Greek tragedies often teach readers several valuable lessons, one of which is the catastrophe caused by acting on emotions. Both Oedipus and Antigone experience this as a result of their rash behavior. Even Creon ends up miserable in Antigone due to the change in his behavior. By acting on their emotions, these characters all experience tragic downfalls, while others, such as Ismene and Creon during Oedipus Rex, remain safe due to their prudence and indications of wisdom.
Due to the actions she took based on her emotions, Antigone suffered a far worse fate than Ismene. During her conversation with Ismene, Antigone says: “Ismene, I am going to bury him” (Sophocles, 3). To this Ismene replies with: “Bury him! You have just said the new law forbids it” (Sophocles, 3). This is the first time we experience the difference in the sisters’ behavior. Antigone has decided to bury Polyneices, although Creon’s new law forbids it. She believed that the God’s proclamation means more than Creon’s, and tells Ismene: “I will bury the brother I love” (Sophocles, 4). Ismene, on the other hand, knows that this action is forbidden by Creon’s law and isn’t willing to break it. She says: “But think of the danger! Think what Creon will do! [...] Think how much more terrible than these our own death would be if we should go against Creon and do what he has forbidden![...]The law is strong, we must give into the law in this thing, and in worse. I beg the Dead to forgive me, but I am helpless: I must yield to those in authority. And I think it is dangerous business to be always meddling” (Sophocles, 3-4). Ismene clearly respects the law and knows the repercussions of breaking it, something that Antigone chooses to ignore.
Based on their actions, it is ...
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...s in Oedipus Rex. Creon has gone from being a calm man of reason to acting greatly upon his emotions. During his brawl with Haimon, Creon is described as being “Completely out of control”. As with Oedipus and Antigone, Creon’s actions resulting from emotions only end badly. Antigone, Haimon, and Eurydice end up dead, all committing suicide after the dreadful events caused by Creon. If only Creon had remained as prudent as he was in Oedipus Rex, things may not have ended so badly.
As was demonstrated by the characters in Oedipus Rex and Antigone, acting on emotions causes more pain and catastrophe than acting with prudence. Not only did characters evoke catastrophe upon themselves, their actions forced grief upon others. Today, readers are still able to take this lesson away from reading such ancient Greek tragedies and are able to apply it to their everyday lives.
At the start of Antigone, the new king Creon has declared the law that while Antigone’s brother Eteocles will be buried with honor for his defense of Thebes, however the other brother, Polynices will be left to rot in the field of battle for helping lead the siege of the city. Antigone discusses with her sister Ismene that she shall go and pay respects to her now dead brother, and give him the burial that she feels that he deserves. Her sister tries to persuade her otherwise, but Antigone claims she is going to follow her determined fate, not the law of ...
At the beginning of the play, Antigone brought Ismene outside the city gates at night for a top secret meeting. Antigone wanted to bury her brother Polyneices' body because even though he died in dishonor he was her brother. Ismene refused to disobey the king which is also their Uncle Creon, and she failed to talk Antigone out of doing the act herself. "Consider, sister, how our father died,/hated and infamous; how he brought to light/his own offenses..Then, mother...did shame/violently on her life, with twisted cords. Third, our two brothers, on a single day...Each killed the other, hand against brother's hand." (Antigone, Lines 59-65) In this quote, Antigone justified her reasons for going against the law describing how her parents went through so much, how their father was banished and due to this their mother had committed suicide because her reputation went down to the drain, even after all that their two brothers went into battle against one another and died in the process. Ismene was sympathetic, but still she was noble and afraid of Creon so she did not offer her help to Antigone.
Antigone’s firm belief that her brother Polyneices should have a proper burial is established by her conviction in that the law of the gods is above all else. This law proclaims that all men be mourned and honored by family and friends through means of a suitable burial. Antigone’s need to put honor upon Polyneices’ soul is so grand that she ignores the advice of everyone around her, including her sister Ismene, who tries to pull her away from performing this criminal act because it will disobey the law set by King Creon, and lead to her demise. However, Antigone does not care about the repercussions because even though “[s...
Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438). Oedipus’ impulsive nature leads him to discovering the truth and reveals that he has indeed fulfilled the prophecy he was running from.
