In the translations of Sophocles' work, Oedipus Rex and Antigone by Dudley Fitts and Robert Fitzgerald, the two characters King Oedipus and Creon show the audience what it is like to be a tragic hero. When King Oedipus is the king of Thebes and decides to investigate his father's death, he ends up coming upon a revelation that devastates him and the people around him. In Antigone Creon ascends to the throne following Oedipus's departure, only to fall due to his tragic decisions. These two characters are both tragic heroes, which means they were high of birth and were not good nor evil, but fell due to some kind of weakness or mistake in judgment. Although Oedipus and Creon display similar hamartia, they contrast in their anagnorisis and differ …show more content…
He understands that his marriage with Iocastê was incestuous and that killing his very own father was awful. Conversely, Creon slightly states his actions “The father murdering, the murdered son/And all my civic wisdom!” (Anti. 242) Unlike Oedipus taking full recognition, Creon does not. Creon never mentions killing Antigone throughout this line, only his beloved son Haimon. Oedipus and Creon both recognize their mistakes very differently; Oedipus reaches Aristotle’s standards while Creon does not. Oedipus and Creon both evoke pity and fear differently throughout the Greek Tragedies. Choragos and choruses begin to fear Iocastê’s sorrow over Oedipus “I fear this silence: Something dreadful may come of it.” (OR. 57) The Choragos are anxious about the silence coming from Oedipus and Iocastê, showing that something may come from this. Aristotle states that fear must keep the audience engaged and this shows suspense. However, the Chorus in Antigone shows fear of what Creon will do to Antigone because she broke one of his laws “When the laws are kept, how proudly this city stands!/When the laws are broken, what of his city then?” …show more content…
Instead of directly evoking fear, it evokes concern in the audience instead. This does not make the audience feel intense emotion towards Creon, even though Aristotle wants the audience to feel devastated over Creon. The Choragos expressed pity towards Oedipus when he stabbed his eyes with the brooch. The Choragos cries out, “Look at you, poor ruined one./And I would speak, question, ponder,/If I were able. No./You make me shudder.” OR. 70,71) The term “poor ruined one” evokes pity from the audience because Oedipus is completely ruined. His sight is gone due to his actions, which makes the audience feel bad for him. When the Choragos and the chorus witness Haimon’s death with Creon, they feel bad for Creon “But here is the King himself: oh look at him,/Bearing his damnation in his arms.” (Anti. 242) The Choragos refer to this sarcastically, not feeling any type of pity towards Creon. Due to how Creon acts and how the Choragos portray this scene, the audience barely feels pity for the King. Oedipus evokes more fear and pity from the audience than Creon does due to Oedipus working harder to make things
Throughout history rulers have used force in the pursuit of the acquiring more power and wealth, regardless of the consequences. The use of force may lead to the fulfillment of ones current interests or goals, but continued abuse of this power in pursuit of ones own interests has historically lead to the downfall of those in power. In the text The Prince Machiavelli says, “It is much safer to be feared than loved, if you cannot have both”. This quote suggests that when given the choice it is better for a ruler to use his power, through force if necessary, and be feared than to do what is right for the people and lose everything. In Sophocles’ Antigone, Thucydides History of the Peloponnesian War, and Sophocles’ Republic the analogy of the double-edged
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
Jodi Picoult once said “Some lessons can’t be taught. They simply have to be learned.”; in life what defines a person is what they become after they go through a series of trials and tribulations. Oedipus The King tells the story of a king who tries to outrun his fate and in the end self-banishes himself out of guilt leaving the kingdom of Thebes to Creon. The play starts with King Laius, who appoints Creon to rule in his kingdom while he consults the oracle at Delphi. Enraged by the death of King Laius, the gods cast a plague upon Thebes, which is the Sphinx, who starts to destroy the city. Terrified by the destruction of the kingdom, Creon states that anyone who might solve this riddle,
Greek tragedies often teach readers several valuable lessons, one of which is the catastrophe caused by acting on emotions. Both Oedipus and Antigone experience this as a result of their rash behavior. Even Creon ends up miserable in Antigone due to the change in his behavior. By acting on their emotions, these characters all experience tragic downfalls, while others, such as Ismene and Creon during Oedipus Rex, remain safe due to their prudence and indications of wisdom.
Wiz Khalifa once said, “Never make permanent decisions on temporary feelings.” Some students may believe that Antigone was the tragic hero in the story, but the real tragic hero is actually Creon for many reasons. Some describe a tragic hero by whether they are heroic or born into nobility, but in the story he is portrayed as the antagonist. In the novel, “Antigone” written by Sophocles, Creon becomes the tragic hero by forbidding the burial of Polyneices, imprisoning Antigone for his own good and believing that he is the only one that can control the law.
