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Nudity in art history
An essay on nude art work art of history
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The word nude entered in the English dictionary in 1531, as a legal term "unsupported, not formally attested", from Latin nudus 'naked, bare'. It will be, in the eighteenth century, used to describe a painting or other artwork depicting a human figure in a state of near or total undress. While the word nude has becoming positive in art history, due to the large use of it over the years, the word naked has been always negative. In fact, its definition is “having no clothes on, having no defence or protection, unprovided with needful or desirable accessories”. (1.) Art historians dated the first nude back to around 30-25,000 BC, when a small statuette of a corpulent woman, called the Willendorf Venus, was adored as a goddess. Being naked and being embarrassed about that, will increase after the raise of Christianity, during Medieval Era, when the only nude figures in art were Adam and Eve. Analysing, in fact, Egyptian and especially Greek art, historians realized how being naked was part of their ordinary life. All the Greek’s Gods or heroes were, indeed, naked. Also, they used to participate naked to the Olympic Games. . From the 13th Century on, artists begun to rediscover classical antiquity and the nude started to appear again in art history. Artists such as Leonardo, Michelangelo and later on Titian were seriously interested in anatomy and drawing from life become part of workshop practice. But, the scenes depicted were only exclusively mythological or religious and the nudes were idealised. In the 17th Century, artists such as Caravaggio and later on Rubens used the nude in a more naturalistic way, though they were still used primarily in history or religious paintings. 1. http://www.wordvia.com/dictionary During the 18th... ... middle of paper ... ...ring the Victorian period the relationship between artists and models has always been a problem for the society because caused moral issues. Orpen and his contemporaries are showing that a sexual relationship with the model is, sometimes, true and they don’t bother about that. Another work that shows a sensual and new nude representation is Early morning (Plate 10). This painting was exhibited in 1922, so it can’t be included in the Victorian’s painting but it is, in my opinion, very important to see the progress the society has made in acceptance of the nude. The way he depict this young woman is, for me, brilliant. She is naked but, in my opinion, her expression shows that she’s very comfortable. She is, in fact, sitting with her legs crossed on a bed, drinking tea and reading letters. She is looking far away from the viewer and she seems absorbed in her thoughts
A nude woman reclining is a piece of art that has been apart of many art movements throughout history. Édouard Manet's Olympia, and Jean Auguste Dominique Ingres' Le Grande Odalisque, are two pieces that are apart of this history.
As time kept passing, more and more magnificent sculptures were made by numerous artists. One of the most memorable sculpture was Aphrodite of Knidos, goddess of love and beauty. Back in the Late Classical Period, the civilians were only used to seeing ideal male nude bodies, but Praxiteles decided to make a different approach and sculpted the first female nude. Because he obviously had never seen a goddess before, he used his imagination and sculpted bathing Aphrodite as humanlike possible. He did not make it look idealistic, but instead made it beautiful with flaws.
...e of Knidos, created by Praxiteles, can only be found in copies today, but at the time was the first sculpture of a goddess nude. He had transformed marble into the soft and radiant flesh of the goddess of love and taking on a worldly sensuousness. Originally located in a rotunda where it could be seen from all angles. Female nudity was very rare to the Greeks, especially that of a goddess. The sculptor made it look like Aphrodite’s nudity was nonchalant, which made it more sensuous with a welcoming look on her face. With several copies, all being found to be slightly different, all still capture the goddess’s womanly beauty that is not too sexually aggressive. With he hourglass torso, sloped shoulders, large hips and thighs, slim calves and ankles, and small feet and hands, this statue is the polar opposite of any manly figure, which is why it is known to be luring.
The existence of pornography is not a new invention. For years, humans have found certain depictions to be sexually arousing. Holmes and Holmes (2009), for example discuss how in ancient civilizations, Mesopotamia, for example, there were depictions of men and women in sexually explicit scenes on various household goods, such as plates and washbasi...
Prior to the 20th century, female artists were the minority members of the art world (Montfort). They lacked formal training and therefore were not taken seriously. If they did paint, it was generally assumed they had a relative who was a relatively well known male painter. Women usually worked with still lifes and miniatures which were the “lowest” in the hierarchy of genres, bible scenes, history, and mythological paintings being at the top (Montfort). To be able to paint the more respected genres, one had to have experience studying anatomy and drawing the male nude, both activities considered t...
