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How Does Okonkwo Contribute to the Development of the Things Fall Apart Plot
How Does Okonkwo Contribute to the Development of the Things Fall Apart Plot
How Does Okonkwo Contribute to the Development of the Things Fall Apart Plot
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In the song “Runaway,” Ed Sheeran sings “Well dad just don’t expect him back this evening. It could take a bit of time to heal this.” Ed Sheeran’s lyrics exemplify Nwoye and Okonkwo’s relationship. Chinua Achebe, the author of the novel Things Fall Apart, explains the causes that bring Nwoye to escape the prison he called home. Achebe includes the intense nature of Nwoye and Okonkwo’s relationship in order to clarify how their relationship shapes Nwoye. From the beginning of the novel, Okonkwo rebukes Nwoye for being callow an avoiding arduous work. Even at the age of twelve, Nwoye causes “his father great anxiety for his incipient laziness,” (Achebe 13). Not only did Okonkwo fear to be like Unoka, his father, but he also dreaded that Nwoye would end up like Unoka, …show more content…
tarnishing the family name. Okonkwo feared his father’s contemptible life; this possessed him and in turn, causes Okonkwo to dispense his anger on Nwoye. Nwoye idolizes Ikemefuna, a boy who impacts him and Okonkwo. As Nwoye finds an older brother in Ikemefuna, Okonkwo finds an older son in Ikemefuna. Ikemefuna’s arrival opened Okonkwo’s eyes and he “was inwardly pleased with Nwoye’s development, and he knew it was due to Ikemefuna,” (52). Ikemefuna inadvertently influenced Nwoye with his skills and filled Okonkwo with a sense of pride. Okonkwo no longer saw Unoka in Nwoye, however, he saw a man with integrity. Nwoye had developed and this blossomed the father-son relationship. However, the swift killing of Ikemefuna and the move to Abame changed the connection between them. In the novel, Achebe also portrays a taut relationship between Nwoye and Okonkwo when the last fight scene between them creates tension.
Nwoye faces his father Okonkwo in their most important fight scene. Fear strikes Nwoye when Okonkwo “suddenly overcame with fury, sprang to his feet and gripped Nwoye by the neck,” (Achebe 151). Certain interactions depict a lack of compassion in their relationship, especially when Nwoye betrays Okonkwo’s trust. Nwoye can no longer handle the derisive manner of his father and leaves his family. He finds happiness with the church, no longer controlled by Okonkwo’s temperament. After Nwoye’s departure, he threatens his other five sons: “he will only have a son who is a man,” (172). Okonkwo will do anything to ensure that his other sons end up like himself and not like his incipient father or Nwoye. The loss of one son creates a sense of insecurity as Okonkwo attempts to gain the loyalty of the younger five. Nwoye’s departure shapes Nwoye as this traitorous and effeminate character in the story and Okonkwo as a weaker and much more insecure character. Yet, Achebe also portrays a more audacious side of Nwoye as he retaliates social norms and his own father’s
wishes. Ed Sheeran’s relationship with his father mirrors Nwoye and Okonkwo’s in “Runaway.” Nwoye “loves his father from his skin to the bones,” but does not want to live in his home anymore. Nwoye and Okonkwo’s relationship is malevolent and tense. Okonkwo tried to control Nwoye and shape his beliefs to mirror his own. However, a father is not an anchor to hold a child back or a sail to guide the child; a father is a guiding light that helps the child on its own journey. It could be said that sometimes a child disagrees with their father, but what matters is how they are acted upon. Poor behavior from a father leads the child to feel as if they are not their father’s children.
From birth Okonkwo had wanted his son, Nwoye, to be a great warrior like him. His son instead rebelled and wanted to be nothing like Okonkwo. Okonkwo would not change so that his son would idolize him, as he had wanted since his son's birth. He chose not to acknowledge his son's existence instead. This would weigh heavily on anyone's conscience, yet Okonkwo does not let his relationship with his son affect him in the least bit.
