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Characterization in oedipus rex by sophocles
King oedipus character analysis
Examine and evaluate aristotle's theory of tragedy
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Over two-thousand years ago, Greek philosopher Aristotle wrote Poetics describing the necessary elements of a tragedy. Aristotle highlighted several aspects of a tragedy, but he emphasized six key elements: plot, character, thought, diction, melody, and spectacle. With the integration of these six main points, a work of literature could be defined as a tragedy. Sophocles’s Oedipus Rex fits Aristotle’s definition of tragedy perfectly. In 1967, Italian filmmaker Pier Paolo Pasolini created Edipo Re, a modern day interpretation of Oedipus Rex. He uses cinematographic elements to highlight certain tragic elements in the story with varying degrees of success. Although his use of sounds seems to oscillate back and forth with its effectiveness, Pasolini’s …show more content…
When Oedipus goes to see the oracle, he is dressed in white. According to Aristotle, the character in a tragedy should be essentially good except for one fatal flaw that the tragedy will exploit. The character should be oblivious to this fatal flaw. By dressing Oedipus in white at the oracle, Pasolini is successful in emphasizing Oedipus’s good nature. White is a color associated with innocence and pureness. In order words, it represents that he is good-natured. However, the white also represents someone who is naive, which fits Oedipus’s fatal flaw perfectly. He lacks the wisdom that he cannot escape fate. As a result, he tries to escape it the whole play, which eventually leads to his downfall. By dressing Oedipus in white, the director fulfills Aristotle’s tragedy definition of a character that is good-natured, but has a fatal flaw. Towards the end of the film, Oedipus starts dressing in black as he pieces together what he has done. This change in color of his clothing goes to emphasize Aristotle's tragic element of discovery. A character in a tragedy must undergo a discovery and change from ignorance to knowledge. Black is a depressing color that represents secret knowledge. By dressing in black, Oedipus is starting to recognize the hidden knowledge that he killed his father and married his mother. The director did a very effective job changing the color of his wardrobe from white to black as it emphasizes the Aristotle’s element of discovery for a
The roles of the characters are particularly useful when comparing and contrasting Oedipus to Darker Face. Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all..." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
As one delves into the play Oedipus the King one sees that even though one may think one can escape one’s fate, it is not possible and the harder we try the closer to one’s fate one becomes. As Oedipus tries to escape his fate his personal qualities actually force him to make his fate true. Not only does it teach us this valuable lesson but it also shows that one’s motives and actions make one’s true colors show.
In the play, Oedipus the King, blindness is used metaphorically and physically to characterize several personas , and the images of clarity and vision are used as symbols for knowledge and insight. Enlightenment and darkness are used in much the same manner, to demonstrate the darkness of ignorance, and the irony of vision without sight.
In the Oedipus at Colonus, there are three major themes of the play, prophecy, guilt and death. Each of them is part of how Oedipus’ life plays out. The prophecy told that he was the killer of his own father and married his mother, and how the guilt, he had for committing these acts, by gouging out his own eyes; and how after his family disowned him then wanting him to help them knowing that whoever was on Oedipus’ side would win the war. Also where Oedipus’ body should be laid to rest after his death.
Sophocles’ use of symbolism and irony is shown in Oedipus Tyrannus through his use of the notion of seeing and blindness. This common motif is extended throughout the play and takes on a great significance in the development of the plot. In an effort to escape his god given prophecy, Oedipus tragically falls into the depths of unthinkable crimes as a result of the mental blindness of his character; thus never escaping his lot.
...ly saw the world. For the first time, he understands his surroundings, and understands the world for what it really was. Even though the truth takes away his family, kingdom, pride and possessions, the truth gives him something he needs more than all of those: understanding. Sophocles shows his brilliance as a playwright by adding intelligent, terrible irony to the end of the play. The irony is that at the monumental change in Oedipus' life, when he can, for the first time, see the world with clarity, he can see nothing at all, for he blinds himself. Oedipus becomes like Tiresias, visually blind, but mentally clear. Perhaps Oedipus unintentionally takes an example from Tiresias, learning that it is far better to live one's life without sight and see the world clearly through the minds eye, than to be able to see, but have ones sight blinded by pride.
