much of Paradise Lost the distinction between good and evil is not very clear. The goodness of Man overcome by sin and the fall of God’s holy angels to hell are examples of the overlap of both good and evil within characters. This inherent potential for evil in Adam, Eve and Lucifer ****. Further, the relationship between good and evil and their relative dependence on each other is brought into question by the roles they play in Paradise Lost.