Chinua Achebe wrote this novel from the perspective of Okonkwo, but this passage in particular is more from Nwoye’s point of view and is told through a third person omniscient narrator. It takes place in the middle of a larger topic involving the manliness of Nwoye and Ikemefuna, and is located in paragraphs three and four of chapter seven, in part one. Here, Nwoye and Ikemefuna are sitting in Okonkwo’s obi listening to “masculine stories of violence and bloodshed” (TFA, location 574). Nwoye is pretending to be interested in the stories to please his father, but he prefers the womanly stories his mother told.
In the novel “Things Fall Apart” by Chinua Achebe, Nwoye is Okonkwo’s eldest son who is a feminine in the eyes of his father while being a lackadaisical boy just like Unoka was during his lifetime. As a child, Nwoye was often criticized by his father for not being a manly person. Eventually, Ikemefuna comes to fill the void of a manly person and afterwards, Nwoye decided to emulate Ikemefuna as a way to show to his father that he is not a feminine but instead he is transitioning into a manly person. On the other hand after the murder of Ikemefuna, Nwoye decides to distance himself from his father and seems to lose the respect he once had towards his father. Without Ikemefuna’s influence, Nwoye decides to convert back to his gentle nature which basically leads to Okonkwo to view his son as a disappointment and feminine person. Later on in the novel, Nwoye decides to not forgive his father for his betrayal in killing Ikemefuna which ultimately leads to Nwoye to convert into Christianity as a way to show his father that he did a scandalous thing that would never be forgiven.
Before British Colonization Nwoye was dedicated to his father Okonkwo until he killed Ikemefuna. Nwoye did everything Okonkwo asked of him because he was scared of the consequences he would suffer if he did not listen or respect Okonkwo. Once Okonkwo murdered Ikemefuna, Nwoye became afraid of him. Ikemefuna was the closest thing Nwoye had as a brother, taking that away from Nwoye made him lose respect for Okonkwo. “Then something had given way inside him. It descended on him again, this feeling, when his father
Since Nwoye cried, Okonkwo beat him. Nwoye wishes he could see his mother and he wants to be with her. When Okonkwo goes to exile, he goes to his Mother's village. He respects his mother and this is where he finds forgiveness for what he did. "Do what you are told, woman," Okonkwo thundered, and stammered. "When did you become one of the ndichie of Umuofia?" And so Nwoye's mother took Ikemefuna to her hut and asked no more questions. As for the boy himself, he was terribly afraid. He could not understand what was happening to him or what he had done.”(Page 5 ebook) Ikemefuna was scared of Okonkwo so he found what was his closest mother figure and looked to her for comfort. “Okonkwo was a very strong man and rarely felt fatigue. But his wives and children were not as strong, and so they suffered. But they dared not complain openly. Okonkwo’s first son, Nwoye, was then twelve years old but was already causing his father great anxiety for his incipient laziness. At any rate, that was how it looked to his father, and he sought to correct him by constant nagging and beating. And so Nwoye was developing into a sad-faced youth.” (Page 5
Okonkwo’s fear leads him to treat members of his family harshly, in particular his son, Nwoye. Okonkwo often wonders how he, a man of great strength and work ethic, could have had a son who was “degenerate and effeminate” (133). Okonkwo thought that, "No matter how prosperous a man was, if he was unable to rule his women and his children (and especially his women) he was not really a man" (45).
It was surprising that Okonkwo went along and ignored the advice of an elder, since he himself wants to become a great leader in the tribe. Shockingly, Okonkwo selfishly chooses to look brave and fearless over the love of the boy he called his own and ends up being the one who kills him. I believed that Okonkwo’s love for his son would outweigh his senseless pride and he would save his son, however I was wrong. Nwoye suspects his father’s wrongdoing and begins to fear
Things Fall Apart characterizes Nwoye who suffers from an internal conflict of self-identification. Growing up as an eldest son under his masculine father, Okonkwo, Nwoye had to face a struggle which he had to please his father by acting and behaving like him. Since Okonkwo despised his father, Unoka, so he didn’t want himself to be like his father and he also doesn’t want his eldest son to be like his father. However, Nwoye is actually an opposite side of Okonkwo’s manliness. Nwoye indeed enjoyed his mother’s story of folktales and even preferred it more than his father’s story of war. Whenever he does anything feminine, which makes his father dissatisfied, Okonkwo uses physical abuses to Nwoye to make him awaken about masculinity. Nevertheless, he does not want to be like Okonkwo since that is not hi...