As Oedipus himself describes it, Creon comes “not to take [Oedipus] home, but to dump me out on the frontier to protect Thebes from fighting a war against Athens” (Oedipus at Colonus, 783-786). Creon seeks not to help Oedipus as he claims, but to use his divine power with no regard for Oedipus’s peace or happiness. It’s impossible to be sure whether Creon would have been more genuine had Oedipus not thrown Creon under the bus himself, but it seems that way to me. More importantly, Oedipus prolongs the curse that afflicts the city as the murderer remains unexposed. This works directly against Oedipus, because he is responsible for Thebes’s well-being. By pridefully insisting he could have nothing to do with Laius’s death, despite knowing that he had killed several unidentified people, he neglects his city and lets it suffer. Socrates would have Oedipus search his life for wrongdoing and immorality, but he instead chooses to shove blame onto others, and it’s clear from the events mentioned above that he only postpones the consequences of guilt, and makes them worse to
A tragic hero has many definitions but Creons characteristics fit each single one. He displayed a fatal flaw that drove him mad near the end but also understood that his predicament was caused by him alone. Antigone cannot be the tragic hero because although she possesses several flaws, she experiences no true illumination. She does not met the required the traits for the tragic hero. Creon wanted to protect the state above personal cost, a task that was achieved in a way. Creon is the tragic hero in Sophocles Antigone because he can’t accept a diminished view of himself; he endures great suffering and is enlightened in the end.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Sophocles' trilogy of Oedipus the King, Oedipus at Colonus, and Antigone is a powerful, tragic tale that examines the nature of human guilt, fate and punishment. Creon, Oedipus' uncle and brother-in-law, is the story's most dynamic character. His character experiences a drastic metamorphosis through the span of the three dramas. Creon's vision of a monarch's proper role, his concept of and respect for justice, as well as his respect for the design evolve considerably by the trilogy's tragic conclusion.
A person once said, “The Antigone [is] one of the most sublime and in every respect most excellent works of art of all time” (Hegel). The play Antigone [is] written in the 6th century by the writer Sophocles (Willocks). Sophocles is a play writer and he made tragedies more complex. A tragedy always ends in defeat or death, has a hero who is confronted by hostile forces and has a tragic hero who has to make a choice difficult moral choice. The main character is usually the tragic heroine. A tragic hero is a person who has a dramatic change in fortune, morally good, heroic in stature or social position, true to life and consistent (Willocks). Creon is the king and he believes whatever he said should be obeyed. He did not listen to the Greek
For the majority of the play, right up until the very end, Oedipus sees Creon as an enemy. He thinks that Creon, in league with Tiresias, is Laius's murderer and is conspiring to overthrow the king and take the throne for himself, "You the murderer so self-proved, the self-condemned filcher of my thrown..."(29). However, when the truth comes out that Oedipus has married his mother and killed his father, all is forgiven between the king and Creon. Oedipus makes this beautifully clear when he says "God bless you, Creon, bless your path through life, encompass you with surer joys than mine"(78). Having a good and unmarred reputation is a form of power in that people will respect the person, as well as listen to what he or she has to say. If the truth had never come out and Oedipus had never made peace with Creon, Creon's reputation would have been that of a traitor and a murderer. No one would have respected him and he would not have had any practical strength.
At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other play, “Antigone”, however, he undergoes a drastic personality change. He becomes more and more like Oedipus. Creon commits acts of hubris, kills and humiliates people for no reason whatsoever. Once he realizes the folly of his ways, he punishes himself for going against the gods and destroying all that he loved, This is strikingly similar to the story of Oedipus. At first Oedipus and Creon seem like entirely different people. But through the course of events, they share almost identical personalities and even fates.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
The horrible fates of Oedipus and Creon are due to their tragic flaws. Even though both fates of these characters are absolutely terrible, Oedipus experiences the greatest tragedy. Oedipus’s flaw of ignorance might not be directly his fault but it results in horrific actions that no one else can be blamed for. Creon's flaw of pride causes him to make irrational decisions that end up harming the people he loves. Both characters directly cause the deaths of loved family members as a result of their flaws and decisions. Nothing can be worse that this. Oedipus The King and Antigone demonstrate the horrific tragedies of life.
In this paper I will be making 3 major points about Creon. First I will explain the role Creon plays in this drama. Next I will explain some of the values Creon represents in this story. And for the last I will be examining how essential Creon is to the way this situation plays itself out.