This exhibition will examine the changing role of Classical imagery from seventeenth through nineteenth century painting, as well explain how these changes gradually produced Realism. In the seventeenth century Nicholas Poussin and Peter Paul Rubens produced works that corresponded with the Classicism of the French Academie des Beaux-Arts, though they presented these ancient subjects in very different ways. The predominance of drawing and planning in Poussin’s work was seen in contrast with the dynamic use of colour in the works of Rubens. These two means of addressing Classical themes ideologically divided the Academie between the rubenistes and the poussinistes, who quarreled for over a century about artistic approaches and techniques. The innovative and expressive works produced in the eighteenth century and beyond can be seen as a product of the rubenistes’ triumph in this conflict. Following in the example of Rubens, British artist Joshua Reynolds made use of colour and dynamic compositional techniques that combined the portraiture popular in England with the Grand Manner style that gained favour in the Academie. Reynolds became the first president of the Royal Academy in Britain and gained international acclaim for his work. The achievement of such an honour fared more difficult for artists such as Eugène Delacroix, who took a bolder approach to combining Classical imagery with reality and was frequently rejected by the Academie for doing so. This was also the case for Edourad Manet, whose scandalous work shocked viewers of the Salon des Refusés with its perceived immorality and distasteful appropriation of Classical imagery.
Women in pictorial history have often been used as objects; figures that passively exist for visual consumption or as catalyst for male protagonists. Anne Hollander in her book Fabric of Vision takes the idea of women as objects to a new level in her chapter “Women as Dress”. Hollander presents the reader with an argument that beginning in the mid 19th century artists created women that ceased to exist outside of their elegantly dressed state. These women, Hollander argues, have no body, only dress. This concept, while persuasive, is lacking footing which I will attempt to provide in the following essay. In order to do this, the work of James Tissot (b. 1836 d. 1902) will further cement the idea of “women as dress” while the work of Berthe
in time. All of the male sculptures appear in the nude because they represent a perfect man
With the nude positioned in the center-front of the symmetrical room, it gives her a sense of balance and dominance over the whole canvass. The luscious textures and colors placed high emphasis on the figure and her seductive pose, while simultaneously restricting the composition of the background to remain subordinate. Furthermore, the historical writings of the Roman goddess, Venus, allowed Brewer to create an appropriate female in the nude, in an appropriate setting and atmosphere.
Bonfante, L. (1989). Nudity as a costume in classical art. American Journal of Archaeology, 93(4), 543-570. (greek male nude, excellent )
The Victorian era was a beautiful time. It was full of highly sophisticated people, not including the artists. The artists of the Victorian era were more to the common people that stood out. Most of the artists back then weren’t as big as they are now. They differed in so many ways trying to be individuals. In this, the works would all be outlining subjects but they differed a great deal. Artists in the Victorian era were expressing themselves with extravagant portraits of daily life in ways of romanticism, realism, impressionism, and post-impressionism.
People often end up on the opposite sides of the argument concerning the fine line between art and pornography. Artists sometimes include nude depictions or descriptions of the human form in their work. The artists and many other liberals and citizens of the art world argue that it is important for artists to feel the freedom to express themselves in any way that they wish. The problem with this liberty is that many people find the nude body offensive and believe that these images should not be considered art but pornography instead. This is a valid and important dilemma, but as Dennis Barrie describes art in a speech that was published in Art Journal, “…sometimes art is not beautiful, and sometimes it’s challenging, and sometimes it’s even offensive, and yet it can be art, even if it’s all those things” (Barrie 30). Artists should always be allowed to express themselves fully and not fear public reprimand despite the risk they may run of offending people who cannot appreciate their work.
In ancient Greek society, nudity was revered as a natural state of being. In exercise, art, and daily life, nudity was closely associated with the Greeks’ concept of youthfulness and beauty. The era was and continues to be famous for the depictions of precise, idealized anatomy that proliferated sculpture, pottery, and paintings produced by artists from the time. But this obsession with and celebration of the au naturel wasn’t afforded to all members of society. The lugubriously low social standing held by women at the time forced them to assume a more conservative way of dressing, as they continued to be disenfranchised and devalued.
In art there are many different reasons for having nudes in your work, however there are three main categories that come up more often. The first reason an artist might depict a nude person is to draw attention to something or some issue. For example, in 2007 the No- Anorexia billboard the Nolita brand, campaign was meant to shock people and bring to life an important issue facing the fashion world at that time. This photo, by Oliviero Toscani, shows an extremely underweight woman posing like a regular model. This advertisement does a good job at showing the real effects of anorexia and how people need to recognize this as a true problem. The next reason an artist might use a nude, is to show an understanding of the human form. There is not a greater form, than God’s greatest work. Artists are here to show the beauty in this world, be that a vase, plant, or person. The final reason an artist will use a nude is to show vulnerability. They do this because clothes and jewelry and material objects only work to create walls between people. When being nude a person has nothing to hide behind, no things, no layers, no walls. Just bare skin. In this instant one can get a feel of the true character of a person. Do they stand with c...
Since the birth of Christ man were not ashamed of being nude and it was actually normal. Why should art be censored when it is a part of our culture? No one thinks twice when they buy a famous artist like Picasso’s art, but they don’t know that most of his creations were disfigured women. Many artists that are in history book’s work are shown as beautiful when nude while recent artist work are looked at as inappropriate and offensive. Back in the high renaissance era they drew, sculpted, and painted almost everyone naked.