Although both sisters have lost their brothers, Antigone is the only one who will go against her king to do what she knows is right. When Antigone asks her sister if she will help her bury their brother Polyneices, Ismene responds with, “We are only women; we cannot fight with men, Antigone! The law is strong; we must give into the law…” (Ismene 774). Naturally, Ismene should be afraid for herself, as well for the safety of her sister because what Antigone is asking of her will mostly likely cause them both to be killed. However, she should be braver like Antigone, and realize that she must do what is morally right for their family, and give her brother the proper burial that he deserves. Afterward, when Antigone has already been captured, Ismene then comes forth to try and share the punishment that has been given to Antigone, but Antigone tells King Creon that she has done nothing. In addition, when Creon asks Ismene if she had anything to do with the crime, and Antigone denies it, Ismene then replies, “But now I know what you meant; and I am here to join you, to take my share of punishment” (Ismene 785). Although now Ismene feels like she needs to stand up to the King and do what is right for her
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
In the plays Oedipus of Rex and Antigone by Sophocles, Oedipus and Creon exert similar characteristics as leaders that ultimately result in their characterization as tragic heroes. Their overbearing determination, relentless pride, uncontrollable fate, and enormous grievances all portray the inevitable outcome. Sophocles writes that the characters in the plays are chasten not because of something they had done in the past but merely it is their fate. Oedipus and Creon can not stop their fate no matter what great lengths they go to. Revealing that catharsis is created when the audience has pity or fear when they see that bad things can happen to good people. For this purpose, neither Oedipus nor Creon where good leaders because both were hypocritical tragic heroes. Initially, both Oedipus and Creon exert an overbearing determination that can be the tragic flaw that destroys their lives. However, both have contrasting motives. Oedipus was determined to find the killer of King Laius saying, "As for the criminal, I pray to God- whether it be a lurking thief, or one of a number- I pray that that man's life be consumed in evil and wretchedness and as for me this curse applies no less…" (World Lit 316). Creon' s motive of determination was not to back down from his word and law. The law was whoever buries Polyneices would be publicly stoned to death, since Polyneices didn't deserve a proper burial for his actions in war. Creon later finds out that Antigone has buried her brother and Creon replies " She has much to learn. The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their neck at the pull of the smallest curb…Breaking the law and boasting of it. Who is the man here she or I, if this cri...
...assistance, resolves to give their brother a proper burial. Ismene feared helping Antigone bury Polyneices but offers to die beside Antigone when Creon sends her to die. Antigone, however, refuses to allow her sister to be killed for something she did not have the courage to stand up for.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other play, “Antigone”, however, he undergoes a drastic personality change. He becomes more and more like Oedipus. Creon commits acts of hubris, kills and humiliates people for no reason whatsoever. Once he realizes the folly of his ways, he punishes himself for going against the gods and destroying all that he loved, This is strikingly similar to the story of Oedipus. At first Oedipus and Creon seem like entirely different people. But through the course of events, they share almost identical personalities and even fates.
At the beginning of the play, Antigone is upset about a decree Creon, the king, made (190). The decree states that her brother, Polyneices, was not allowed to be buried, because Creon believes that Polyneices was a “traitor who made war on his country” (211). Antigone has a very strong love for her brother and the gods, therefore she believes Polyneices deserves a proper burial according to the laws of the gods (192). Antigone says to Ismene that she [Antigone] will go against Creon’s decree-which states that if anyone buries Polyneices they will be killed (190). Antigone is extremely angry with Creon for creating the decree, to the point where she decides to make a big deal about the burial, instead of lying low and doing it in secret (192). Antigone even tells Ismene to “Tell everyone!” that she [Antigone] buried Polyneices when everyone finds out, and not keep it a secret-although Ismene doesn’t listen (193). Antigone’s decision not to do the bur...
Antigone was not about to simply obey Creon’s absurd decree. She felt that her personal responsibility was to the gods and her family rather than the king. She then asked Ismene, her sister, to assist her with the burial, but was denied any help. Ismene justified her decision by telling Antigone that they were already punished and that there was no need to make matters worse for the two of them by defying Creon’s law.
In Antigone, her brother Polynices, turned against his own city by attacking his own brother just so he could become king. On this day, both brothers died. One, Eteocles, was given funeral honors, but the other, Polynices, was not. This decision was made by Creon, Antigone’s uncle and the current King of Thebes. Creon said “He is to have no grave, no burial, no mourning from anyone; it is forbidden.'; (Pg. 432; l. 165) He also announced that anyone who should attempt to bury him would be put to death. After hearing this decision, Antigone said that Creon couldn’t do that and that the Gods would want Polynices to have a proper burial, therefore Antigone promised to her sister Ismene that she would be the one to defy Creon and bury her brother; and she didn’t care if the whole city knew of her plans. After being caught in the act, she was taken to the palace and when asked by Creon why she did it. Knowing the punishment that would come from it, she replied by saying that she didn’t think Creon had the power to overrule the u...
Sophocles introduced a new kind of drama that evoked strong emotions out of an audience, catharsis. Sophocles’ tragedies are essentially “moral and religious dramas that pit the tragic hero against unalterable fate and the divine will of the gods” (Burt 5). In Oedipus Rex, Oedipus is a respected king who neither purely good nor purely evil, making him likeable to the audience but also relatable. However, Oedipus has a fatal flaw that proves to be the cause of his downfall. His pride is revealed to be the root of his tragic fate.