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Mental health and its impact on society
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In Joyce Carol Oates’ short story, Where Are You Going, Where Have You Been?, the reader is immediately introduced to the main character, Connie; a young girl who obsesses over herself and puts little value on her family or loved ones. Throughout the story readers are also introduced to a man named Arnold Friend. Oates uses this character to reveal to readers the true psychological flaws that Connie and himself possess. Connie’s flaws are most likely a result of family issues and the lack of a male figure in her life and lead her in the wrong direction when she is faced with a potentially dangerous situation while Arnold’s psychological issues come from unknown sources. Throughout the story Oates’ reveals the psyche development of both …show more content…
She has a harsh personality and severely judges people based on their appearances. This is made obvious to readers when Oates writes, “Her name was Connie. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (Oates). From this quote readers are able to directly identify that one of Connie’s psychological issues deals with her self esteem or self image. It is clear that Connie has some type of psychological issue that fuels her self obsession. This self obsession most likely stems from family issues and the fact that she is treated poorly by her family. It is made obvious to the reader that Connie is treated poorly when her mother states, "Why don't you keep your room clean like your sister? How've you got your hair fixed—what the hell stinks? Hairspray? You don't see your sister using that junk,” (Oates). This type of treatment harms Connie’s psychological development and forces her to search for attention elsewhere. Her underdeveloped psyche is also most likely a result of her poor relationship with her …show more content…
When Oates first introduces Connie's father, she writes “Their father was away at work most of the time and when he came home, he wanted supper and he read the newspaper at supper and after supper he went to bed. He didn't bother talking much to them, but around his bent head Connie’s mother kept picking at her until Connie wished her mother was dead and she herself was dead and it was all over” (Oates). This quote reveals two things to the reader; Connie has severe issues with the way her mother treats her and Connie does not have a well developed relationship with her father. The fact that Connie lacks a relationship with her father is the reason why she looks for attention from another male source which happens to be older boys that she randomly meets upon her nights out. Because of the poor relationship Connie has with her father she does not value herself or the way men treat her. This is made obvious to readers when Oates writes, “She spent three hours with him, at the restaurant where they ate hamburgers and drank Cokes in wax cups that were always sweating, and then down an alley a mile or so away, and when he left her off at five to eleven only the movie house was still open at the plaza,” (Oates). Connie goes on outings with these boys and tends to focus completely on what they want and puts very little value on her own wants or needs when it comes to men. This shows readers
In Joyce Carol Oates’, “ Where are You going Where have you been,” it was a sunday morning when Arnold continues another one of his daily routines. The main girl, Connie, is a self-centered and shy girl, whose mother is always puts her in the background and makes her feel excluded. For instance, her mother says rude comments like “you think your so pretty” and “you don't see your sister using that junk” (1). Then a guy came into her life. “Where are You Going Where Have You been illustrates a man who uses charms and good looks to get young or middle aged women to satisfy himself, but with this one girl he has some trouble along the way.
First of all, Connie was not happy at home. The story says that her father "was away at work most of the time," and "didn't bother talking much to them," so Connie didn't have love from him and had to find male attention somewhere else. Connie found her happiness in escaping with her friend to the drive-in restaurant and daydreaming about boys. But the happiness she found in both of these things had nothing to do with actual events; it is based on a fantasy. When she was out at the drive-in with a boy, her face gleamed "with the joy that had nothing to do with Eddie or even this place; it might have been the music." When she daydreamed about boys, they all "fell back and dissolved into a single face that was not even a face, but an idea, a feeling mixed up with the urgent pounding of the music..."
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
Connie is only concerned about her physical appearance. She can be described as being narcissistic because "she had a quick, nervous giggling habit of craning her neck to glance into mirror or checking other people's faces to make sure her own was all right" (Oates 148). Connie wants her life to be different from everyone else's in her family. She thinks because she is prettier, she is entitled to much more. She wants to live the "perfect life" in which she finds the right boy, marries him, and lives happily ever after. This expectation is nothing less than impossible because she has not experienced love or anything like it. She has only been subjected to a fantasy world where everything is seemingly perfect. This is illustrated in the story when Connie is thinking about her previous encounters with boys: "Connie sat with her eyes closed in the sun, dreaming and dazed with the warmth about her as if this were a kind of love, the caresses of love, and her mind slipped over onto thoughts of the boy she had been with the night before and how nice he had been, how gentle, the way it was in movies and promised in songs" (151).
Holmen takes a different approach in analyzing Oates’s short story by focusing primarily on features of Connie’s personality in connection to the events that take place over the course of “Where Are You Going, Where Have You Been?” Holmen describes how Oates foreshadowed Connie’s internal problems at the beginning of the story in the dialogue between Connie and her mother and through Connie’s habit of checking her appearance. Holmen then elaborates on Connie’s self-esteem and fear of intimacy using the example of Connie sneaking to the drive-in with her friends to meet boys despite her lack of interest in seeing them after the one night. Holmen argues that because of
Connie has the need to be viewed as older and as more mature than she really is, all the while still displaying childlike behavior. She shows this childlike behavior by “craning her neck to glance in mirrors [and] checking other people’s faces to make sure her own was all right” (Oates 323). This shows that Connie is very insecure and needs other people’s approval. Although on one side she is very childish, on the other side she has a strong desire to be treated like an adult. This longing for adulthood is part of her coming of age, and is demonstrated by her going out to “bright-lit, fly-infested restaurant[s]” and meeting boys, staying out with those boys for three hours at a time, and lying to her parents about where she has been and who she has been with (Oates 325, 326). “Everything about her ha[s] two sides to it, one for home and one for anywhere that was not home” (Oates 324). Even her physical movements represent her two-sided nature: “her walk that could be childlike and bobbing, or languid enough to make anyone think she was hearin...