By the use of visual design elements, the overall production of the play can be considered abstract. For example, the set design uses very little props and forces the audience to focus more on the actors and costumes. In addition, the set designer used very dark and dreary color such as black and grey to display the plague that was taking over the city of Thebes. During this time period that the play produced, the plague has made the people in the city weak, bitter, and unhappy. By using colors that represent this internal feeling that the characters are experiencing, the actors move in a certain way that coincidentally goes hand and hand with the set design. In further detail, the costume designer did a fantastic job of portraying certain status ranking by the color of robe they were wearing. For example, Oedipus was wearing a silk, garnish robe that represented royalty and a sophisticated man. Whereas, the ordinary people of Thebes were wearing dull, grey robes that displayed their lack of social ranking. All in all, the visual design elements were used in an appropriate manner that allowed the audience to get a better understanding of the abstract world that this play took place
Oedipus was a unique individual for his time. He wasn?t seen as being a perfectionist. The impression of the play was to give off a message of imperfection. Cases such as Oedipus?s could be related t...
The behavior of Oedipus is ironic, because he is not capable to grasp the truth that is being unrevealed before his eyes. Oedipus is blinded by his ignorance. He is a very confident man and powerful in the way he acts and talks. Oedipus is so blind to himself, that instead of relying on the oracles, he counts on his own knowledge to find out the truth. Oedipus is destined from birth to someday marry his mother and to murder his father.
Sophocles introduces a prophet, a seer, Teiresias, into the play. Teiresias is a wise, old man who has supernatural powers to interpret the past and predict the future. Ironically, Teiresias is physically blind, but can “see” the truth about Oedipus. Oedipus has trouble imagining that his father life was taken at his hands. It signifies that Oedipus as a man is ignorant to the true appearance of things - this blind man can "see" the truth about Oedipus, yet Oedipus, in all of his physical perfection, cannot.
Since Oedipus is dressed in all white, this means purity. His medal also illustrates that he symbolizes nobility. However, in his case, it is very ironic to describe him pure and noble because he is the murderer. Therefore, his costume serves to be a symbol of irony. Compared to Oedipus’ costume, Creon’s outfit is gray with badges. The color gray is never the center of attraction. This means that Creon is not the center of this tragedy, since Oedipus is the protagonist. On the other hand, Tiresias wears a dirty white cloak with a fuzzy texture. The fuzzy texture of his costume suggests that he is like a bird. Since he is the prophet of Apollo, the god of truth and prophecy, it is obvious that he is a connection of the land and the sky, and heaven and earth. All of their costumes demonstrate
Oedipus is self-confident, intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout “Oedipus the King”. He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character says and what they mean. Both of these elements are used effectively to develop the tale of Oedipus.
Irony used from beginning to end and with each statement made by Oedipus about finding the killer of Laius. Although the audience is familiar with the story they are fully invested in Oedipus. Because Sophocles uses irony in his play it makes the audience empathize with the protagonist. Oedipus becomes human, a tangible character that experiences the same emotions as everyday people. The thing that makes Oedipus even more human is that he is a victim of a fate assigned to him before he was born. He unknowingly carries out the prophecy destined for him which leads to the discovery that he was abandoned at birth by his biological parents; with this discovery a sense of his identity is taken from him. A character so arrogant normally does not receive empathy from the audience, however, he is still very much an innocent fragile human being punished for his father’s defiance. Sophocles used irony to bring a new twist to a familiar story. The use of irony keeps the audience ahead of the protagonist yet still eagerly awaiting his reaction to the obstacles before him; even though they know his fate the audience wants to see how he deals with his unfortunate
The sixth and least important in Aristotle’s point of view is that of Spectacle, or costumes and props. This is the least important because Aristotle believes that the plot will overcome all the rest. Although Aristotle recognizes the emotional attraction of spectacle, he argues that superior poets rely on the inner structure of the play rather than spectacle to arouse pity and fear; those who rely heavily on spectacle “create a sense, not of the terrible, but only of the monstrous”(http://www.cnr.edu/home/).
Aristotle is one of the most important western philosophers in history that has influenced our society in many aspects. Many of Aristotle’s teachings have affected our world for many years and still continue to have such a big impact. Some of the subjects Aristotle has influenced include: logic, physics, government and poetry. Aristotle’s study of poetry mainly focused on the elements to a good tragedy. Some of his elements have been used in Greek tragedies and modern movies. The Greek play, Medea, and the modern movie, No Country for Old Men, use elements from Aristotle philosophy, while using similar and different techniques but both achieving an effective tragedy.