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Analysis of king oedipus by sophocles
Analysis of king oedipus by sophocles
The Tragedy of Sophocles Oedipus Rex Story
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Oedipus Rex – The Characterization
Sophocles’ tragic drama, Oedipus Rex, presents to the reader a full range of characters: static and dynamic, flat and round; they are protrayed mostly through the showing technique.
Thomas Van Nortwick in Oedipus: The Meaning of a Masculine Life describes Oedipus as he is seen at the opening of the drama, as a father to his Theban citizens:
In his opening words to the pathetic crowd of suppliants, Oedipus invokes images meant to reassure. As ruler, he is a father to Thebes and its citizens, and like a father he will take care of his “children.” We see already the supreme self-confidence and ease of command in Oedipus, who can address not only other people’s children as his own, but also be a father to men older than he is (21-22).
As protagonist, Oedipus is at the center of the story. The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). Werner Jaeger in “Sophocles’ Mastery of Character Development” pays the dramatist Sophocles the very highest compliment with regard to character development:
The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women ofGreek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36).
Surely it can be said of Sophocles’ main characters that they grow beyond the two dimensional aspect into really rounded physical presences. This is done through mostly the showing technique, though the chorus...
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...ublishers, 1999.
Benardete, Seth. “Sophocles’ Oedipus Tyrannus.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Ehrenberg, Victor. “Sophoclean Rulers: Oedipus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Jaeger, Werner. “Sophocles’ Mastery of Character Development.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Sophocles. Oedipus Rex. Transl. by F. Storr. no pag.
http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi
Van Nortwick, Thomas. Oedipus: The Meaning of a Masculine Life. Norman, OK: University of Oklahoma Press, 1998.
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Roche, Paul. The Oedipus Plays of Sophocles. The New English Library Limited, London. New York and Scarborough, Ontario. 1958.
Fitts, Dudley, and Robert Fitzerald. Sophocles: The Oedipus Cycle. New York, NY: Harcourt Brace & Com, 1977. Print.
Méndez (2014) has somewhat summarized the dilemma in that formal consent does not help researchers deal with the feelings of guilt and the effect of others trust being degraded by disclosure (Miller & Bell, 2002). The tradeoff is such that, by using the third person, a sense of distance from the events and the people being referred to can occur, whereas using the first person is more explicit about the events being analyzed. Wyatt (2006) states that a key ethical principle is found in the writing in how close to position the reader is to the self-disclosure. Ellis (2007) offers a dimension of relational ethics when dealing with intimate issues which is subject to the vague and generic “do no harm.” The researcher will be following Megford’s (2006) proposed ‘ethic of accountability’ in which the writer should write his or her truth as if all the people involved in those events were listening to him or
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Sophocles. Four Plays by Sophocles. Trans. Thomas H. Banks. New York: Oxford University Press, 1966.
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
I ambitiously decided that I would brighten the lives of the elderly by volunteering at a rest home, but discovered that the elderly were being neglected, shoved aside and forgotten. As I stepped into the home a pungent odor penetrated my nostrils, causing an instantaneous gagging reflex. The place was abounded with neglected and subdued inhabitants, yearning for attention. Anybody that passed them caused a sudden outburst of ranting. The negligence and disregard the home displayed appalled me, but helped me to realize that I wanted to make a difference and change the condition people live in.
After my husband consumed the last bite of his fully stacked grilled chicken breast sandwich and deep-fried onion rings, he regained my attention when he continued to vocally reflect upon the horror of his day at work...
Owen, E. T. "Drama in Sophocles' Oedipus Tyrannus." 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 33-35. Print.
As protagonist, Oedipus is at the center of the story. The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). Werner Jaeger in “Sophocles’ Mastery of Character Development” pays the dramatist Sophocles the very highest compliment with regard to character development:
Works Cited:.. Sophocles. Oedipus Rex. New York: Dover Publications, Inc., 1991.