Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Christianity impact on literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Christianity impact on literature
Finding Christianity “Let us suppose that there were a land like Narnia and that the son of God, as he became a man in our world, became a lion in theirs, and then imagine what would happen” (letters to children qtd. Gazora 9). Throughout Clive Lewis life, he changed his religion so many times from not believing in God to believing again. Lewis was always known for his fantasy, and his most known book The Chronicles of Narnia. Lewis wrote The Lion, the Witch, and the Wardrobe, to show his Christian faith. In Lewis’s novel, The Lion, the Witch, and the Wardrobe, he uses the archetype of the hero, and the villain, as well as the symbol of the stone table. In the book The Lion, the Witch, and the Wardrobe, Lewis portrays the archetype of the …show more content…
The White Witch uses her powers to trick Edmond multiple times. She deceives him into thinking she is not the villain but his friend. In her mind she was the queen and hero of Narnia. People believe her evil tricks represent the devil and how he became the powerful one over the Earth. She ruled Narnia just as the devil is to own the Earth before the savior Jesus comes and in Narnia, Aslan. The evil witch turns the animals into stone when they betray her. All of Narnia is in fear of the White Witch Tumnus said,
‘…She’ll have my tail cut off and my horn sawed off, and my beard plucked out and she’ll wave her wand over my beautiful cloven hooves and turn them into horrid solid hooves like a wretched horse. And if she is extra and especially angry she’ll turn me into stone and I shall be only a statue of a fawn in her horrible house until the 4 thrones at Cair Paravel are filled…’(Lewis
…show more content…
For example in The Lion, the Witch, and the Wardrobe, Aslan is sacrificed at the stone table in exchange for Edmond’s life. Susan and Lucy morn him and tend to his body, but the next morning he mysteriously returns from the dead. This is the allegory to the story of Jesus’ crucifixion. Aslan represents various aspects to the Holy Trinity in some form during the course of the books the characters need only speak his name to give themselves strength.” (Wordpress). In the book Aslan is embarrassed in front of the witch’s followers at the stone table as they shave his mane and muzzle him yet he does not do anything to save himself or hurt the witch. Just as Jesus was yelled at, spit on, and whipped in front of the all the people but never said anything to them. When the girls were crying over his death the table split as a sign of the resurrection. Likewise when Mary came to check the tomb where Jesus body was she found the stone rolled away and the tomb empty. The stone table was a place of sacrifice where one traded his life for all the others. Here we also see a likening to the cross where Jesus sacrificed his life for the rest of humanity. In both cases a blood sacrifice paved the way to
...e, is the end; Despite all the odds Lewis highlighted important truths of Christian faith through the story of a demon who is not good at being a demon. Wormwood’s helper shows us those truths in thirty-one irrational letters. A message of light brought forth through darkness.
After his conversion, C.S. Lewis' writings became less modernistic. Many of his most famous writings, such as Mere Christianity, The Screwtape Letters, and The Chronicles of Narnia series contain his Christian worldview (Stewart 1), which was completely opposite of the mode...
The Lion King tells the story of a young lion named Simba, who is the heir to his father's throne, whose name is Mufasa, also in the film is a character named Mufasa which is the younger brother of Mufasa and uncle of Simba. The movie is a Disney kids movie which can relate to many aspects and doctrines of the Christian faith. The movie starts off with a very detail segment that reminds one of a baptism right after the birth of baby Simba. “Christian symbolism is rich in this opening. It is a Baptism isn’t it? An anointing of a child of the King? The child is presented, the clouds open reminding us of the story of Jesus’ Baptism where the heavens open and the voice of God speaks; “this is my son, my beloved.” That’s how we come into the community
The analogy breaks down messages that are revealed in the Bible in order for the average person to understand what it being said, similar to how Jesus used parables to explain his teachings to mass audiences. The people listening to Jesus’ sermons weren’t very educated and had little prior knowledge about who Jesus was. He had to make his sermons relatable to the audience, just as C.S. Lewis does with his readers. Within the novel, Lewis also only covers what he considered the “basic teaching of orthodox Christianity.” Many theologists either focused on details that were unimportant to a new believer, or they wrote in ways that were difficult for the average person to understand. Lewis did not see himself as educated enough to provide a detailed theological and historical explanation of the doctrines that he discusses, but because of the lack of simplicity in religious works of literature, he strove to educate people on the basic outline of Christian beliefs (Mueller). Lewis explained his purpose for writing Mere Christianity in an interesting way,
C.S. Lewis begins his book, “Mere Christianity”, by introducing the Law of Right and Wrong or the Laws of Nature. This, however, arises a question. What is the Law of Nature? The Law of Nature is the known difference between right and wrong. That is, mans distinction between what is right and what is wrong. “This law was called the Law of Nature because people thought that everyone knew it and did not need to be taught it”(18). Lewis relates the law to how we treat others. We treat others the way we want to be treated and if they treat us poorly in return we become agitated and annoyed with them. He states that we become a society of excuses when something goes wrong. He goes on to say that we want to behave in a certain way when in reality we do the opposite of what is right or what is wrong. We are humans and humans have primal instincts. We are all capable of using our instincts to do right or wrong. Lewis uses an example of a drowning man to prove this point. When one sees a man in trouble two desires or instincts kick into play, to save the man or ignore him because the situation at hand could endanger you. However, there in another impulse that says help the man. With this comes a conflict of instincts. Do you run and forget about it or do you jump in and help. Most people will help even if the situation is going to endanger their life. This is just one way of seeing moral law. The right in a situation will mostly always prevail over the wrong. “Men ought to be unselfish, ought to be fair. Not that men are selfish, nor that they like being unselfish, but they ought to be”(30). We are creatures of habit and logic. Lewis believes that the moral law is not taught to us rather known by us instinctively. He also believes that the law is real. The law is our behaviors in life via good or bad. Lewis states, “there is something above and beyond the ordinary facts of men’s behavior”(30). This opens Lewis to believe that the natural law is both alive and active in mans life today. Lewis goes on to say that the law must be something above mans behavior. He begins to relate this to the creation of the world.