Okonkwo is known throughout Umuofia to be extremely masculine. He rarely shows signs of fear or weakness. This is because Oknokwo promised himself he would be the complete opposite of his father Unoka. Unoka had passed away ten years prior to when the story takes place but he has always been remembered as a weak, lazy, poor man who could barely provide for his family. He was always in debt and didn't care to work, he would play his flute all day everyday if he was able to. "People laughed at him because he was a loafer, and they swore never to lend him any more money because he never paid back" (5). Unoka was the laugh of the town and Okonkwo would never allow himself be that.
Nwoye – In the eyes of Okonkwo, his oldest son, Nwoye, is weak and lazy from an early age. He dislikes his father because he beats him so often to make him more masculine. After the death of Ikemefuna, Nwoye becomes very depressed and later converts to the Christian faith, which makes Okonkwo disown him.
Nwoye grows tired of his father and is called by the Christian faith and converts. Nwoye’s internal struggle with himself between change and tradition ultimately led him to convert against his father’s wishes. Okonkwo is extremely resistant to change, so he does everything in his power to prevent his family from converting; “‘If you turn against me when I am dead I will visit you and break your neck’” (Achebe 105). Okonkwo uses fear to keep his other children from the Igbo culture.
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s
This passage shows the reader that Nwoye is extremely different from many members of his family and the other members of the village. After Okonkwo learns that his son is interested in the new religion he is furious. Okonkwo has always been disappointed in his son. He believes that Nwoye is not as strong as a man of their clan should be. When Okonkwo was Nwoye’s ...
Nwoye, whom is Okonkwo’s son, leaves to follow the Christians. Resulting from this, Okonkwo perceives him as weak, because he disobeyed the male dominant Igbo culture. In an academic article by Biodun, he touches on the subject of male dominance playing a part upon Okonkwo finding his son feminine, “We can indeed say that within the gendered scale of valuations and representations by which Okonkwo seeks to establish the greatest possibles distance between himself and his father’s “effeminacy,” his son Nwoye is “feminized”: he refuses Okonkwo’s interpellative call to be a “man” contemptuous of “female” attributes” (Jeyifo 233). Since the the Igbo community is very male dominated, when Nwoye leaves to join the Christians, it is perceived to be a feminist choice. This is also confirmed in the book Things Fall Apart, “A sudden fury rose within him and he felt a strong desire to take up his machete, go to the church and wipe out the entire vile and miscreant gang. But on further thought he told himself that Nwoye was not worth fighting for” (Achebe 152). Chinua Achebe narrates Okonkwo realizing that his son is not worth fighting for, because Nwoye betrayed the Igbo village, making him the equivalent of a woman. Okonkwo therefore betrays his son, because the Igbo society is male
Chinua Achebe's novel, Things Fall Apart, uses the changes in African tribal culture brought about by European colonization to illustrate the evolution of the character Okonkwo. As Okonkwo leads his life, his experiences, personality and thought are revealed to the reader. The obstacles he faces in life are made numerous as time progresses. Okonkwo's most significant challenge originates within himself. He also encounters problems not only when in opposition to the white culture, but in his own culture, as he becomes frustrated with tribal ideals that conflict with his own. The last adversary he encounters is of the physical world, brought upon himself by his emotional and cultural problems. The manner through which Okonkwo addresses his adversaries in Things Fall Apart creates the mechanism that leads to his eventual destruction.