The external conflict in Oate’s story, Where Are You Going, Where Have You Been, is when Connie meets this mysterious stranger named Arnold Friend. Connie first comes across Arnold when she is hanging out with a boy named Eddie. The second time she glances at him he says, “Gonna get you, baby” (p. 7). She ignores him and continues enjoying her date with Eddie. Soon enough, when Connie’s family left for a barbeque and she stayed home alone, she heard a car pull up on the drive way. Arnold then initiates conversation with Connie and asks her if she wants to go for a ride with him. She rejects his offer because she has no idea who this “Arnold Friend” is, yet he keeps insisting, “Don’tcha wanna see what’s on the car? Don’tcha wanna go for a ride?”
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
It is stated within this short story that her father “was away at work most of the time and when he came home we wanted supper and he read the newspaper at supper and after supper he went to bed” (Oates, 1). This has only contributed to Connie’s unhappiness at home and has most likely impacted her need to find attention from men. For Connie, the escape from home would be going to a shopping plaza with her best girl friend to watch a movie or wander through stores. Some instances, they would cross the highway to a diner and during one particular visit, it is when she met Eddie and the “boy with shaggy black hair, in a convertible jalopy painted gold” (Oates, 2). However, the happiness Connie felt had nothing to do with Eddie or with the diner, bu...
Oates drew the character of Connie very well - she possesses many of the qualities that teenaged children share. According to developmental psychologists, adolescents become highly critical of siblings, and peer relationships take precedence over familial ties during these years (Feldman, 455). These traits are apparent in Connie’s unflattering description of her older sister June, “…she was so plain and chunky…” (209) and the fact that Connie spends many nights out with friends, but refuses to attend an afternoon picnic with her family (211).
Through the story it is mentioned that Connie doesn't have a good relationship with her family. Connie’s relationship with her mother is ruff to say the least. Her mother mocks her and states “ Stop gawking at yourself. Who are you? You think you're so pretty?”(199)
Reminiscing the events in the neighborhood and school, many of the situations directly relate to the incidences Connie goes through in the story. She tried to create a sexy appearance and enticing boys in the local diner serve to explore the new worlds. Her bold step on searching for independence has brought her a brutal
These quixotic ideals and expectations of Connie are what put her in a vulnerable position due to the unrealistic world of love and boys she lives in. Her adult like persona and constant need for validation from others of her beauty is what leads Connie’s “two sided” self to be disconnected from the harsh realities that come alongside being an adult. Connie is forced to face this harrowing reality when the malignant antagonist, Arnold Friend, decides to show up to her house one day while her family is away at a barbecue. Arnold is almost the personification of the Devil as he lures himself into a conversation with Connie through deceit and manipulation. At first Connie “couldn't decided if she liked him or if he was just a jerk,” this statement portrays her naivety and the imaginary world she lives in as she tries to flaunt her amorous attitude in attempts of playing hard to get with a complete stranger. To achieve his sinful desire to hurt Connie, Arnold disingenuously dresses younger than his age, stuffs his shoes to appear taller and manipulatively fakes sharing the same interest in music as Connie to achieve a false sense of comfort and intimacy with her. Connie is abruptly thrown into the reality of
She enjoys the rush of attracting boys and pays little attention to them as individuals, she is more interested in the feeling of validation and control that she gets from their meetings than the actual relationships themselves. Oates writes of Connie’s experiences” it was summer vacation-getting in her mother’s way and thinking, dreaming about the boys she met. But All the boys fell back and dissolved into a single face that was not even a face but an idea, a feeling, mixed up with the urgent insistent pounding of the music and the humid night air of July.” Connie is a girl in control of her environment, until a chance meeting changes the course of her
As she reached her mature age, she try to enjoy her life by hunting for freedom. She explores her interest with open minds and ideas. Oates illustrates her thought by describing Connie as the one who always refused to do anything at home. Like other teenagers that strive for their independence, the narrator Oates reveals Connie as a typical example when she writes “Connie refuses to follow her parents to a barbecue in her aunt’s house”. We can notice that children need to be taught to be respectful in regards to their parent’s. The author Blue, in his show, emphasizes in the ideology when he says, “We often forget that children aren’t built-in sense of respect for others”. If children at lower ages, learn how to manipulate their parents to get their needs meet, they must learn as they are growing that these attitudes will not get them far because time will come when they will have to sustain themselves and if they are not ready for it, they will blame the society for not giving them the appropriate tools for success. It is parent’s responsibilities to educate theirs children’s, not to condone the teen’s erratic behavior but parents must be vigilant and stay connected with their children as Connie mothers did even though her daughter has never listen to