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Introduction to the 1920s essay
Writers of the 1920
Introduction to the 1920s essay
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Published in 1928, 'The Diary of Miss Sophia', is a short novel, that converges on a diminutive period of a terminally ill young women's life, intricately focusing on the complexity of women during the early 1900's, through her relationships with other characters. The novel also explores the turmoil's of the young woman's country - China, through her unconventional pursuit of love. Written in first person, which was a way many May Fourth writers expressed individualism (K. Denton, 1998: 164), in diary format, the author, Ding Ling, aims to create an intermit relationship between the diary writer: Sophia, and the readers, and suggestively to provide a contextually rich piece of literature.
Ding Ling, (born 1904, Hunan Province), became an activist from an early age (K. Howes, 1995: 89) and participated in the 1919 May Fourth revolution. During this year, Ling found an adoration for writing in collaboration with the Feminist concept and became one of the famous May Fourth generation writers (J. Mostow, 2003: 397), who had set about changing society through their written literature (M. Chen, 1997: 36). In 1925, Ling married a left-winged poet named Hu Yepin who further influenced Ding's socialistic realism and became an active member of the League of Left-Wing Writers until he was executed by the Nationalist party in 1931 (A. Wallace et. al, 2013: 368). A year after her husband's execution, Ding joined the Communist party and become a vigorous campaigner (B. Smith, 2008: 58) as well as becoming one of China's most well established 20th century revolutionary feminist writers (R. Mitter, 2005: 61), with her works having a strong involvement with the fundamental, political and cultural turmoil's of the modern China. She is most nota...
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...ected in the News Media Landscape. Routledge; 1st ed.
Pusey. J., (1998). Lu Xun and Evolution. Suny Press. p. 119
Rosenlee. L., (2007). Confucianism and Women: A Philosophical Interpretation. State University of New York Press. p. 92
Smith. B., (2008). The Oxford Encyclopedia of Women in World History: 4 Volume Set. Oxford University Press. p. 58
Spence. J., (1982). The Gate of Heavenly Peace: The Chinese and Their Revolutution. Penguin Books.
Wallace. A & Mostow. J, Denton. K, Fulton. J., (2013). The Columbia Companion to Modern East Asian Literature. Columbia University Press. p. 368, 397
Wang. M, Yu. X, McLean. G., (1997). Chinese Cultural Traditions and Modernization. The Council for Research in Values and Philosophy. p. 43
Widmer. E, Wang. T., (1993). From May Fourth to June Fourth: Fiction and Film in Twentieth - Century China. Harvard University Press. p. 169
Wong, Shawn, ed. Asian American Literature: A Brief Introduction and Anthology. New York: Harper Collins College Publishers, 1996.
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chinese culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member of the Chinese society nor the poor, we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, an American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity; they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
Gittings, John. The Changing Face of China: From Mao to market. Oxford University Press, 2005.
He, Qiang Shan. "Chinese-American Literature." New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. WEstport, Connecticut: Greenwood Press, 1996. 44-65.
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.
(1800)Topic 2: A Literary Analysis of the Historical Differentiation of Patriarchal Culture and Female Gender Identity in the Memoirs of Lady Hyegyong and the Tale of Genji
Schoenhals, Michael. China's Cultural Revolution, 1966-1969: Not a Dinner Party. Armonk, NY: M.E. Sharpe, 1996. Print.
and Political Culture in Modern China, eds. Jeffrey Wasserstrom and Perry, Elizabeth, Oxford: Westview Press, 1994.
Douglas Reynolds, China, 1898-1912: The Xinzheng Revolution and Japan. Cambridge, MA: Harvard University Press, 1993.
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
In the early years of China, the Chinese began a period of establishment in the world with ideas and teachings of new religions, changing powers, and building empires. In a nutshell the Chinese were progressing toward new technology, writings, and belief systems. The Chinese saw many dynasties come and go as well as many ups and downs experienced with societies over the course of history. As all nation’s go through change, the Chinese experienced changes from other lands far away and produced many concepts in which helped other realms to see change for themselves. The Chinese used many inventive innovations to prosper as an economic power and stabilize intellectually. Change mixed with innovation proved to be the roots of China’s success as a powerful nation to be reckoned with for the vast numbers appeared in China’s favor.
George Minamiki, S.J. The Chinese Rites Controversy from Its beginning to Modern Times, (8) Samuel Hugh Moffett. A History of Christianity in Asia. Volume II (120)
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
Pomeroy, Sarah B. Women’s History & Ancient History. The University of North Carolina Press, 1991.
Cheng, Nien. Life and Death in Shanghai. New York, New York: The Penguin Group, 1986.