Since the beginning of man’s first ability to articulate his thoughts into words, he began traditions that exceeded all written text. These traditions included passing on stories from one generation to the next with the hopes of conveying some hidden moral principle to our children in a memorable and entertaining fashion. As society has progressed and developed over the years, and as thoughts became words, words turned into stories, and stories in some cases. became novels. In modern life, novels can be transformed using symbolism and archetypes through the art of film making. In the film, The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, just before Lucy’s first discovery of the magical land of Narnia, she is seen opening the door of a beautiful wardrobe. As the door opens three white marbles roll out, symbolizing the path of good, the free will of mankind, and evil. Through the use of symbolism, most predominately the three white marbles, the film portrays the choice of all humans regarding whether to follow the path of the free will of mankind by choosing to become more Christ-like, or to follow the wicked and be shrouded in darkness.
...c child who is an innocent and has no place in the world of the wicked. His troubled self’s resolution comes at the end after Edmund has spoken to Aslan, the true ruler and god of Narnia. Both Edmunds own initiative and, less directly, religion lead Edmund back to before he was spoiled by the school he went to and the enchantment of the witch’s candy. Lewis therefore is following the Romantic tradition of innocence as a part of childhood since it was not Edmund’s fault he performed the incorrect behavior and was drawn to the side of evil.
... getting punished for what she has done. Effectively, after the battle, good prevails. At the end of the story, Aslan fight and defeat the White Witch. Consequently, this is really a classic children book that covers good against evil.
...itch was evil, because the Witch asked him to. He also goes on to tell her that the Beavers said Aslan will soon return (Lewis, 107). Thus, Edmond is named a traitor by the White Witch. "You have a traitor there, Aslan… Have you forgotten the Deep Magic?" (Lewis, 155). The White Witch asks Aslan if he remembers that the Deep Magic engraved on the Great Stone Table by the Emperor-beyond-the-Sea, Aslan's father, says that "every traitor belongs to me (Jadis) as my lawful prey and for every treachery I have a right to a kill (Lewis, 155). Aslan asks the Witch to take a walk with him and they go off to have a private conversation. This is where the next Christian symbol comes in. Aslan sacrifices himself on the Stone Table to save Edmund from his treachery. The parallel in the Bible is that Jesus Christ sacrificed himself on the cross to save humanity from their sins.
C.S. Lewis was the 20th century’s most popular proponent of faith based on reason. As a child, he created an imaginary world where personified animals came to life, and later, he wrote the book, Chronicles of Narnia. How did he transform from a boy fascinated with anthropomorphic animals into a man of immense faith? His transformation to the Christian religion happened as his fame began to flourish. People wrote him, asking him about his claims about the truth of Christianity (Belmonte, Kevin). As I attended the drama of Freud’s Last Session, I was engrossed into the plot of the play and was constantly thinking about how it pertained to the objectives of the World Literature class. I not only connected the content of the play to its context, but I also reached out to apply the context to a discussion on a broader scale. I then discovered why the context of literature is imperative for true understanding of the w...
Have you ever wanted to free yourself from the terrors and troublesome times of modern society and escape to a magical place? Clive Staples Lewis, or C.S. Lewis as he is better known, created such a place, in his extremely popular children’s series The Chronicles of Narnia. In these books, Lewis has an underlying message about Christianity. He represents four key aspects of Christianity in this series: Christ and God, evil in the world, and faith.
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
C.S. Lewis uses a secondary world, Narnia, to convey complex, thought-provoking messages to readers of The Lion, The Witch and the Wardrobe. This paper examines the way a selection of Narnia's key characteristics prompt debates over logic and faith, comment on the nature of spiritual and metaphysical journeys, allow readers to broaden their conception of their own capabilities, encourage new reflection on the story of Christ and help to clarify conceptions of good and evil.
In the Lion the Witch and Wardrobe, good vs. evil is teaching children the right from wrong in this book. Lewis uses the archetypes hero and villain very good throughout his novel to also portray right from wrong. His use of archetype the hero reminds readers that Aslan is the hero in his novel. He shows this by the many ways Aslan rescues and saves his people all throughout the novel. His use of archetype villain shows the readers that the White Witch is the villain in his
Lewis, was a book which changed children’s fantasy metaphorically and literally. In the book, Peter, Susan, Edmund, and Lucy Pevensie stumble upon Narnia, a frozen land under control of the White Witch, through a wardrobe inside the house. Levy and Mendelsohn describe how the fantastic is contained in the sense that “the true fantastic is found at the heart of the home” (41). This book follows that same idea that there is a separation between the real world and the alternative world Narnia. When Lucy finds Narnia and rushes back to tell the others about it, they do not believe her at first because it sounds made up. It is not until the others stumble upon the alternative world themselves that they are blown away by the fantastic elements and characters. In Narnia, there are many fantastic characters including the faun Mr. Tumnus, the White Witch, talking beavers, dwarves, centaurs, minotaurs, and Aslan the talking lion who represents a godly figure. These four siblings have to learn who to trust and who they cannot trust. Levy and Mendelsohn point out that “Lewis changed the mood and direction in ways that have endured, although other forms were to emerge in the 1970’s … understanding that much children’s fantasy would be otherworldly, either physically or spiritually” (106). In James E. Higgins, A Letter from C. S. Lewis, Lewis describes how "[t]he Narnian books are not as much allegory as